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A memoir of homeschooling.
Women from all over the country share their experiences and offer insights into what it is like not having children, and describe what factors helped shape their decision to remain childless.
With the help of your own rule, you can get control of your household, grow closer to God, come to love your husband more, and raise up good Christian children.
Mother Truths is a beautiful, funny, and raw collection of poetry about early motherhood. The perfect gift for expectant mothers and new mums.
Cindy Rollins, author of the best-selling memoir, Mere Motherhood, here provides insight and advice into how to use morning time effectively in homes and classrooms.
A groundbreaking exposé and diagnosis of the silent epidemic of fear afflicting new mothers, and a candid, feminist deep dive into the culture, science, history, and psychology of contemporary motherhood Anxiety among mothers is a growing but largely unrecognized crisis. In the transition to mother­hood and the years that follow, countless women suffer from overwhelming feelings of fear, grief, and obsession that do not fit neatly within the outmoded category of “postpartum depression.” These women soon discover that there is precious little support or time for their care, even as expectations about what mothers should do and be continue to rise. Many struggle to distinguish normal worry from crippling madness in a culture in which their anxiety is often ignored, normalized, or, most dangerously, seen as taboo. Drawing on extensive research, numerous interviews, and the raw particulars of her own experience with anxiety, writer and mother Sarah Menkedick gives us a comprehensive examination of the biology, psychology, history, and societal conditions surrounding the crushing and life-limiting fear that has become the norm for so many. Woven into the stories of women’s lives is an examination of the factors—such as the changing structure of the maternal brain, the ethically problematic ways risk is construed during pregnancy, and the marginalization of motherhood as an identity—that explore how motherhood came to be an experience so dominated by anxiety, and how mothers might reclaim it. Writing with profound empathy, visceral honesty, and deep understanding, Menkedick makes clear how critically we need to expand our awareness of, compassion for, and care for women’s lives.
Long-Listed for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay Sarah Menkedick spent her twenties trekking alone across South America, teaching English to recalcitrant teenagers on Reunion Island, picking grapes in France and camping on the Mongolian grasslands; for her, meaning and purpose were to be found on the road, in flight from the ordinary. Yet the biggest and most transformative adventure of her life might be one she never anticipated: at 31, she moves into a tiny 19th-century cabin on her family's Ohio farm, and begins the journey into motherhood. In eight vivid and boldly questioning essays, Menkedick explores the luminous, disorienting time just before and after becoming a mother. As she reacquaints herself with the subtle landscapes of the Midwest, and adjusts to the often surprising physicality of pregnancy, she ruminates on what this new stage of life means for her long-held concepts of self, settling, and creative fulfillment. In “Millie, Mildred, Grandma Menkedick,” she considers the nature of story through the life of her tough German grandmother, who raised two boys as a single mother in the 1950s and then spent her seventies traveling the world with her best friend Marge; in “Motherland,” on a trip back to Oaxaca, Mexico to visit her husband’s family, she finally embraces her Midwestern roots; in “The Milk Cave,” she discovers in breastfeeding a new appreciation for the spiritual and artistic potential of boredom; and in “The Lake,” she revisits her childhood with her father, whose relentless optimism and mystical streak she sees anew once she has a child of her own. A story of a traveler come home to the farm; of becoming a mother in spite of reservations and doubt; and of learning to appreciate the power and beauty of the quotidian, Homing Instincts speaks to the deepest concerns and hopes of a generation.
In Mere Equals, Lucia McMahon narrates a story about how a generation of young women who enjoyed access to new educational opportunities made sense of their individual and social identities in an American nation marked by stark political inequality between the sexes. McMahon's archival research into the private documents of middling and well-to-do Americans in northern states illuminates educated women's experiences with particular life stages and relationship arcs: friendship, family, courtship, marriage, and motherhood. In their personal and social relationships, educated women attempted to live as the "mere equals" of men. Their often frustrated efforts reveal how early national Americans grappled with the competing issues of women's intellectual equality and sexual difference. In the new nation, a pioneering society, pushing westward and unmooring itself from established institutions, often enlisted women's labor outside the home and in areas that we would deem public. Yet, as a matter of law, women lacked most rights of citizenship and this subordination was authorized by an ideology of sexual difference. What women and men said about education, how they valued it, and how they used it to place themselves and others within social hierarchies is a highly useful way to understand the ongoing negotiation between equality and difference. In public documents, "difference" overwhelmed "equality," because the formal exclusion of women from political activity and from economic parity required justification. McMahon tracks the ways in which this public disparity took hold in private communications. By the 1830s, separate and gendered spheres were firmly in place. This was the social and political heritage with which women's rights activists would contend for the rest of the century.