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Composición Arquitectónica 1: Historia y análisis del proyecto arquitectónico: de Grecia a la Edad Media. Composición Arquitectónica 2: Historia y análisis del proyecto arquitectónico: del Renacimiento al siglo de las revoluciones. Composición Arquitectónica 3: Historia y análisis del proyecto arquitectónico: de la gestación de las vanguardias a la Primera Guerra Mundial. Composición Arquitectónica 4: Historia y análisis del proyecto arquitectónico: de las revisiones de la Modernidad a las últimas tendencias. Arquitectura e Ingeniería del siglo xx: Representación y construcción de una Modernidad intermedia. Paisajes Culturales: Desarrollo del programa europeo Teruel Life+.
Sustainability is a concept that has monopolised a large number of the scientific debates in a wide range of spheres connected not only with architecture, urban planning and construction, but also with the product market, tourism, culture, etc. However, sustainability is indissolubly linked to vernacular architecture and the lessons this architectu
"Where Memory Dwells is a crucial contribution to the current debate on political violence. Macarena Gómez-Barris has researched exhaustively on the Chilean post-dictatorship to find the deep relationship between what happened in Chile on September 11, 1973 and what is going on today, in Chile and in the world."—Sergio Villalobos-Ruminott, University of Arkansas "This book offers intriguing insights on the symbolic, aesthetic, and personal aspects of memory-making by activists, survivors, and artists during the afterlife of the Pinochet dictatorship. The author shows how specific cultural actors wrestle creatively with the dilemma of how to represent experiences of atrocity that defy our ability to know, narrate, and depict them, yet prove crucial to the building of a democratic culture."—Steve Stern, Alberto Flores Galindo Professor, University of Wisconsin "Macarena Gomez-Barris takes the reader on an often personal journey through the 'memoryscape of terror' of the Chilean dictatorship in Chile and Chilean culture in exile. This book makes a poignant and compelling contribution to the study of traumatic memory in Latin America."—Marita Sturken, Professor of Media, Culture and Communication studies, New York University "Where Memory Dwells offers an immensely luminous rearticulation of the 1990s 'politics of memory' theme for the twenty-first century. Illustrating the profound relevance of memory studies to political theory, Gómez-Barris shows with great lucidity how the remembering and forgetting of state terror are entwined with global and local forces of the neoliberal economy, nationalism, and universal human rights discourse. Where Memory Dwells exemplifies the best efforts of a sociological approach to memory as cultural mediation of power. It should be read by anyone interested in the critical work that collective memory may perform for our societies in transition.”—Lisa Yoneyama, Author of Hiroshima Traces: Time, Space, and the Dialectics of Memory "Where Memory Dwells is a creatively researched and exquisitely thoughtful study of the memory of state terror as it lives and hides in complex and politically activated cultural practices. Gómez-Barris's exploration of how authoritarianism and social injustice are remembered, forgotten, and redressed by nations, citizens, and exiles is a beautiful achievement, one with an immediate relevance for us today."—Avery F. Gordon, author of Ghostly Matters
Includes a free CD containing the full contents of the book.The rammed earth technique, in all its variants, is widespread all over the world. This enormously prevalent building technique harbours an important richness of varieties both in application and in materials used. Interventions on historical rammed earth buildings have also been carried o
Paul Rudolph, one of the twentieth century’s most iconoclastic architects, is best known – and most maligned – for his large “brutalist” buildings, like Yale’s Art and Architecture Building. So it will surprise many to learn that early in his career he developed a series of houses that represent the unrivaled possibilities of a modest American modernism. With their distinctive natural landscapes, local architectural precedents, and exploitation of innovative construction materials, the Florida houses, some eighty projects built between 1946 and 1961, brought modern architectural form into a gracious subtropical world of natural abundance developed to a high pitch of stylistic refinement. Paul Rudolph: The Florida Houses reveals all of Rudolph’s early residential work. With Rudolph’s personal essays and renderings, duotone photographs by Ezra Stoller and Joseph Molitor, and insightful text by Joseph King and Christopher Domin, this compelling new book conveys the lightness, timelessness, strength, materiality, and transcendency of Rudolph’s work.
This book provides an overview of beach management tools, including carrying capacity, beach nourishment, environmental and tourism awards (like Blue Flag or others), bathing water quality, zoning, beach typologies, quality index, user's perception, interdisciplinary beach monitoring, coastal legislation, shore protection, social and economic indicators, ecosystem services, and coastal governance (applied in beach case studies). Beaches are one of the most intensely used coastal ecosystems and are responsible for more than half of all global tourism revenues, and as such the book introduces a wide range of state-of-the-art tools that can be used to deal with a variety of beach challenges. Each chapter features specific types of tools that can be applied to advantage in beach management practices. With examples of local and regional case studies from around the globe, this is a valuable resource for anyone involved in beach management.
A novel set in Argentina just after the military coup in 1976.
This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid’s converso courtiers is subtly attacked by Spain’s greatest painter, Diego Velázquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.
Vernacular architecture represents a great resource that has considerable potential to define principles for sustainable design and contemporary architecture. This publication is the result of an overall aim to produce a valuable tool for analysis regarding vernacular heritage through different assessments, in order to define principles to consider for sustainable development. This was possible through a comprehensive reflection on the principles established and the strategies to recognise in different world contexts. The present publication was the result of an in-depth approach by 46 authors from 12 countries, concerned with the analysis and critical assessment of vernacular heritage and its sustainable perspective. The book presents 8 chapters addressing operational definitions and synopses advances, regarding the main areas of vernacular heritage contribution to sustainable architecture. It also presents 15 chapters and 53 case studies of vernacular and contemporary approaches in all the 5 continents, regarding urban, architectural, technical and constructive strategies and solutions. VERSUS, HERITAGE FOR TOMORROW: Vernacular Knowledge for Sustainable Architecture is the result of a common effort undertaken by the partners ESG | Escola Superior Gallaecia, Portugal, as Project leader; CRAterre | École Nationale Supérieure d’Architecture de Grenoble, France; DIDA | Università degli Studi di Firenze, Italy; DICAAR | Università degli Studi di Cagliari, Italy; and UPV | Universitat Politècnica de València, Spain. This is the final outcome of VerSus, an European project developed from 2012 to 2014, in the framework of the Culture 2007-2013 programme.