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With this influential book of essays, Jonathan Z. Smith has pointed the academic study of religion in a new theoretical direction, one neither theological nor willfully ideological. Making use of examples as apparently diverse and exotic as the Maori cults in nineteenth-century New Zealand and the events of Jonestown, Smith shows that religion must be construed as conventional, anthropological, historical, and as an exercise of imagination. In his analyses, religion emerges as the product of historically and geographically situated human ingenuity, cognition, and curiosity—simply put, as the result of human labor, one of the decisive but wholly ordinary ways human beings create the worlds in which they live and make sense of them. "These seven essays . . . display the critical intelligence, creativity, and sheer common sense that make Smith one of the most methodologically sophisticated and suggestive historians of religion writing today. . . . Smith scrutinizes the fundamental problems of taxonomy and comparison in religious studies, suggestively redescribes such basic categories as canon and ritual, and shows how frequently studied myths may more likely reflect situational incongruities than vaunted mimetic congruities. His final essay, on Jonestown, demonstrates the interpretive power of the historian of religion to render intelligible that in our own day which seems most bizarre."—Richard S. Sarason, Religious Studies Review
Vols. for 1892-1941 contain the transactions and proceedings of the society.
‘This volume is the most comprehensive review of Lapita research to date, tackling many of the lingering questions regarding origin and dispersal. Multidisciplinary in nature with a focus on summarising new findings, but also identifying important gaps that can help direct future research.’ — Professor Scott Fitzpatrick, Department of Anthropology, University of Oregon ‘This substantial volume offers a welcome update on the definition of the Lapita culture. It significantly refreshes the knowledge on this foundational archaeological culture of the Pacific Islands in providing new data on sites and assemblages, and new discussions of hypotheses previously proposed.’ — Dr Frédérique Valentin, Centre national de la recherche scientifique (CNRS), Paris This volume comprises 23 chapters that focus on the archaeology of Lapita, a cultural horizon associated with the founding populations who first colonised much of the south west Pacific some 3000 years ago. The Lapita culture has been most clearly defined by its distinctive dentate-stamped decorated pottery and the design system represented on it and on further incised pots. Modern research now encompasses a whole range of aspects associated with Lapita and this is reflected in this volume. The broad overlapping themes of the volume—Lapita distribution and chronology, society and subsistence—relate to research questions that have long been debated in relation to Lapita.
This account of Maori traditions, dictated by elders in the 1850s, was published with an English translation in 1913-15.
Today's New Zealand is an emerging paradigm for successful cultural relations. Although the nation's Maori (indigenous Polynesian) and Pakeha (colonial European) populations of the 19th century were dramatically different and often at odds, they are today co-contributors to a vibrant society. For more than a century they have been working out the kind of nation that engenders respect and well-being; and their interaction, though often riddled with confrontation, is finally bearing bicultural fruit. By their model, the encounter of diverse cultures does not require the surrender of one to the other; rather, it entails each expanding its own cultural categories in the light of the other. The time is ripe to explore modern New Zealand's cultural dynamics for what we can learn about getting along. The present anthropological work focuses on religion and related symbols, forms of reciprocity, the operation of power and the concept of culture in modern New Zealand society.
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