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Mendl Mann’s autobiographical novel The Fall of Berlin tells the painful yet compelling story of life as a Jewish soldier in the Red Army. Menakhem Isaacovich is a Polish Jew who, after fleeing the Nazis, finds refuge in the USSR. Translated into English from the original Yiddish by Maurice Wolfthal, the narrative follows Menakhem as he fights on the front line in Stalin’s Red Army against Hitler and the Nazis who are destroying his homeland of Poland and exterminating the Jews. Menakhem encounters anti-Semitism on various occasions throughout the novel, and struggles to comprehend how seemingly normal people could hold such appalling views. As Mann writes, it is odd that "vicious, insidious anti-Semitism could reside in a person with elevated feelings, an average person, a decent person”. The Fall of Berlin is both a striking and timelylook at the struggle that many Jewish soldiers faced. An affecting and unique book, which eloquently explores a variety of themes – such as anti-Semitism, patriotism, Stalinism and life as a Jewish soldier in the Second World War – this is essential reading for anyone interested in the Yiddish language, Jewish history, and the history of World War II.
Mendl Mann's autobiographical novel The Fall of Berlin tells the painful yet compelling story of life as a Jewish soldier in the Red Army. Menakhem Isaacovich is a Polish Jew who, after fleeing the Nazis, finds refuge in the USSR. Translated into English from the original Yiddish by Maurice Wolfthal, the narrative follows Menakhem as he fights on the front line in Stalin's Red Army against Hitler and the Nazis who are destroying his homeland of Poland and exterminating the Jews. Menakhem encounters anti-Semitism on various occasions throughout the novel, and struggles to comprehend how seemingly normal people could hold such appalling views. As Mann writes, it is odd that "vicious, insidious anti-Semitism could reside in a person with elevated feelings, an average person, a decent person". The Fall of Berlin is both a striking and timelylook at the struggle that many Jewish soldiers faced. An affecting and unique book, which eloquently explores a variety of themes - such as anti-Semitism, patriotism, Stalinism and life as a Jewish soldier in the Second World War - this is essential reading for anyone interested in the Yiddish language, Jewish history, and the history of World War II.
"Mendl Mann's autobiographical novel The Fall of Berlin tells the painful yet compelling story of life as a Jewish soldier in the Red Army. Menakhem Isaacovich is a Polish Jew who, after fleeing the Nazis, finds refuge in the USSR. Translated into English from the original Yiddish by Maurice Wolfthal, the narrative follows Menakhem as he fights on the front line in Stalin's Red Army against Hitler and the Nazis who are destroying his homeland of Poland and exterminating the Jews. Menakhem encounters anti-Semitism on various occasions throughout the novel, and struggles to comprehend how seemingly normal people could hold such appalling views. As Mann writes, it is odd that ""vicious, insidious anti-Semitism could reside in a person with elevated feelings, an average person, a decent person”. The Fall of Berlin is both a striking and timelylook at the struggle that many Jewish soldiers faced. An affecting and unique book, which eloquently explores a variety of themes - such as anti-Semitism, patriotism, Stalinism and life as a Jewish soldier in the Second World War - this is essential reading for anyone interested in the Yiddish language, Jewish history, and the history of World War II. "
Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public. Eschewing the great composer style of music history, Andrew Talle takes us on a journey that looks at how ordinary people made music in Bach's Germany. Talle focuses in particular on the culture of keyboard playing as lived in public and private. As he ranges through a wealth of documents, instruments, diaries, account ledgers, and works of art, Talle brings a fascinating cast of characters to life. These individuals--amateur and professional performers, patrons, instrument builders, and listeners--inhabited a lost world, and Talle's deft expertise teases out the diverse roles music played in their lives and in their relationships with one another. At the same time, his nuanced re-creation of keyboard playing's social milieu illuminates the era's reception of Bach's immortal works.
"Mendl Mann's autobiographical novel The Fall of Berlin tells the painful yet compelling story of life as a Jewish soldier in the Red Army. Menakhem Isaacovich is a Polish Jew who, after fleeing the Nazis, finds refuge in the USSR. Translated into English from the original Yiddish by Maurice Wolfthal, the narrative follows Menakhem as he fights on the front line in Stalin's Red Army against Hitler and the Nazis who are destroying his homeland of Poland and exterminating the Jews. Menakhem encounters anti-Semitism on various occasions throughout the novel, and struggles to comprehend how seemingly normal people could hold such appalling views. As Mann writes, it is odd that ""vicious, insidious anti-Semitism could reside in a person with elevated feelings, an average person, a decent person”. The Fall of Berlin is both a striking and timelylook at the struggle that many Jewish soldiers faced. An affecting and unique book, which eloquently explores a variety of themes - such as anti-Semitism, patriotism, Stalinism and life as a Jewish soldier in the Second World War - this is essential reading for anyone interested in the Yiddish language, Jewish history, and the history of World War II. "
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
This dictionary identifies more than 13,000 German-Jewish surnames from the area that was pre-World War I Germany. From Baden-Wuerttemburg in the south to Schleswig-Holstein in the north. From Westfalen in the west to East Prussia in the east. In addition to providing the etymology and variants of each name, it identifies where in the region the name appeared, identifying the town and time period. More than 300 sources were used to compile the book. A chapter provides the Jewish population in many towns in the 19th century.
Cosmopolitanisms and the Jews adds significantly to contemporary scholarship on cosmopolitanism by making the experience of Jews central to the discussion, as it traces the evolution of Jewish cosmopolitanism over the last two centuries. The book sets out from an exploration of the nature and cultural-political implications of the shifting perceptions of Jewish mobility and fluidity around 1800, when modern cosmopolitanist discourse arose. Through a series of case studies, the authors analyze the historical and discursive junctures that mark the central paradigm shifts in the Jewish self-image, from the Wandering Jew to the rootless parasite, the cosmopolitan, and the socialist internationalist. Chapters analyze the tensions and dualisms in the constructed relationship between cosmopolitanism and the Jews at particular historical junctures between 1800 and the present, and probe into the relationship between earlier anti-Semitic discourses on Jewish cosmopolitanism and Stalinist rhetoric.