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A fine biography. [It] is a most satisfying book and an important contribution to South African scholarship. CAPE TIMES Scottish poet, fighter for human rights in the Cape Colony, and abolitionist, reveals the role this key Enlightenment figure played in Africa and Britain. This biography of Thomas Pringle (1789-1834), poet, fighter for human rights in the Cape Colony, and abolitionist, reveals the role this key Enlightenment figure played in Africa and Britain. Honoured in South Africa as 'the father of South African English poetry', for his part in achieving a free press, for his fight for the settlers' rights in the colony, in Scotland as the founding editor of Blackwood's Magazine, and in England as instrumental inbringing in abolition, Thomas Pringle has not yet had the attention he deserves. Born on the Scottish Borders, Pringle entered literary life in late Englightenment Edinburgh, but in 1820 led a party of settlers to theCape Colony. After running a school, launching a literary journal and co-editing the Cape's first independent newspaper, he formed a group to fight for democratic rights for both the settlers and the dispossessed indigenous people. His biography reveals the important part he played in the literary and political world across two continents, and in championing the Khoisan and the increasingly dispossessed Nguni people. On returning to England he became Secretary of the Anti-Slavery Society, and on 15 June 1834 announced the implementation of abolition. After actively opposing the apartheid government in South Africa Randolph Vigne worked in exile as a London publisher andlatterly, in Britain and South Africa, as author and editor of European and African historical studies. Southern Africa (South Africa, Botswana, Namibia, Lesotho, Swaziland, Zambia and Zimbabwe): UCT Press
This book examines Thomas De Quincey's notion of the unconscious in the light of modern cognitive science and nineteenth-century science. It challenges Freudian theories as the default methodology in order to understand De Quincey's oeuvre and the unconscious in literature more generally.
Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.
Scotland’s Pariah is the first book to examine the remarkable life of John Pinkerton: antiquarian, poet, forger, cartographer, historian, serial adulterer, bigamist, and religious skeptic. A pugnacious and persistent man of letters who knew and was admired by literary masters such as Edward Gibbon, Horace Walpole, and William Godwin, Pinkerton’s life was full of personal and professional misadventures. Patrick O’Flaherty’s biography presents an engrossing account of Pinkerton’s life and works from his early years in Scotland to his Parisian exile, covering his major editorial, antiquarian, and geographic works. Examining Pinkerton’s involvement in the London literary scene, his conflicted relationship with the rise of Celtic nationalism, and his response to early literary romanticism, Scotland’s Pariah is a shrewd and compassionate evaluation of an astonishing literary life.
Scott's Shadow is the first comprehensive account of the flowering of Scottish fiction between 1802 and 1832, when post-Enlightenment Edinburgh rivaled London as a center for literary and cultural innovation. Ian Duncan shows how Walter Scott became the central figure in these developments, and how he helped redefine the novel as the principal modern genre for the representation of national historical life. Duncan traces the rise of a cultural nationalist ideology and the ascendancy of Scott's Waverley novels in the years after Waterloo. He argues that the key to Scott's achievement and its unprecedented impact was the actualization of a realist aesthetic of fiction, one that offered a socializing model of the imagination as first theorized by Scottish philosopher and historian David Hume. This aesthetic, Duncan contends, provides a powerful novelistic alternative to the Kantian-Coleridgean account of the imagination that has been taken as normative for British Romanticism since the early twentieth century. Duncan goes on to examine in detail how other Scottish writers inspired by Scott's innovations--James Hogg and John Galt in particular--produced in their own novels and tales rival accounts of regional, national, and imperial history. Scott's Shadow illuminates a major but neglected episode of British Romanticism as well as a pivotal moment in the history and development of the novel.
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Examining the memoirs and autobiographies of British soldiers during the Romantic period, Neil Ramsey explores the effect of these as cultural forms mediating warfare to the reading public during and immediately after the French Revolutionary and Napoleonic wars. Forming a distinct and commercially successful genre that in turn inspired the military and nautical novels that flourished in the 1830s, military memoirs profoundly shaped nineteenth-century British culture's understanding of war as Romantic adventure, establishing images of the nation's middle-class soldier heroes that would be of enduring significance through the nineteenth and twentieth centuries. As Ramsey shows, the military memoir achieved widespread acclaim and commercial success among the reading public of the late Romantic era. Ramsey assesses their influence in relation to Romantic culture's wider understanding of war writing, autobiography, and authorship and to the shifting relationships between the individual, the soldier, and the nation. The memoirs, Ramsey argues, participated in a sentimental response to the period's wars by transforming earlier, impersonal traditions of military memoirs into stories of the soldier's personal suffering. While the focus on suffering established in part a lasting strand of anti-war writing in memoirs by private soldiers, such stories also helped to foster a sympathetic bond between the soldier and the civilian that played an important role in developing ideas of a national war and functioned as a central component in a national commemoration of war.