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Coronations are the grandest of all state occasions. This is the first comprehensive in-depth study of the music that was performed at British coronations from 1603 to the present, encompassing the sixteen coronations that have taken place in Westminster Abbey and the last two Scottish coronations. Range describes how music played a crucial role at the coronations and how the practical requirements of the ceremonial proceedings affected its structure and performance. The programme of music at each coronation is reconstructed, accompanied by a wealth of transcriptions of newly discovered primary source material, revealing findings that lead to fresh conclusions about performance practices. The coronation ceremonies are placed in their historical context, including the political background and the concept of invented traditions. The study is an invaluable resource not only for musicologists and historians, but also for performers, providing a fascinating insight into the greatest of all Royal events.
Dr. Alan Gribben, a foremost Twain scholar, made waves in 1980 with the publication of Mark Twain's Library, a study that exposed for the first time the breadth of Twain's reading and influences. Prior to Gribben's work, much of Twain's reading history was assumed lost, but through dogged searching Gribben was able to source much of Twain's library. Mark Twain's Literary Resources is a much-expanded examination of Twain's library and readings. Volume I included Gribben's reflections on the work involved in cataloging Twain's reading and analysis of Twain's influences and opinions. This volume, long awaited, is an in-depth and comprehensive accounting of Twain's literary history. Each work read or owned by Twain is listed, along with information pertaining to editions, locations, and more. Gribben also includes scholarly annotations that explain the significance of many works, making this volume of Mark Twain's Literary Resources one of the most important additions to our understanding of America's greatest author.
The first in-depth study of the ceremonial and music performed at British royal and state funerals over the past 400 years.
A historical study of a little-known episode of the American Revolution in which Charleston residents were held in a British-occupied region of Florida. In the months following the May 1780 capture of Charleston, South Carolina, by combined British and loyalist forces, British soldiers arrested sixty-three Americans and transported them to the borderland town of St. Augustine, East Florida—territory under British control since the French and Indian War. In Patriots in Exile, James Waring McCrady and C. L. Bragg chronicle the banishment of these southerners, the hardships endured by their families, and the plight of the enslaved men and women who accompanied them. McCrady and Bragg examine the events from various perspectives, including the British who governed occupied Charleston, the families left behind, the armies in the field, the Continental Congress, and finally the Jacksonboro Assembly of January and February 1782. Using primary sources and archival materials, the authors develop biographical sketches of each exile and illuminate important facets of the American Revolution’s southern theater. While they shared a common fate, the exiles were a diverse lot of tradesmen, artisans, prominent civilians, military officers, and others—among them three signers of the Declaration of Independence. Although they had clear socioeconomic differences, most were unrepentant patriots forced to navigate complex and dangerous circumstances.
This book provides provocative information on poetry written in response to the most revolutionary set of events seen in Britain since the 1640s: 'Peterloo', a peaceful protest that became a massacre; 'Cato Street', a government scripted rebellion; and the 'Queen Caroline Controversy', when the estranged wife of George IV tried to claim her crown.