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A story about the fairy-tale fantasies of girlhood and the realities of growing up by “one of our quirkiest and most interesting novelists” (Jane Smiley, USA Today). When Teresa sleeps—sometimes for days at a time, the scent of roses surrounding her—she dreams of the Arias, outlaw riders on white steeds, who roam the desert at night. She was told about the dark-eyed horsemen by her mother, Dina, who left her own bedroom window open at night in the hopes that one would take her away from her parents’ house in Santa Fe. Teresa, who cannot find a cure for her mysterious sleeping sickness, has one true ally: her brother, Silver. Wild and handsome, Silver exerts an irresistible force over everyone he meets—women especially. He pursues a life of crime and danger, and the older he grows, the more reckless he becomes. Teresa wants to break free but is drawn back to her brother again and again, pulled by the belief that he is the night rider of her dreams. Only when she realizes that she has the strength to save herself will she finally be able to open her eyes and walk away. A lyrical blend of the mythical and the real, White Horses has been hailed by the San Francisco Chronicle as a book that “will reverberate in readers’ imaginations for a long time.”
The friendship between Grant Thorson and Will Campbell is the only sure thing in Grant's life as he suffers a series of painful losses. When he falls in love with Susan, it seems that happiness is his once more. But when Will dies, Grant decides that loving someone makes him too vulnerable, so he pushes Susan and his daughter away to keep from being hurt again.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
A true story full of strong medicine for the eighty percent who have struggled with their self-worth and identity.
The final world dictator seeking global domination will also be an “Assyrian” who is here characterized by a bow, riding a white horse. It is interesting how many confuse this counterfeit with the rider of the white horse in Revelation 19. In chapter 6, however, this rider is among some very bad company! “Behold a White Horse” explores the career of the first of these “Four Horsemen” who seems to have at least 33 titles in the Old Testament and 13 in the New Testament and the common term “AntiChrist” really isn’t one of them. We also explore the only physical description of him in the Scripture! Why is he a “mistaken identity”?How do we know this is NOT the Christ?What is the precedent condition(s) for his appearance?What is the precedent condition for the unsealing of the Seven Sealed Book? What is the Seven Sealed Book?Is his “bow” a pun? How? Why?How can he “go forth to conquer” if he is a “peace maker”?Is the Church on the earth at this time? How do we know?Is He alive today? How do we know?How can he be the “Seed of the Serpent”? Join Chuck Missler as he looks at the first of the Four Horsemen.
Follows the foolish, yet wise, Ti-Jean through three adventures as he outwits a greedy princess, a tiny scoundrel, and a very clever girl, in a collection of stories based on French-Canadian folk literature.
Guided by myths of golden cities and worldly rewards, policy makers, conquistador leaders, and expeditionary aspirants alike came to the new world in the sixteenth century and left it a changed land. Came Men on Horses follows two conquistadors—Francisco Vázquez de Coronado and Don Juan de Oñate—on their journey across the southwest. Driven by their search for gold and silver, both Coronado and Oñate committed atrocious acts of violence against the Native Americans, and fell out of favor with the Spanish monarchy. Examining the legacy of these two conquistadors Hoig attempts to balance their brutal acts and selfish motivations with the historical significance and personal sacrifice of their expeditions. Rich human details and superb story-telling make Came Men on Horses a captivating narrative scholars and general readers alike will appreciate.
A vivid first-person study of a notorious equine ritual—from the perspective of the wild horses who are its targets Wild horses still roam the mountains of Galicia, Spain. But each year, in a ritual dating to the 1500s called rapa das bestas, villagers herd these “beasts” together and shave their manes and tails. Shaving the Beasts is a firsthand account of how the horses experience this traumatic rite, producing a profound revelation about the durability of sociality in the face of violent domination. John Hartigan Jr. constructs an engrossing, day-by-day narrative chronicling the complex, nuanced social lives of wild horses and the impact of their traumatic ritual shearing every summer. His story generates intimate, individual portraits of these creatures while analyzing the social practices—like grazing and grooming—that are the building blocks of equine society. Shaving the Beasts culminates in a searing portrayal of the inspiring resilience these creatures display as they endure and recover from rapa das bestas. Turning away from “thick” description to “thin,” Hartigan moves toward a more observational form of study, focusing on behaviors over interpretations. This vivid approach provides new and important contributions to the study of animal behavior. Ultimately, he comes away with profound, penetrating insights into multispecies interactions and a strong alternative to humancentric ethnographic practices.
Violet McNeal ran away from her family’s rural Minnesota farm in the late 1880s and fell under the spell of conman and patent medicine “doctor” Will Archimbauld who hooked her on opium and promises of fame and fortune. Violet soon learned to become Princess Lotus Blossom and was the best pitchman, nostrum seller, and conwoman to roam the west in a torch-lit wagon. Four White Horses and a Brass Band is Violet’s story of life on the road with the medicine show and reveal the secrets of conman’s trade. Sick and nearly dead with addiction by age 30, she submits to the tortures of withdrawal and the “cure” to create a new life. First published in 1947, the Feral House edition features an extensive afterword on the history of the patent medicine trade and evolution of the lure of miracle cures and healers. Also included are a glossary of the grifter’s cant and samples of scripts used by Violet and other infamous “doctors”.