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This highly original study provides a detailed analysis of Catherine the Great's celebrity avant la lettre and how gender, power, and scandal made it commercially successful. In 1762, when Catherine II overthrew her husband to seize the throne of the Russian Empire, her instant popular fame in regions of Europe far from her own domains fit the still new discourse of modern celebrity and soon helped shape it. Catherine the Great and Celebrity Culture in Eighteenth-Century Europe shows that over the next 35 years Catherine was part of a standard troika of celebrity-making agents-intriguing central figure, large-scale media, and an engaged public. Ruth P. Dawson reveals how writers, print makers, newspaper editors, playwrights, and more-the 18th-century's media workers-laboured to produce marketable representations of the empress, and audiences of non-elite readers, viewers, and listeners savoured the resulting commodities. This book presents long neglected material evidence of the tsarina's fantasy-inducing fame, examines the 1762 coup as the indispensable story that first constructed her distant public image, and explains how the themes of enlightenment, luxury consumption, clashing gender roles, and exotic Russia continued to attract non-elite fans and anti-fans during the middle decades of her reign. For the later years, the book considers the scrutiny inspired by the French Revolution and Catherine's skewering in unsparing misogynist cartoons as they applied to visual representations, her achievements as ruler, the long-ago overthrow of her husband, and her gradually revealed list of lovers. Dawson reflects on Catherine II's demise in 1796 and how this instigated a final burst of adoration, loathing, and ambivalence as new accounts of her life, both real and fictional, claimed to unwrap the final secrets of the first modern international female celebrity – even now the only woman in history widely known as 'the Great'.
"For each friend and correspondent Miss Carter uses a distinct tone. The contents of her letters are tailored to meet the character, the interests, the concerns, the situation and style of life of the person to whom she is writing; and each letter reflects the particular relationships between Miss Carter and her correspondent."--BOOK JACKET.
This is the first of two companion volumes which examine language use and language attitudes in eighteenth- and nineteenth-century Russia, focusing on the transitional period from the Enlightenment to the age of Pushkin.
In 1782, Princess Ekaterina Dashkova was appointed dir. of Russia's Imperial Acad. of Arts & Sci. by Catherine the Great. It was just two years after she had met with another personality of the Enlightenment -- Benjamin Franklin, founding pres. of Amer. first scientific acad., the Amer. Philosophical Soc. (APS). The essays in this vol., pub. as a companion to an exhib. of the same title & on the occasion of the Franklin Tercentenary of 2006, highlight Dashkova as an accomplished Enlightenment woman. They explore how she, like Franklin, took up the challenge of living according to the newest ideals of her age. Nominated by Franklin in 1789 to become the first female member of the APS, she in turn made him the first Amer. member of the Russian Acad.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.