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A reluctant predator, Eleisha Clevon is determined to locate all vampires still existing in isolation, so she might offer them sanctuary at her home in Portland-and more importantly, so she can teach them to feed without killing. But the beautiful and delicate Simone Stratford doesn't want to be saved. Made into a vampire in the Roaring Twenties, she enjoys playing her own elaborate games with mortals, stoking their passion for her before finally draining them of their blood. And soon Eleisha and her protector, Philip Branté, find themselves caught up in one of Simone's games, which turns into a battle for Eleisha's life and Philip's soul...
Shocked when an old friend destroys himself by walking into the sunlight in front of her, vampire Eleisha Clevon finds herself the target of two very special police detectives with some unique gifts of their own and a knowledge of who and what she really is. Original.
Fantasy-roman.
The renowned Christian preacher and New York Times bestselling author of An Altar in the World recounts her moving discoveries of finding the sacred in unexpected places while teaching world religions to undergraduates in Baptist-saturated rural Georgia, revealing how God delights in confounding our expectations. Christians are taught that God is everywhere--a tenet that is central to Barbara Brown Taylor's life and faith. In Holy Envy, she continues her spiritual journey, contemplating the myriad ways she encountered God while exploring other faiths with her students in the classroom, and on field trips to diverse places of worship. Both she and her students ponder how the knowledge and insights they have gained raise important questions about belief, and explore how different practices relate to their own faith. Inspired by this intellectual and spiritual quest, Barbara turns once again to the Bible for guidance, to see what secrets lay buried there. Throughout Holy Envy, Barbara weaves together stories from her classroom with reflections on how her own spiritual journey has been challenged and renewed by connecting with people of other traditions--and by meeting God in them. At the heart of her odyssey is her trust that it is God who pushes her beyond her comfortable boundaries and calls us to "disown" our privatised versions of the divine--a change that ultimately deepens her relationship with both the world and with God, and ours.
The co-author of the bestselling Noble Dead novels continues her ?exhilarating?(SF Revu) new vampire series. Eleisha Clevon has begun a correspondence with fellow vampire Rose de Spenser. Both reluctant predators, they venture outside only when the hunger becomes unbearable, trying not to draw attention to themselves?and feel guilty when ending human lives. But Eleisha has learned a way to draw blood from her victims without killing them. She wants to share this knowledge with like-minded vampires and create a haven where they can exist together?and forge a united front against Julian Ashton, a vampire who has been hunting down and destroying his own kind?
Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories--multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.
Krasny brings his wide-ranging knowledge and perceptive intelligence to a thoughtful and thought-provoking exploration of belief--and lack of belief. He helps believers and nonbelievers alike understand their own questions about faith and religion. Personal and universal, timely and timeless, this is a deeply wise yet warmly welcoming conversation, an invitation to ask one's own questions--no matter how inconclusive the answers.
Vanity isn’t even one of the seven deadly sins, but that’s what got Kenzie Sutcliffe into this mess... While trying to get rid of a monster zit, Kenzie drops her face lotion in the tub. And when fifty bucks’ worth of it swirl down the drain, it frees a demon from his prison portal. A mysteriously geeky looking demon. Now Kenzie’s saddled with a creature who looks and acts like every other guy she knows. At least Levi has a job—if you could call it that. He has to stir up envy and jealousy in humans...or he starves. All he’s tempting Kenzie to do is crawl back into her bedroom and hide there until forever.