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Throughout history there have been great and articulate defenders of the faith, from Augustine and Aquinas to Jonathan Edwards, G. K. Chesterton, Francis Schaeffer, and C. S. Lewis. But with new challenges comes the need for a fresh apologetic that specifically addresses the arguments levied against faith in our time of scientific atheism and skepticism. In the spirit of C. S. Lewis's Mere Christianity, Alister McGrath's Mere Apologetics seeks to equip readers to engage gracefully and intelligently with the challenges facing the faith today while drawing appropriately on the wisdom of the past. Rather than supplying the fine detail of every apologetic issue in order to win arguments, Mere Apologetics teaches a method that appeals not only to the mind but also to the heart and the imagination. This highly accessible, easy-to-read book is perfect for pastors, teachers, students, and lay people who want to speak clearly and lovingly to the issues that confront people of faith today.
As traced by Roger D. Sell, literary communication is a process of community-making. As long as literary authors and those responding to them respect each other’s human autonomy, literature flourishes as an enjoyable, though often challenging mode of interaction that is truly dialogical in spirit. This gives rise to author-respondent communities whose members represent existential commonalities blended together with historical differences. These heterogeneous literary communities have a larger social significance, in that they have long served as counterweights to the hegemonic tendencies of modernity, and more recently to postmodernity’s well-intentioned but restrictive politics of identity. In post-postmodern times, their ethos is increasingly one of pleasurable egalitarianism. The despondent anti-hedonism of the twentieth century intelligentsia can now seem rather dated. Some of the papers selected for this volume develop Sell’s ideas in mainly theoretical terms. But most of them offer detailed criticism of particular anglophone writers, ranging from Shakespeare, Ben Jonson and other poets and dramatists of the early modern period, through Wordsworth and Coleridge, to Dickens, Pinter, and Rushdie.
"The turn of the twentieth century was a decisive moment in the institutionalisation of Russia's literary scholarship. This is the first book in the English language to provide an in-depth analysis of the emergence of Russia's literary academia in the pre-Revolutionary era. In particular, Byford examines the rhetoric of self-representation of major academic establishments devoted to literary study, the canonisation of exemplary literary historians and philologists (Buslaev, Grot, Veselovskii, Potebnia, Ovsianiko-Kulikovskii), and attempts by Russian literary academics of this era to define their work as a distinct form of scholarship (nauka). By analysing a range of academic rituals, from celebrations of institutional anniversaries to professors inaugural lectures, and by dissecting the discourse of scholars' obituaries, commemorative speeches and manuals in scholarly methodology, Byford reveals how the identity of literary studies as a discipline was constructed in Russia. He provides not only a unique insight into fin-de-siecle Russian literary scholarship, but also an original approach to academic institutionalisation more widely."