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Part of a series of technically informative monographs embracing a broad spectrum of internationally renowned buildings. This work deals with Melsetter House, and includes a comprehensive set of technical drawings and working details.
This well-illustrated 'think piece' provides a much needed and topical philosophical introduction to the place of environmental design in architecture. The Environments of Architecture sets out a range of considerations necessary to produce appropriate internal environments in the context of a wider discussion on the effect of building decisions on the broader environment. The authors, from architecture and engineering, academia and practice, provide a rounded and well-balanced introduction to this important topic. Starting from a belief that the built environment can contribute more positively to the planet and the pleasure of places as well as answering the practical demands of comfort, they cover site planning, form, materials, construction and operation as well as looking at design on a city level. Presenting a thoughtful and stimulating approach to the built environment, this book forms an excellent guide for practitioners, students and academics concerned with our built environment.
Constructed space is defined by its shape, by the materials with which it is enclosed and by the objects that are placed within or decorate its exterior or interior. The interaction of these crafted objects or decorated surfaces with space provides viewers or inhabitants with visual clues about the environment as well as visual cues about decorum: viewers can know what kind of behaviour is expected and what the space means. Furnishings and dress, textile panels and clay pots, stained glass and gesso panels, all defined as craft or decorative art, give architectural space, defined as high art, its character: without craft, architecture is empty and devoid of meaning. This engaging collection of essays presents the first sustained exploration of the relationship of craft to architectural spaces. The book unravels the complex ways in which craft controls, manipulates, organises and defines space, to highlight how the relationship between craft and space can be understood as a form of communication between related parts that combine to form a unified whole.
The BBC travel personality explores the Nordic legacy of these remote Scottish islands: “Engagingly written and superbly illustrated.” —Undiscovered Scotland Paul Murton has long had a love of the Viking north—the island groups of Orkney and Shetland and the old counties of Caithness and Sutherland—which, for centuries, were part of the Nordic world as depicted in the great classic known as the Orkneyinga Saga. Today this fascinating Scandinavian legacy can be found everywhere—in physical remains, place names, local traditions and folklore, and much else. This is a personal account of Paul Murton’s travels in the Viking north. Full of observation, history, anecdote, and encounters with those who live there, it also serves as a practical guide to the many places of interest. From a sing-along with the Shanty Yell Boys to fishing off Muckle Flugga, from sword dancing with the men of Papa Stour to a Norwegian pub crawl in Lerwick, this book paints a vivid picture of these lands and their people, and explores their extraordinary rich heritage.
Orkney lies only 20 miles north of mainland Scotland, yet for many centuries its culture was more Scandanavian than Scottish. Strong westerly winds account for the scarcity of trees on Orkney and also for the tradition of well-constructed stone structures. As a result, the islands boast a large number of exceptionally well-preserved remains, which help us to form a detailed picture of Orcadian life through the ages. Sites and remains to be explored include settlements from the Stone Age, stone circles and burials from the Bronze Age, Iron Age brochs, Viking castles, the magnificent cathedral of St Magnus in Kirkwall, Renaissance palaces, a Martello tower from the Napoleonic Wars and numerous remains from the Second World War. In this updated edition of her best-selling book, Caroline Wickham-Jones, who has worked extensively on Orcadian sites for many years, introduces the history of the islands and provides a detailed survey of the principal places and sites of historic interest.

Moodie Book

Melville Amadeus Henry Douglas Heddle de La Caillemotte de Massue de Ruvigny Ruvigny and Raineval (9th marquis of)

Published: 1906

Total Pages: 192


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The Orkney Islands are a place of mystery and magic, where the past and the present meet, ancient standing stones walk and burial mounds are the home of the trows. Orkney Folk Tales walks the reader across invisible islands that are home to fin folk and mermaids, and seals that are often far more than they appear to be. Here Orkney witches raise storms and predict the outcome of battles, ghosts seek revenge and the Devil sits in the rafters of St Magnus Cathedral, taking notes! Using ancient tales told by the firesides of the Picts and Vikings, storyteller Tom Muir takes the reader on a magical journey where he reveals how the islands were created from the teeth of a monster, how a giant built lochs and hills in his greed for fertile land, and how the waves are controlled by the hand of a goddess.
This book is about how the author became an archaeologist at a time when opportunities for employment were rare and how he worked as a field researcher in West Africa and wrote about his work there.