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After twelve months of military service in Iraq, Michael Anthony stepped off a plane, seemingly happy to be home - or at least back on US soil. He was twenty-one years old, a bit of a nerd, and carrying a pack of cigarettes that he thought would be his last. Two months later, Michael was stoned on Vicodin, drinking way too much, and picking a fight with a very large Hell's Angel. At his wit's end, he came to an agreement with himself: If things didn't improve in three months, he was going to kill himself. Civilianized is a memoir chronicling Michael's search for meaning in a suddenly destabilized world.
Although war memoirs constitute a rich, varied literary form, they are often dismissed by historians as unreliable. This collection of essays is one of the first to explore the modern war memoir, revealing the genre’s surprising capacity for breadth and sophistication while remaining sensitive to the challenges it poses for scholars. Covering conflicts from the Napoleonic era to today, the studies gathered here consider how memoirs have been used to transmit particular views of war even as they have emerged within specific social and political contexts.
Far From Home recounts the life of a soldier who grew up in 1920s Calgary and became an officer in the Canadian army who travelled the world. Williams offers a vivid retelling of growing up in Calgary during the depression. Williams transition from "the most untrained officer in the army" to an army officer at home in the Pentagon, along with the culture shock of moving from a relatively simple upbringing to the sophisticated life of an international officer, is told with great humour and rare insight into the human side of the military life.
"I may dare to speak, and I intend to speak and write what I think," wrote a New York volunteer serving in the Mexican War in 1848. Such sentiments of resistance and confrontation run throughout the literature produced by veteran Americans in the nineteenth century -- from prisoner-of-war narratives and memoirs to periodicals, adventure pamphlets, and novels. Military men and women were active participants in early American print culture, yet they struggled against civilian prejudice about their character, against shifting collective memories that removed military experience from the nation's self-definition, and against a variety of headwinds in the uneven development of antebellum print culture. In this new literary history of early American veterans, Benjamin Cooper reveals how soldiers and sailors from the Revolutionary War through the Civil War demanded, through their writing, that their value as American citizens and authors be recognized. Relying on an archive of largely understudied veteran authors, Cooper situates their perspective against a civilian monopoly in defining American citizenship and literature that endures to this day.
Dead Men Telling Tales is an original account of the lasting cultural impact made by the autobiographies of Napoleonic soldiers over the course of the nineteenth century. Focusing on the nearly three hundred military memoirs published by British, French, Spanish, and Portuguese veterans of the Peninsular War (1808-1814), Matilda Greig charts the histories of these books over the course of a hundred years, around Europe and the Atlantic, and from writing to publication to afterlife. Drawing on extensive archival research in multiple languages, she challenges assumptions made by historians about the reliability of these soldiers' direct eyewitness accounts, revealing the personal and political motives of the authors and uncovering the large cast of characters, from family members to publishers, editors, and translators, involved in production behind the scenes. By including literature from Spain and Portugal, Greig also provides a missing link in current studies of the Revolutionary and Napoleonic Wars, showing how the genre of military memoirs developed differently in south-western Europe and led to starkly opposing national narratives of the same war. Her findings tell the history of a publishing phenomenon which gripped readers of all ages across the world in the nineteenth century, made significant profits for those involved, and was fundamental in defining the modern 'soldier's tale'.
In the decades since the Vietnam War, veteran memoirs have influenced Americans’ understanding of the conflict. Yet few historians or literary scholars have scrutinized how the genre has shaped the nation’s collective memory of the war and its aftermath. Instead, veterans’ accounts are mined for colorful quotes and then dropped from public discourse; are accepted as factual sources with little attention to how memory, no matter how authentic, can diverge from events; or are not contextualized in terms of the race, gender, or class of the narrators. Veteran Narratives and the Collective Memory of the Vietnam War is a landmark study of the cultural heritage of the war in Vietnam as presented through the experience of its American participants. Crossing disciplinary borders in ways rarely attempted by historians, John A. Wood unearths truths embedded in the memoirists’ treatments of combat, the Vietnamese people, race relations in the United States military, male-female relationships in the war zone, and veterans’ postwar troubles. He also examines the publishing industry’s influence on collective memory, discussing, for example, the tendency of publishers and reviewers to privilege memoirs critical of the war. Veteran Narratives is a significant and original addition to the literature on Vietnam veterans and the conflict as a whole.
One wrong move sends a U.S. Army combat journalist's life spiraling dangerously out of control in Years Becoming: The Novelized Memoir of a Veteran Harlot - the true story of a professional liar and the consequences of losing one's life for love.After Blanka Stratford is discharged from the military for violating the Don't Ask, Don't Tell policy, she is convinced she had made the right decision to be with the woman who seized both her heart and her career. But Blanka soon finds out that nothing is fair in love or war. In vain attempt to maintain both a writing career amidst a faltering economy and the affection of the one person who had brought her to her knees, Blanka sells the last item she has left to offer - herself. As she enters New York City's underground world of drugs and high-class prostitution, she struggles to remember the person she had once been. Her lies become further entwined by the betrayal of an old military acquaintance, a charming sycophant who proves that not all that glitters is gold. With vengeance in mind and the aid of three friends, Blanka implements a profitable scheme to con the world. When she departs for Europe to fulfill her plan, however, three obstacles stand in her way: a wacky Polish family, a Spanish woman bent on winning her love, and an eccentric Russian rebel, who brings Blanka back to life at the same moment he aims to take it away. Split into two halves symbolically placed side by side: Part 1 "The Truth of the United States" and Part 2 "Lies in Europe," this first-person account - covering timely topics such as the Iraq War, GLBT issues and Russian espionage - will leave the reader in laughs, in tears and in disarray.
Winner of the Caforio prize for the best book in armed forces and civil-military relations published between 2015 and 2016 In On Military Memoirs Esmeralda Kleinreesink offers insight into military books: who were their writers and publishers, what were their plots, and what motives did their authors have for writing them. Every Afghanistan war autobiography published in the US, the UK, Germany, Canada, and the Netherlands between 2001 and 2010 is compared quantitatively and qualitatively. On Military Memoirs shows that soldier-authors are a special breed; that self-published books still cater to different markets than traditionally published ones; that cultural differences are clearly visible between warrior nations and non-warrior nations; that not every contemporary memoir is a disillusionment story; and that writing is serious business for soldiers wanting to change the world. The book provides an innovative example of how to use interdisciplinary, mixed-method, cross-cultural research to analyse egodocuments.
For 42 years, nationally syndicated talk radio host and NYT bestselling author Neal Boortz has been entertaining, aggravating, enraging and captivating radio audiences. In his memoir, Maybe I Should Just Shut Up And Go Away, he looks back across the decades and shares the often-hilarious reality of what happens behind the scenes when you're a talk radio icon. Longtime friend with national radio greats Rush Limbaugh and Sean Hannity, he tells how those relationships began in the hot seat of competition. Tributes are included from Rush Limbaugh, Sean Hannity, Home Depot Founder Bernie Marcus and 2012 presidential nominee Herman Cain. Though early predictions by those who knew him in his youth cast Boortz as a sure prospect to become a preacher, he took a different route to educating the masses. Longtime listeners are certain to become enthusiastic readers as Boortz finally tips his hat to more than four decades of teeing up controversy, political education and general entertainment for audiences across the country to enjoy--and tells all they've been wanting to know but couldn't get anyone to share until now.