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One of the most racy, entertaining, and valuable contemporary accounts of Byron, Medwin's Conversations created a furor among Byron’s many friends and enemies, especially those who appear in it. In the notes to this edition, Professor Lovell has assembled in the appropriate place comments on and corrections of Medwin’s account by Lady Byron, John Cam Hobhouse, E.J. Trelawny, Sir Charles Napier, John Murray, John Galt, William Harness, Robert Southey, Lady Caroline Lamb, Leigh Hunt, Mary Shelley, Sir Walter Scott, Countess Teresa Guiccioli William Fletcher, and others. The result is a continuing dialogue as one. witness debates with another. The text is based upon Medwin’s own copy of the third London edition of 1824, heavily annotated by the author. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
First published in 1972. John D. Jump, a leading authority on Byron and the Romantic period, here gives an account of Byron’s literary achievement in relation to the age of revolutions in which he lived and in relation to his own character and personal circumstances. Professor Jump focuses upon the major poems and also discusses Byron’s prose, principally his letters and journals. In doing so he covers all of the important aspects of Byron’s work.
Keats and Scepticism explores Keats’s affinity with the philosophical tradition of scepticism and reads Keats’s poetry anew in the light of this affinity. It suggests Keats’s links with the origin of scepticism in ancient Greece as recorded in Sextus Empiricus’s Outlines of Scepticism. It also discusses Keats’s connections with Montaigne, the most important Renaissance inheritor of Pyrrhonian scepticism; Voltaire, the Enlightenment philosophe whose sceptical ideas made an indelible impact on Keats; and Hume, the most thoroughgoing sceptic after antiquity. Other than Keats’s affinitive ideas with these sceptical thinkers, this book is particularly interested in Keats’s experiments with the peculiar language, forms, modes, and genres of poetry to convey the non-dogmatic philosophy. In this light, it re-reads Isabella, ‘La Belle Dame sans Merci’, the 1819 odes, the two Hyperions, King Stephen, and Lamia, all of which reveal Keats’s self-reflexive and radical sceptical poetics in challenging poetic dogmas and conventions. This book is for Keats lovers, students, teachers, scholars, or non-academic readers who are interested in Romanticism, nineteenth-century studies, or poetry and philosophy in general. This original, accessible interdisciplinary study aims to offer the reader a fresh perspective to read Keats and appreciate the quintessential Keatsian poetics.
Revealing the series of closet dramas written by Byron and Shelley to be deeply embedded in contemporary radical culture, the author explains why the dramas were written and why they invoke and apparently oppose textual and theatrical versions of themselves.
First published in 2000, this collection of essays focuses on women theatre artists in the romantic period.
This book explores the significance of flight to Romantic literature. Although the Romantic movement and the age of ballooning coincided, there has been a curious and long-time tendency to forget that flight was not impossible during this period. This study details the importance of this new technology to Romantic authors, primarily English Romantic poets. It combines accounts of the exploits and experiences of early balloonists with references to Romantic texts, using ballooning lore to illuminate a range of Romantic writings. The balloonists are seen as not just supplying these writers with a new code of metaphors, but as colleagues engaged in similarly imaginative enterprises. The book uncovers an ‘aerial imagination’ shared by a large number of writers in the Romantic period that has its origins in the balloon adventures of the 1780s and following two decades. It will appeal to scholars and students of Romantic cultural history, as well as those interested in Romantic poetry and the history of early aeronautics.
An insider's look at the science of near-Earth comets and asteroids Of all the natural disasters that could befall us, only an Earth impact by a large comet or asteroid has the potential to end civilization in a single blow. Yet these near-Earth objects also offer tantalizing clues to our solar system's origins, and someday could even serve as stepping-stones for space exploration. In this book, Donald Yeomans introduces readers to the science of near-Earth objects—its history, applications, and ongoing quest to find near-Earth objects before they find us. In its course around the sun, the Earth passes through a veritable shooting gallery of millions of nearby comets and asteroids. One such asteroid is thought to have plunged into our planet sixty-five million years ago, triggering a global catastrophe that killed off the dinosaurs. Yeomans provides an up-to-date and accessible guide for understanding the threats posed by near-Earth objects, and also explains how early collisions with them delivered the ingredients that made life on Earth possible. He shows how later impacts spurred evolution, allowing only the most adaptable species to thrive—in fact, we humans may owe our very existence to objects that struck our planet. Yeomans takes readers behind the scenes of today’s efforts to find, track, and study near-Earth objects. He shows how the same comets and asteroids most likely to collide with us could also be mined for precious natural resources like water and oxygen, and used as watering holes and fueling stations for expeditions to Mars and the outermost reaches of our solar system.
An exploration into the role of food in the aesthetic revolution of Romanticism
Winner of the Elma Dangerfield Prize 2018 Byron in Italy – Venetian debauchery, Roman sight-seeing, revolution, horse-riding and swimming, sword-brandishing and pistol-shooting, the poet’s ‘last attachment’ – forms part of the fabric of Romantic mythology. Yet Byron’s time in Italy was crucial to his development as a writer, to Italy’s sense of itself as a nation, to Europe’s perceptions of national identity and to the evolution of Romanticism across Europe. In this volume, Byron scholars from Britain, Europe and beyond re-assess the topic of ‘Byron and Italy’ in all its richness and complexity. They consider Byron’s relationship to Italian literature, people, geography, art, religion and politics, and discuss his navigations between British and Italian identities.