Download Free Memoir Of Amelia Opie Classic Reprint Book in PDF and EPUB Free Download. You can read online Memoir Of Amelia Opie Classic Reprint and write the review.

Excerpt from Memoir of Amelia Opie It seems desirable, in bringing out a short Memoir of Mrs. Opie, under the auspices of the Religious Tract Society, to preface it by a few observations, introductory and explanatory. The present Life differs, in some essential respects, from the larger "Memorials;" having for its object more particularly the record of Mrs. Opie's religious history; and, consequently, it will be found to contain but a general summary of the events of the earlier years of her life. Since the publication of the former work, I have received many pleasing letters, and extracts from correspondence, communicated to me by the friends of Mrs. Opie, which have been thought likely to interest the general reader, and to bring out into clearer light the character of the departed, as a Christian woman. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Kiss ("When the Sun with amorous beams")
That focus invests these attributes with new meaning, making supposed female weaknesses potentially active forces for social change.
Excerpt from Memorials of the Life of Amelia Opie: Selected and Arranged From Her Letters, Diaries, and Other Manuscripts IN the preparation of these Memoirs for publication, the principal part of the labour has been undertaken by my daughter; the pressure of other engagements having only permitted me to undertake the general direction and super vision of the whole. As the Executor of Mrs. Opie, her papers and letters came into my hands; and it devolved on me to decide in what way to dispose of them. There had been, (i believe, ) a general impression among her friends, that she would herself prepare an account of her Life; but although she seems to have made some efforts at commencing the task, and the subject was often affectionately recommended, and even urged upon her, she has left it a matter of regret to her friends, (and especially so to the compilers of these memoirs, ) that no Autobiography was found among her papers. Nor did Mrs. Opie ever distinctly give any directions as to the publication of her mss. Or any Memoir of her Life; but we have, we think, strong presumptive evidence, that she anticipated, if not desired, that it should be done. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Vols. for 1980- issued in three parts: Series, Authors, and Titles.
Memoirs of Emma Courtney (1796) is a novel by English writer and feminist Mary Hays. Inspired by events from her own life, as well as by her acquaintance with radical political philosophers William Godwin and Mary Wollstonecraft, Hays’s novel received mixed reviews and was controversial for its representation of female sexuality, adultery, infanticide, and suicide. Modern critics and readers, however, have recognized the novel as a groundbreaking work of feminist fiction. In a series of letters to her adopted son Augustus Harley, Emma Courtney reveals the tragic details of her life. Young and in love with Augustus’s father, Courtney dreamed of marrying him and starting a family. Despite their true connection, Harley is unable to marry—his continued income is only guaranteed, he claims, if he remains a bachelor. Meanwhile, a man named Mr. Montague promises Courtney a life of safety and financial stability if she will agree to marry him, which, after learning that Harley has secretly been married all along, she does. Heartbroken, Courtney settles for a life with her new husband, and raising her daughter becomes her only cause for passion. When she realizes the extent of Mr. Montague’s dishonesty, however, she struggles to reconcile her former sense of individuality with the life she has been forced to live. When Harley suddenly reappears, however, feelings from the past return that threaten to flood Courtney’s heart and overturn what stability she thought had been her own. Memoirs of Emma Courtney is an epistolary novel exploring themes of desire, inequality, and the love that transcends the values and bonds of society. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Hays’s Memoirs of Emma Courtney is a classic of English literature reimagined for modern readers.
Writing the Lives of Painters explores the development of artists' biographies in eighteenth- and early nineteenth-century Britain. During this period artists gradually distanced themselves from artisans and began to be recognised for their imaginative and intellectual skills. The development of the art market and the burgeoning of an exhibition culture, as well as the foundation of the Royal Academy of Arts in 1768, all contributed to redefining the rank of artists in society. This social redefinition of the status of artists in Britain was shaped by a thriving print culture. Contemporary artists were discussed in a wide range of literary forms, including exhibition reviews, art-critical pamphlets, and journalistic gossip-columns. Biographical accounts of modern artists emerged in a dialogue with these other types of writing. This book is an account of a new literary genre, tracing its emergence in the cultural context of the late eighteenth and early nineteenth centuries. It considers artistic biography as a malleable generic framework for investigation. Indeed, while the lives of painters in Britain did not completely abandon traditional tropes, the genre significantly widened its scope and created new individual and social narratives that reflected and accommodated the needs and desires of new reading audiences. Writing the Lives of Painters also argues that the proliferation of a myriad biographical forms mirrored the privileging of artistic originality and difference within an art world that had yet to generate a coherent 'British School' of painting. Finally, by focusing on the emergence of individual biographies of British artists, the book examines how and why the art historiographic model established by Georgio Vasari was gradually dismantled in the hands of British biographers during the Romantic period.