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Published 1909-10, reissued here are three illustrated accounts of Egyptian archaeological excavations over three seasons at Memphis and Meidum.
Memphis was one of the great melting pots of Mediterranean and African culture during the reigns of the heirs of Alexander and under the Roman Empire, a vibrant and complex community well after the end of the age of its ancient Pharaonic founders. For too long, its importance during this critical period has been wrongly eclipsed by the younger city of Alexandria. This book challenges such assumptions by taking a closer look at Memphis through the lens of the rich material excavated there by Flinders Petrie over a century ago, and exhibited in University College London’s Petrie Museum. These finds bring alive the diversity of the city’s inhabitants and raise questions, still relevant today, about the representations and realities of ethnic groups. This book presents the excavation background to the finds, their manufacturing processes and their cultural implications. It is accompanied by downloadable resources that illustrate this informative and neglected material.
An account of the portraits from the Roman cemetery at Hawara, and brief details of discoveries at Memphis.
Drawing on archaeological findings and an unusual combination of Greek and Egyptian evidence, Dorothy Thompson examines the economic life and multicultural society of the ancient Egyptian city of Memphis in the era between Alexander and Augustus. Now thoroughly revised and updated, this masterful account is essential reading for anyone interested in ancient Egypt or the Hellenistic world. The relationship of the native population with the Greek-speaking immigrants is illustrated in Thompson's analysis of the position of Memphite priests within the Ptolemaic state. Egyptians continued to control mummification and the cult of the dead; the undertakers of the Memphite necropolis were barely touched by things Greek. The cult of the living Apis bull also remained primarily Egyptian; yet on death the bull, deified as Osorapis, became Sarapis for the Greeks. Within this god's sacred enclosure, the Sarapieion, is found a strange amalgam of Greek and Egyptian cultures.