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In these three short books--Servabo: A Fin De Siècle Memoir, Miss Kirchgessner, and The Medlar Tree, collected in one volume in English for the first time--Luigi Pintor retraces a life marked, often in spite of itself, by politics. At once intransigent and ironic, these autobiographical texts are written "to reorder in the imagination things that don't add up in reality." From the idyll of his Sardinian childhood to the transformative experience of the anti-Fascist resistance, and from post-war militancy to the dismal regression of Italian culture, Pintor captures memories that are intensely personal and inseparable from political and intellectual experience. Episodes and observations recur across all three books, but the tropes of autobiography are insistently displaced. Sparse and evocative prose, borrowing from the aphorism and fable, struggles to give form to personal and political despair, while Pintor never relents on the attachments and convictions that shape a life.
The Twentieth Century in European Memory investigates contested and divisive memories of conflicts, world wars, dictatorship, genocide and mass killing. Focusing on the questions of transculturality and reception, the book looks at the ways in which such memories are being shared, debated and received by museum workers, artists, politicians and general audiences. Due to amplified mobility and communication as well as Europe’s changing institutional structure, such memories become increasingly transcultural, crossing cultural and political borders. This book brings together in-depth researched case studies of memory transmission and reception in different types of media, including films, literature, museums, political debate printed and digital media, as well as studies of personal and public reactions. Contributors are: Ismar Dedović, Astrid Erll, Rosanna Farbøl, Magdalena Góra, Gunnthorunn Gudmundsdottir, Anne Heimo, Sara Jones, Wulf Kansteiner, Slawomir Kapralski, Zoé de Kerangat, Zdzisław Mach, Natalija Majsova, Inge Melchior, Daisy Neijmann, Vjeran Pavlaković, Benedikt Perak, Tea Sindbæk Andersen, and Barbara Törnquist-Plewa.
War and Memory in the Twentieth Century explores differing ways in which memories of conflicts are constructed from a multitude of perspectives and representations, including the written and spoken word, cinematic and film images, photography, etc.
Edward Teller is perhaps best known for his belief in freedom through strong defense. But this extraordinary memoir at last reveals the man behind the headlines--passionate and humorous, devoted and loyal. Never before has Teller told his story as fully as he does here. We learn his true position on everything from the bombing of Japan to the pursuit of weapons research in the post-war years. In clear and compelling prose, Teller chronicles the people and events that shaped him as a scientist, beginning with his early love of music and math, and continuing with his study of quantum physics under Werner Heisenberg. He also describes his relationships with some of the century's greatest minds--Einstein, Bohr, Fermi, Szilard, von Neumann--and offers an honest assessment of the development of the atomic and hydrogen bombs, the founding of Lawrence Livermore Laboratory, and his complicated relationship with J. Robert Oppenheimer.Rich and humanizing, this candid memoir describes the events that led Edward Teller to be honored or abhorred, and provides a fascinating perspective on the ability of a single individual to affect the course of history.
This is a masterful volume on remembrance and war in the twentieth century. Jay Winter locates the fascination with the subject of memory within a long-term trajectory that focuses on the Great War. Images, languages, and practices that appeared during and after the two world wars focused on the need to acknowledge the victims of war and shaped the ways in which future conflicts were imagined and remembered. At the core of the “memory boom” is an array of collective meditations on war and the victims of war, Winter says. The book begins by tracing the origins of contemporary interest in memory, then describes practices of remembrance that have linked history and memory, particularly in the first half of the twentieth century. The author also considers “theaters of memory”—film, television, museums, and war crimes trials in which the past is seen through public representations of memories. The book concludes with reflections on the significance of these practices for the cultural history of the twentieth century as a whole.
In this new collection essays, Matthew Stevenson weaves together a historical tapestry of the last hundred years. From the battlefields of Gallipoli and those around Armenia, to Cold War Washington and modern Beirut, he has written a compelling, yet often humorous and always accessible account of persons and places encountered in his travels.
In a compelling inquiry into public events ranging from the building of the Vietnam Veterans Memorial through ethnic community fairs to pioneer celebrations, John Bodnar explores the stories, ideas, and symbols behind American commemorations over the last century. Such forms of historical consciousness, he argues, do not necessarily preserve the past but rather address serious political matters in the present.--Publisher description.
In this provocative book, the author asks Russians difficult questions about how their country's volatile past has affected their everyday lives, their aspirations, their dreams, and their nightmares.
This book explores the formative role of mobilities in the production of our close relationships, proposing that the tracks—both literal and figurative— we lay down in the process play a crucial role in generating and sustaining intimacy. Working with diaries, journals and literary texts from the mid- to late-twentieth century, the book pursues this thesis through three phases of the lifecourse: courtship (broadly defined), the middle years of long-term relationships and bereavement. Building upon the author’s recent research on automobility, the text’s case studies reveal the crucial role played by many different types of transport—including walking—in defining our most enduring relationships. Conceptually, the book draws upon the writings of the philosopher, Henri Bergson, the anthropologist, Tim Ingold and the geographer, David Seamon, engaging with topical debates in cultural and emotional geography (especially work on landscape, memory and mourning), mobilities studies and critical love studies.
Allowing each person's story to stand with its own color, texture, and pattern, Olga Jenkins has created a people's history of The Bahamas. Those interviewed were born between 1900 and 1942, and their voices are as varied as the populations of the eight islands the author visited, including black, white, mixed, and working- and middle-class individuals.