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By the time the Capuchins arrived in the seventeenth century, Kongo had been Catholic for nearly two hundred years. The European mission could not be conversion, then, but reinforcement; the Capuchins sought to establish the sacraments and a line to Rome in a lay-led church already suffused with an enduring, creative, and complex theological culture. In Memorializing the Unsung, Elochukwu Uzukwu uses the framework of this “ancient” Kongo Catholicism to explore European dependence on enslaved Kongo Catholics and the unconscionable Capuchin and Spiritan participation in the slave trade at large—a practice denounced by the lone voices of Capuchin Epifanio de Moirans and Spiritan Alexandre Monnet. Reconstructing the church that missionaries and Kongo Catholics built together on the foundations of local religion, Memorializing the Unsung contrasts the dignity denied the Kongo Catholics with the freedom they nonetheless performed. Uzukwu is particularly deft in tracing the agency of Kongo elites and laypeople from the fifteenth century through the nineteenth, carefully evaluating their deliberate engagements with southern Europeans, the role of the maestri (translator-catechists) in guiding the faithful, and the ultimate development of a unique theological vocabulary endorsed by the Kikongo catechism. Without the support and creativity of these unsung lay Catholics across west-central and eastern Africa, Uzukwu shows, the European missions in the region would have failed. Even while enslaved, the Kongo Slaves of the Church and the eastern African Slaves of the Mission served as mediators, co-creators, and reinventors of their world.
The public memory of slavery and the Atlantic slave trade, which some years ago could be observed especially in North America, has slowly emerged into a transnational phenomenon now encompassing Europe, Africa, and Latin America, and even Asia – allowing the populations of African descent, organized groups, governments, non-governmental organizations and societies in these different regions to individually and collectively update and reconstruct the slave past. This edited volume examines the recent transnational emergence of the public memory of slavery, shedding light on the work of memory produced by groups of individuals who are descendants of slaves. The chapters in this book explore how the memory of the enslaved and slavers is shaped and displayed in the public space not only in the former slave societies but also in the regions that provided captives to the former American colonies and European metropoles. Through the analysis of exhibitions, museums, monuments, accounts, and public performances, the volume makes sense of the political stakes involved in the phenomenon of memorialization of slavery and the slave trade in the public sphere.
In an age of information and new media the relationships between remembering and forgetting have changed. This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese Americans in WWII, the Canadian Indian Residential School system, Israeli memorial videos, and the desaparecidos in Argentina. Through these cases, the contributors argue for a re-interpretation of Guy Debord’s notion of the spectacle as a conceptual apparatus through which to examine the contemporary landscape of social memory, arguing that the concept of spectacle might be developed in an age seen as dissatisfied with the present, nervous about the future, and obsessed with the past. Perhaps now “spectacle” can be thought of not as a tool of distraction employed solely by hegemonic powers, but instead as a device used to answer Walter Benjamin’s plea to “explode the continuum of history” and bring our attention to now-time.
Doing theology Under the Palaver Tree, in honor of one of Africa's foremost theologians, Elochukwu E. Uzukwu, is a momentous undertaking, which draws from the diverse African continent, her various peoples and rich natural resources. A down-to-earth God-talk that evokes the reign of God among us, the book is a theological treasure trove. The quality, depth, and range of the conversation partners in this volume represent a high-water mark of the best scholarship in Africa today on ecclesiology and the future of the African church and the world church. The authors, through dialoguing with multidisciplinary dimensions of theological thoughts, offer new language with which to engage foundational issues in theology, liturgical practices, communion and community, leadership and charism, the relationship between the local and universal church, and social engagement and cultural questions as well. In exploring the depth of this tome, with its methodological approaches in interpreting, understanding, and evaluating the changing faces of Christianity, scholars and theologians will be challenged to reflect on some of the most pressing current questions and issues facing the church in Africa and the world, in rebirthing the image of the people of God, and a synodal church under the iconic and symbolic African palaver tree.
Focusing on the non-Western context and case studies, this book explores theories of interdisciplinary architectural thinking and the construction of urban memory in Chinese cities, with an emphasis on contemporary architecture and the diversity of agencies. China has undergone one of the fastest urbanisation and urban renewal processes in human history, but discussions of urban memory in China have tended to be practice-oriented and lack theoretical reflection. This book brings together interdisciplinary architectural scholarship to interrogate the production of urban memory and examine experiences in China. The 14 chapters explore different processes, projects, materials, architecture and urban spaces in different Chinese cities by analysing cityscapes such as temples, bridges, conservation projects, architectural design, historical architecture, memorial hall, market street, city images, custom bike, food market and so on. The book deals with different agencies and methods, tangible and intangible, in the construction of memories aimed at promoting hybridised multiple identities, and explores the interplay of different versions of memory, i.e. state, public, regional, local, individual and collective memory. This book will be essential reading for scholars and students of architecture and urbanism, cultural studies and China studies, as well as architects, urban planners and historians interested in these fields.
Slavery and the University is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.
A rising-star musician has a second chance at love with an old flame she remembers all too well in this swoony romance from the acclaimed authors of The Roughest Draft. Riley Wynn went from a promising singer-songwriter to a superstar overnight, thanks to her breakup song concept album and its unforgettable lead single. When Riley’s ex-husband claims the hit song is about him, she does something she hasn’t in ten years and calls Max Harcourt, her college boyfriend and the real inspiration for the song of the summer. Max hasn’t spoken to Riley since their relationship ended. He’s content with managing the retirement home his family owns, but it’s not the life filled with music he dreamed of. When Riley asks him to go public as her songwriting muse, he agrees on one condition: he’ll join her band on tour. As they perform across the country, Max and Riley start to realize that while they hit some wrong notes in the past, their future could hold incredible things. And their rekindled relationship will either last forever or go down in flames.
Born at the start of the Civil War, Juliette "Daisy" Gordon Low struggled to reconcile being a good Southern belle with being true to her adventurous spirit. Accidentally deafened, she married a dashing British patrician and moved to England, where she quickly became dissatisfied with the aimlessness of privileged life. Her search for greater purpose ended when she met Robert Baden-Powell, founder of the Boy Scouts, and was inspired to recreate his program for girls. The Girl Scouts of the USA—which can now count more than fifty-nine million American girls and women among its past members—aims to instill useful skills and moral values in its young members, with an emphasis on fun. In this lively and accessible biography of its intrepid founder, Stacy A. Cordery paints a dynamic portrait of an intriguing woman and a true pioneer whose work touched the lives of millions of girls and women around the world.