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A criminal mastermind turns detective in this notorious autobiography filled with outrageous adventures, disguises, and escapes.
An amazing autobiography of a criminal from a forgotten time in american history. Jack Black was a burgler, safe-cracker, highwayman and petty thief.
Tracing hitherto unexplored aspects of the evolution of official detective agencies between the late eighteenth and the twentieth century, this is the first book to discuss detective agencies in a variety of national contexts, including England, France, the U.S.A, New Zealand, and Germany. The comparative studies included in this collection provide new insights into the development of both plainclothes policing and law enforcement in general, illuminating the historical importance of bureaucratic and administrative changes that occurred within the state system.
Eugene Vidocq was the Morse, the Guv'nor, the James Bond of his day. A notorious criminal and prison escaper, he turned police officer and employed a gang of ex-convicts as his detectives. Now, James Morton takes us on a historical romp through the 18th century in search of this elusive figure. Today Vidocq's influence can still be seen as members of The Vidocq Society, an unusual, exclusive crime-solving organization honor him by applying their collective forensic skills and experience to 'cold case' homicides and unsolved deaths.
Unwilling Executioner is the first book to examine the deep-rooted relationship between the development of crime fiction as a genre and the consolidation of the modern state. It offers a far-reaching and wide-ranging perspective on this unfolding relationship over a three hundred year period but is not a straightforward and conventional narrative history of the genre. It is part of a new and exciting critical move to read crime fiction as a transnationalphenomenon and to examine crime novelists in an innovative comparative context, taking them out of their discreet national traditions. Considers Anglo-American crime-writing, as well as works published inFrance, Italy, Germany, Ireland, Japan, South Africa and elsewhere, it addresses the related questions of why crime fiction is political and how particular examples of the genre engage with the complicated issue of political commitment.
Source documents compiled by insurance investigator Ralph Henderson are used to build a case against Baron "R___", who is suspected of murdering his wife. The baron's wife died from drinking a bottle of acid, apparently while sleepwalking in her husband's private laboratory. Henderson's suspicions are raised when he learns that the baron recently had purchased five life insurance policies for his wife. As Henderson investigates the case, he discovers not one but three murders. Although the baron's guilt is clear to the reader even from the outset, how he did it remains a mystery. Eventually this is revealed, but how to catch him becomes the final challenge; he seems to have committed the perfect crime.