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Dayang Mas Lafina tidak sanggup bersuamikan lelaki tua bernama Tuan Arman. Namun dia dipaksa jua oleh ibu tirinya demi harta dan wang ringgit. Pilihan hatinya Ezroy Aidid itu nun jauh di mata. Sukar baginya untuk menghubungi Ezroy kerana telefon bimbitnya disimpan oleh ibu tirinya. Bagaimana dia mahu menceritakan penderitaan yang ditanggungnya? Dia nekad pada hari pernikahannya, dia melarikan diri dengan bantuan dua orang sahabat baiknya. Dia cuba mendapatkan perlindungan daripada Ezroy, namun kerana termakan hasutan dan fitnah, lelaki itu menuduhnya pisau cukur. Akibatnya dia telah didera, diseksa dan dihina serta disuruh menjadi pembantu rumah. Pedih pilu hatinya hanya TUHAN yang tahu. Ikutkan marah mahu sahaja dia melarikan diri. Namun bimbang akan dicari orang-orang upahan ibu tirinya, dia rela dirinya ditohmah oleh lelaki yang amat dicintai suatu waktu dahulu sehinggalah suatu hari dia koma setelah menjalani pembedahan akibat penderaan fizikal dan mental yang tidak berkesudahan.
“Papa nak jodohkan aku dengan anak kawan dia? Aku baru putus cinta dengan Aiman. Aku tak nak di kecewakan lagi. Baik aku menyamar jadi gemuk masa jumpa lelaki tu. Lepas tu mekap tebal-tebal dan pakai cermin mata. Bila dia nampak aku buruk, mesti dia tak jadi nak kahwin dengan aku.” Syazana memasang tekad. “Demi menyelamatkan syarikat papa, aku terpaksa berkorban untuk dijodohkan dengan perempuan yang aku tak kenal. Aku redha walau aku masih teringatkan Qistina. Tapi aku nak perempuan tu terima aku seadanya. Bukan sebab aku handsome. Apa kata aku pakai gigi palsu besar, berperut buncit, berjambang dan botak tengah kepala.” Rafi qi merancang. Kalau sudah jodoh, akhirnya kahwin juga.
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Blending the iconoclastic feminism of The Notorious RBG and the confident irreverence of Go the F**ck to Sleep, a brazen and empowering illustrated collection that celebrates inspirational badass women throughout history, based on the popular Tumblr blog. Well-behaved women seldom make history. Good thing these women are far from well behaved . . . Illustrated in a contemporary animation style, Rejected Princesses turns the ubiquitous "pretty pink princess" stereotype portrayed in movies, and on endless toys, books, and tutus on its head, paying homage instead to an awesome collection of strong, fierce, and yes, sometimes weird, women: warrior queens, soldiers, villains, spies, revolutionaries, and more who refused to behave and meekly accept their place. An entertaining mix of biography, imagery, and humor written in a fresh, young, and riotous voice, this thoroughly researched exploration salutes these awesome women drawn from both historical and fantastical realms, including real life, literature, mythology, and folklore. Each profile features an eye-catching image of both heroic and villainous women in command from across history and around the world, from a princess-cum-pirate in fifth century Denmark, to a rebel preacher in 1630s Boston, to a bloodthirsty Hungarian countess, and a former prostitute who commanded a fleet of more than 70,000 men on China’s seas.
Indonesian poetry, like the country and also the language, is basically a product of this century. Only in the twentieth century have the people of this vast archipelago begun to achieve a unified cultural identity and national spirit; only since 1928 has the possibility, and by now the reality, of a common language been realized; and only since World War II have Indonesians achieved nationhood. Yet Indonesia has already produced a highly individual, lyric poetry that s in many ways unusual. Reflecting the diverse heritage of the Orient and the West—Moslem, Buddhist, Hindu, and Christian; Malay, Chinese, Dutch, and others—a poetic expression is developing that is accessible to, and meaningful for, both East and West. In this first major study of this poetic flowering, Burton Raffel traces its development, discusses the work of such major figures as Chairil Anwar, and points the paths the most recent poets are taking. This is illustrated with a wealth of examples—in translations mostly by the author, but also with samples of the original Indonesian to convey the flavor of the language—and by an extensive appendix of Indonesian literary criticism that indicates how the poets themselves view their role and their performance. The Development of Modern Indonesian Poetry provides the English-speaking public with a rare insight into the cultural development of the fifth most populous country in the world, and raises along the way some questions important for an understanding of the relationship between poetry and politics in nonaligned nations.
Joy Randall is a girl with big expectations and an even bigger love for vampire romance novels. Unsuccessful so far in her quest to find her soulmate, Joy can’t say no when her friend Roxy suggests a holiday to the Czech Republic. Tall, dark strangers? Tick. Craggy, romantic landscapes? Tick. Hoardes of centuries-old men who want to suck your blood? OK, that’s just Roxy’s over-active imagination. After all, vampires don’t exist . . . do they? Plagued by dreams of a handsome stranger, haunted by a mysterious prophecy, and pursued by three pale, brooding, slightly sinister suitors, Joy isn’t so sure now. Worried about her growing attraction to the enigmatic Raphael, she knows that one thing’s for certain: Mr. Right should not equal Mr. Heading-Right-For-Your-Neck. But can she resist the lure of the Dark Ones? Is her attraction to Raphael just lust . . . or blood lust? And will she find a chosen life partner that is, well, alive? Nowadays, finding The One sure is a pain in the neck . . .