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THE SEMINAL, UNFINISHED WORK BY THE MOTHER OF MODERN FEMINISM.And a memoir written by her grief-stricken husband. Do you know whose shoulders you stand on...Mary Wollstonecraft lived for 38 years¿and changed the world. She died in agony 11 days after giving birth to Mary Shelley, who would become the author of Frankenstein. Her heartbroken husband, William Godwin, vowed to compile her memoirs and publish them along with her unfinished Victorian gothic novel in 1798. He meant to glorify her. The opposite happened. European society made a freak of Wollstonecraft, her work and her memory. What could she have written that scandalized so much? What did Godwin reveal to incite such ire? In The Wrongs of Woman, Maria has been separated from her infant daughter and imprisoned in an insane asylum by her husband. There, she forms an unexpected friendship with one of the female wards. Could romance follow? Delve into the most radical feminist work from the author of A Vindication of the Rights of Woman, and find out. Wollstonecraft's courage made our world a more equal place. Godwin's love ensured we could know whose shoulders we stand on.
Writing in an age when the call for the rights of man had brought revolution to America and France, Mary Wollstonecraft produced her own declaration of female independence in 1792. Passionate and forthright, A Vindication of the Rights of Woman attacked the prevailing view of docile, decorative femininity and instead laid out the principles of emancipation: an equal education for girls and boys, an end to prejudice, and the call for women to become defined by their profession, not their partner. Mary Wollstonecrafts work was received with a mixture of admiration and outrageWalpole called her a hyena in petticoatsyet it established her as the mother of modern feminism.
Memoirs of the Author of A Vindication of the Rights of Woman is the biography, by William Godwin, of his wife Mary Wollstonecraft, author of the essay A Vindication of the Rights of Woman (Defense of Women's Rights, 1792).William Godwin considered it his duty to review and publish the unfinished works left by Mary Wollestonecraft after his death in 1797. A week after his funeral, he began working on this project, and began writing memoirs about his life. To prepare to write this biography, he re-read all his works, spoke with his friends, and finally classified and numbered his correspondence. After four months of hard work, he had completed both projects. According to William St Clair, who wrote a biography of Godwin and Shelley, Mary Wollstonecraft was so famous at the time that William Godwin did not have to mention his name in the title of the biography ...
William Godwin’s memoir of his wife, Mary Wollstonecraft, marks a transition in Godwin’s philosophical development from extreme rationalism to the recognition of the moral importance of feeling and sympathy which was to energize his later writings. Memoirs also belongs to a tradition of biographical writing that sought to transform the consciousness of readers by using individual history as an agent of historical change. Written during the weeks following Wollstonecraft’s early death, Memoirs provides an interpretation of the relations between Wollstonecraft’s writings and her personal history, a candid account of her various relationships, and a vindication of her egalitarian intimacy with Godwin. This modern, scholarly edition, geared for student use, includes a wide range of primary sources, together with excerpts from Godwin’s other writings and from biographical models.
Mary Wollstonecraft (1759–1797) was one of the most influential and controversial women of her age. No writer, except perhaps her political foe, Edmund Burke, and her fellow reformer, Thomas Paine, inspired more intense reactions. In her brief literary career before her untimely death in 1797, Wollstonecraft achieved remarkable success in an unusually wide range of genres: from education tracts and political polemics, to novels and travel writing. Just as impressive as her expansive range was the profound evolution of her thinking in the decade when she flourished as an author. In this collection of essays, leading international scholars reveal the intricate biographical, critical, cultural, and historical context crucial for understanding Mary Wollstonecraft's oeuvre. Chapters on British radicalism and conservatism, French philosophes and English Dissenters, constitutional law and domestic law, sentimental literature, eighteenth-century periodicals and more elucidate Wollstonecraft's social and political thought, historical writings, moral tales for children, and novels.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE SEATTLE TIMES This groundbreaking dual biography brings to life a pioneering English feminist and the daughter she never knew. Mary Wollstonecraft and Mary Shelley have each been the subject of numerous biographies, yet no one has ever examined their lives in one book—until now. In Romantic Outlaws, Charlotte Gordon reunites the trailblazing author who wrote A Vindication of the Rights of Woman and the Romantic visionary who gave the world Frankenstein—two courageous women who should have shared their lives, but instead shared a powerful literary and feminist legacy. In 1797, less than two weeks after giving birth to her second daughter, Mary Wollstonecraft died, and a remarkable life spent pushing against the boundaries of society’s expectations for women came to an end. But another was just beginning. Wollstonecraft’s daughter Mary was to follow a similarly audacious path. Both women had passionate relationships with several men, bore children out of wedlock, and chose to live in exile outside their native country. Each in her own time fought against the injustices women faced and wrote books that changed literary history. The private lives of both Marys were nothing less than the stuff of great Romantic drama, providing fabulous material for Charlotte Gordon, an accomplished historian and a gifted storyteller. Taking readers on a vivid journey across revolutionary France and Victorian England, she seamlessly interweaves the lives of her two protagonists in alternating chapters, creating a book that reads like a richly textured historical novel. Gordon also paints unforgettable portraits of the men in their lives, including the mercurial genius Percy Shelley, the unbridled libertine Lord Byron, and the brilliant radical William Godwin. “Brave, passionate, and visionary, they broke almost every rule there was to break,” Gordon writes of Wollstonecraft and Shelley. A truly revelatory biography, Romantic Outlaws reveals the defiant, creative lives of this daring mother-daughter pair who refused to be confined by the rigid conventions of their era. Praise for Romantic Outlaws “[An] impassioned dual biography . . . Gordon, alternating between the two chapter by chapter, binds their lives into a fascinating whole. She shows, in vivid detail, how mother influenced daughter, and how the daughter’s struggles mirrored the mother’s.”—The Boston Globe