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An internationally acclaimed novelist and journalist movingly chronicles her childhood in Rome during World War II, providing a rare account by a Catholic of Jewish persecution and Papal responsibility In 1937, Rosetta Loy was a privileged five-year-old growing up in the heart of the well-to-do Catholic intelligentsia of Rome. But her childhood world of velvet and lace, airy apartments, indulgent nannies, and summers in the mountains was also the world of Mussolini's fascist regime and the increasing oppression of Italian Jews. Loy interweaves the two Italys of her early years, shifting with powerful effect from a lyrical evocation of the many comforts of her class to the accumulation of laws stipulating where Jews were forbidden to travel and what they were not allowed to buy, eat, wear, and read. She reveals the willful ignorance of her own family as one by one their neighbors disappeared, and indicts journalists and intellectuals for their blindness and passivity. And with hard-won clarity, she presents a dispassionate record of the role of the Vatican and the Catholic leadership in the devastation of Italy's Jews. Written in crystalline prose, First Words offers an uncommon perspective on the Holocaust. In the process, Loy reveals one writer's struggle to reconcile her memories of a happy childhood with her adult knowledge that, hidden from her young eyes, one of the world's most horrifying tragedies was unfolding.
When Csaba Teglas was confronted with the Nazi invasion of Hungary during World War II, the Soviet occupation following the Allied victory, and finally with the opportunity to escape the oppressive regime during the Hungarian Revolution of 1956, he responded not with fear, indecision, or submission, but with courage, ingenuity, and hope. In Budapest Exit: A Memoir of Fascism, Communism, and Freedom, Teglas begins with the story of his childhood in Hungary. During the war, the dramatic changes that took place in his country intensified with the invasion of the Nazis. The Nazis' defeat after the terrifying siege of Budapest should have led to freedom, but for Hungary it meant occupation by the Soviets, who were often little better than the fascists. A twelve-year-old friend of Teglas was forced to watch the brutal gang rape of a Jewish family member by the same Soviet soldiers who liberated her from the Nazis. Despite the difficulties of life in Budapest, Teglas met the challenge when sustenance of the family fell on his young shoulders. One of the innovative ways he earned money was to employ his playments to extract ball bearings from wrecked tanks and other military vehicles that he then sold to factories. He also sold rubber rings cut from bicycle tubes to use as canning seals. Before the communists solidified their rule, Teglas obtained admission to the Technical University of Budapest, where he earned a degree despite constant interference in the University by the communists. The following years under the Stalinist dictatorship were the harshest, and Teglas and his family and friends lived in constant fear; some were even subjected to the communist jails and torture chambers. But rather than standing idly by, Teglas protested, sometimes quietly, sometimes more vocally, against the Soviet and communist presence in Hungary. During the Hungarian Revolution of 1956, Teglas became more involved in the opposition to the communists. When it became clear that the revolutionaries were not going to succeed, he knew he had to leave Hungary to avoid retaliation for his involvement. Teglas recounts his dramatic escape through the heavily guarded Iron Curtain and his subsequent emigration to North America, where life an an immigrant presented new challenges. Teglas compares the genocide and tragedies of Nazi order in World War II and of communist rule to recent international events and ethnic cleansing in Central and Eastern Europe, including the former Yugoslavia. He also highlights the failure of the West to stop the war in Bosnia expediently and the possible far-reaching consequences of a "peace" treaty that aims to satisfy the demands of the aggressors while ignoring the rights of others in the Balkans. Even more, though, this memoir is Csaba Teglas's personal story of his youth, told from the point of view of a man with sons of his own. He found in America the freedom for which he had been searching, but he has raised his American sons to remain proud of their Hungarian heritage.
#1 New York Times Bestseller A personal and urgent examination of Fascism in the twentieth century and how its legacy shapes today’s world, written by one of the most admired public servants in American history, the first woman to serve as U.S. secretary of state A Fascist, observed Madeleine Albright, “is someone who claims to speak for a whole nation or group, is utterly unconcerned with the rights of others, and is willing to use violence and whatever other means are necessary to achieve the goals he or she might have.” The twentieth century was defined by the clash between democracy and Fascism, a struggle that created uncertainty about the survival of human freedom and left millions dead. Given the horrors of that experience, one might expect the world to reject the spiritual successors to Hitler and Mussolini should they arise in our era. Fascism: A Warning is drawn from Madeleine Albright's experiences as a child in war-torn Europe and her distinguished career as a diplomat to question that assumption. Fascism, as she shows, not only endured through the twentieth century but now presents a more virulent threat to peace and justice than at any time since the end of World War II. The momentum toward democracy that swept the world when the Berlin Wall fell has gone into reverse. The United States, which historically championed the free world, is led by a president who exacerbates division and heaps scorn on democratic institutions. In many countries, economic, technological, and cultural factors are weakening the political center and empowering the extremes of right and left. Contemporary leaders such as Vladimir Putin and Kim Jong-un are employing many of the tactics used by Fascists in the 1920s and 30s. Fascism: A Warning is a book for our times that is relevant to all times. Written by someone who not only studied history but helped to shape it, this call to arms teaches us the lessons we must understand and the questions we must answer if we are to save ourselves from repeating the tragic errors of the past.
“I was probably less than five years old when my father fired a shot at my head.” From this first line, Dan Vittorio Segre’s memoir moves from one startling turning point to the next. The child of aristocratic parents, Segre fled Fascist Italy and Mussolini’s anti-Semitic laws only to be thrust into the pioneering culture of Palestine, completely unprepared for the dangers of life in Israel during World War II. Beautifully narrated, Memoirs of a Fortunate Jew is an ironic, philosophical meditation on the historical reverberations of the twentieth century. “Taut and illuminating . . . memorable . . . written with the humility of he who confesses himself and with the honesty of he who bore witness.”—Primo Levi “The writing of memoirs is a difficult art that Dan Segre fully possesses. Under his pen, history and psychology merge in one captivating narrative which illuminates the turmoils, fears and triumphs of his generation.”—Elie Wiesel “Beautifully written. . . . [A] labyrinthine, spell-binding autobiography, full of passionate tenderness.”—New York Review of Books “An unusually attractive book—attractive in its irony, its energy and its moral insight. Mr. Segre had some rich material to work with, and he has done it justice.”—New York Times
A classic memoir of self-invention in a strange land: Ian Buruma's unflinching account of his amazing journey into the heart of Tokyo's underground culture as a young man in the 1970's When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn’t so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible. Tokyo was an astonishment. Buruma found a feverish and surreal metropolis where nothing was understated—neon lights, crimson lanterns, Japanese pop, advertising jingles, and cabarets. He encountered a city in the midst of an economic boom where everything seemed new, aside from the isolated temple or shrine that had survived the firestorms and earthquakes that had levelled the city during the past century. History remained in fragments: the shapes of wounded World War II veterans in white kimonos, murky old bars that Mishima had cruised in, and the narrow alleys where street girls had once flitted. Buruma’s Tokyo, though, was a city engaged in a radical transformation. And through his adventures in the world of avant garde theater, his encounters with carnival acts, fashion photographers, and moments on-set with Akira Kurosawa, Buruma underwent a radical transformation of his own. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free. A Tokyo Romance is a portrait of a young artist and the fantastical city that shaped him. With his signature acuity, Ian Buruma brilliantly captures the historical tensions between east and west, the cultural excitement of 1970s Tokyo, and the dilemma of the gaijin in Japanese society, free, yet always on the outside. The result is a timeless story about the desire to transgress boundaries: cultural, artistic, and sexual.
Adapted from the adult memoir by the #1 New York Times bestselling author of The Water Dancer and Between the World and Me, this father-son story explores how boys become men, and quite specifically, how Ta-Nehisi Coates became Ta-Nehisi Coates. As a child, Ta-Nehisi Coates was seen by his father, Paul, as too sensitive and lacking focus. Paul Coates was a Vietnam vet who'd been part of the Black Panthers and was dedicated to reading and publishing the history of African civilization. When it came to his sons, he was committed to raising proud Black men equipped to deal with a racist society, during a turbulent period in the collapsing city of Baltimore where they lived. Coates details with candor the challenges of dealing with his tough-love father, the influence of his mother, and the dynamics of his extended family, including his brother "Big Bill," who was on a very different path than Ta-Nehisi. Coates also tells of his family struggles at school and with girls, making this a timely story to which many readers will relate.
Migrant by necessity, cosmopolitan by choice, Dan Vittorio Segre has truly had an extraordinary life. Memoirs of a Fortunate Jew told the story of his childhood and adolescence: from his secular, bourgeois Jewish upbringing to his enforced emigration to Palestine, and his sudden awakening to the Zionist movement and his own religious convictions. Primo Levi called it "taut and illuminating... memorable... written with the humility of he who confesses himself and with the honesty of he who bore witness". With his ever present humour, irony and intelligence, Segre now describes returning to liberated Italy in British uniform; his first disastrous diplomatic experiences as Israel's cultural attaché to Paris; his deep involvement with Israel's developing relations with African states on the eve of their independence; accusations against him of being a spy leading to his dismissal from the Foreign Ministry; and his subsequent career as an academic.
In 1981, Heinrich Boll returned to the streets of his childhood in this remarkable collection of nonfiction. This volume captures the musings of a mature Boll as he looks back with fondness and with anger on his formative years: as a student who avoided school but lived for his education on the street; and as a young man forced to grapple with the moral horror that was Hitler. What's to Become of the Boy - superbly translated by Leila Vennewitz - provides uncommon insight into Boll's maturation as an author and as a man.