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NOBEL PRIZE WINNER • From the author of One Hundred Years of Solitude comes the gripping story of the murder of a young aristocrat that puts an entire society—not just a pair of murderers—on trial. A man returns to the town where a baffling murder took place 27 years earlier, determined to get to the bottom of the story. Just hours after marrying the beautiful Angela Vicario, everyone agrees, Bayardo San Roman returned his bride in disgrace to her parents. Her distraught family forced her to name her first lover; and her twin brothers announced their intention to murder Santiago Nasar for dishonoring their sister. Yet if everyone knew the murder was going to happen, why did no one intervene to stop it? The more that is learned, the less is understood, as the story races to its inexplicable conclusion.
MEMORIES OF A DEATH FORETOLDEugene Ebota doesn't speak because the African American in 1920's America didn't have a voice. Fortunately, he does today but it's complicated by having a divisive President in the Whitehouse and 475,900 nonwhites in American jails.But this is a story about more than racial discrimination, it's about addiction whether it's the alcohol that fuelled Jedidiah's father's drunken rages, or the power the Union Pacific Coal Company wields in being able to close down the Lost Springs coal mine.The play climaxes with the Ku Klux Klan surrounding the Station House demanding the Chief of Police to hand over Ebota.
AVAILABLE FOR THE FIRST TIME IN eBOOK! A New York Times Notable Book On the eve of his ninetieth birthday a bachelor decides to give himself a wild night of love with a virgin. As is his habit–he has purchased hundreds of women–he asks a madam for her assistance. The fourteen-year-old girl who is procured for him is enchanting, but exhausted as she is from caring for siblings and her job sewing buttons, she can do little but sleep. Yet with this sleeping beauty at his side, it is he who awakens to a romance he has never known. Tender, knowing, and slyly comic, Memories of My Melancholy Whores is an exquisite addition to the master’s work.
Unlock the more straightforward side of Chronicle of a Death Foretold with this concise and insightful summary and analysis! This engaging summary presents an analysis of Chronicle of a Death Foretold by Gabriel García Márquez, an intriguing blend of genres in which the main character’s death is announced on the first page. The novella’s narrator attempts to reconstruct the events of that tragic day and find out why, even though everybody in the town knew about the impending murder, nobody intervened to stop it. The story’s apparent simplicity belies its thematic depth, as it raises profound questions about honour and the lengths people are prepared to go to in order to defend it, the legacy of Spanish colonialism in Colombia, and the nature of truth. Gabriel García Márquez was one of the best-known and most-loved Latin American writers of the 20th century, with a career spanning over 50 years. He wrote a series of influential novels, including One Hundred Years of Solitude, Love in the Time of Cholera and The General in His Labyrinth, and was awarded the Nobel Prize in Literature in 1982. Find out everything you need to know about Chronicle of a Death Foretold in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!
Presents an account of the short rise and fall of President Salvador Allende, who died of gunshot wounds on September 11, 1973, following the military coup that deposed him.
In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or striving to offer a more complete and accurate depiction of the past, Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention. Tracing a long line of films from the 1940s up to the 2000s, the contributors use close readings of these films not only to reconstruct the past, but also to actively engage with it. Addressing both high-profile and lesser known fiction and non-fiction Israeli films, Deeper than Oblivion underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma. By looking at recent and classic examples of Israeli films that turn to memory and trauma, this book addresses the pressing issues and disputes in the field today.
“The articles and columns in The Scandal of the Century demonstrate that his forthright, lightly ironical voice just seemed to be there, right from the start . . . He’s among those rare great fiction writers whose ancillary work is almost always worth finding . . . He had a way of connecting the souls in all his writing, fiction and nonfiction, to the melancholy static of the universe.” --Dwight Garner, The New York Times From one of the titans of twentieth-century literature, collected here for the first time: a selection of his journalism from the late 1940s to the mid-1980s--work that he considered even more important to his legacy than his universally acclaimed works of fiction. "I don't want to be remembered for One Hundred Years of Solitude or for the Nobel Prize but rather for my journalism," Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career--years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982. Here are the first pieces he wrote while working for newspapers in the coastal Colombian cities of Cartagena and Barranquilla . . . his longer, more fictionlike reportage from Paris and Rome . . . his monthly columns for Spain's El País. And while all the work points in style, wit, depth, and passion to his fiction, these fifty pieces are, more than anything, a revelation of the writer working at the profession he believed to be "the best in the world."
Setting out to reconstruct a murder that took place 27 years earlier, this moving chronicle moves backwards and forwards in time, through the contradictions of memory and moments lost in the mists of time
On the fortieth anniversary of revolution and rebellion in Chile, a searching history of the rise and fall of the world's first and only democratically elected Marxist president. On September 11, 1973, President Salvador Allende of Chile was deposed in a violent coup led by General Augusto Pinochet. The coup had been in the works for months, even years. Shortly after giving a farewell speech to his people, Allende died of gunshot wounds-whether inflicted by his own hand or an assassin's remains uncertain. Pinochet ruled Chile for a quarter century, but the short rise and bloody fall of Allende is still the subject of fierce historical debate. In a world in the throes of the Cold War, the seeming backwater of Chile became the host of a very hot conflict-with Henry Kissinger and the Western establishment aligned with Pinochet's insurgents against a socialist coalition of students, workers, Pablo Neruda, and folk singers, led by the brilliant ideologue Allende. Revolution and counterrevolution played out in graphic detail, moving the small South American nation to the center of the world stage in the dramatic autumn of 1973. Now the rising young scholar Oscar Guardiola-Rivera gives us a tour de force account of a historical crossroads, tracing the destiny of democracy, and the paths of power, money, and violence that still shadow Latin America and its relations with the United States.