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A rich and revelatory exploration of the medieval world, conveyed through intimate biographies by a renowned historian This engrossing, exquisitely illustrated, often witty account tells the life stories of some seventy individuals who "made" the Middle Ages. There are kings and queens, popes and politicians, soldiers and merchants, scholars, authors and visionaries. They range from the important, such as El Cid or Frederick Barbarossa, to the little known, such as the dissolute Venetian nun Clara Sanuto. Some were astonishingly successful: the empire created by Chinggis Khan was one of the most extensive ever seen. Some, such as Charles the Bold, the over-ambitious 15th–century duke of Burgundy, were failures. Contrary to modern myth, medieval people did not believe the earth was flat; torture was far less common than in later centuries; and technological advances included guns, printing, blast furnaces, spectacles, stirrups and the compass. Full of insights such as these, this book shows how medieval people lived in an era that was more one of invention and innovation than of superstition and backwardness. It will appeal to all those who want a truer picture of a world often erroneously portrayed by bestselling novelists of today.
An epic account of how a new world order under Tamerlane was born out of the decline of the Mongol Empire By the mid-fourteenth century, the world empire founded by Genghis Khan was in crisis. The Mongol Ilkhanate had ended in Iran and Iraq, China’s Mongol rulers were threatened by the native Ming, and the Golden Horde and the Central Asian Mongols were prey to internal discord. Into this void moved the warlord Tamerlane, the last major conqueror to emerge from Inner Asia. In this authoritative account, Peter Jackson traces Tamerlane’s rise to power against the backdrop of the decline of Mongol rule. Jackson argues that Tamerlane, a keen exponent of Mongol custom and tradition, operated in Genghis Khan’s shadow and took care to draw parallels between himself and his great precursor. But, as a Muslim, Tamerlane drew on Islamic traditions, and his waging of wars in the name of jihad, whether sincere or not, had a more powerful impact than those of any Muslim Mongol ruler before him.
From BBC television and radio presenter Amber Butchart, The Fashion Chronicles is an exploration of 100 of the most fascinating style stories ever told. From Eve's fig leaf to Hilary Clinton's pantsuit, the way we choose to clothe our bodies can carry layer upon layer of meaning. Across cultures and throughout history people have used clothing to signify power and status, to adorn and beautify, even to prop up or dismantle regimes. Here, explore the best-dressed figures in history, from Cleopatra to Beyoncé, Joan of Arc to RuPaul. Some have influenced the fashion of today, while some have used their clothing to change the world. But all have a sartorial story to tell. Entries include: Tutankhamun Boudicca Eleanor of Acquitane Genghis Khan King Philip II of Spain King Louis XIV of France Catherine the Great Marie Antoinette Karl Marx Amelia Earhart Josephine Baker Frida Kahlo Malcolm X Marsha Hunt Beyoncé Chimamanda Ngozi Adichie ...and many more
The definitive and fully illustrated guide to the Bayeux Tapestry. The full history of the events leading up to the Battle of Hastings and the story of the tapestry itself. Most people know that the Bayeux Tapestry depicts the moment when the last Anglo-Saxon king of England, Harold Godwinson, was defeated at the Battle of Hastings in 1066 by his Norman adversary William the Conqueror. However, there is much more to this historic treasure than merely illustrating the outcome of this famous battle. Full of intrigue and violence, the tapestry depicts everything from eleventh-century political and social life—including the political machinations on both sides of the English Channel in the years leading up to the Norman Conquest—to the clash of swords and stamp of hooves on the battle field. Drawing on the latest historical and scientific research, authors David Musgrove and Michael Lewis have written the definitive book on the Bayeux Tapestry, taking readers through its narrative, detailing the life of the tapestry in the centuries that followed its creation, explaining how it got its name, and even offering a new possibility that neither Harold nor William were the true intended king of England. Featuring stunning, full- color photographs throughout, The Story of the Bayeux Tapestry explores the complete tale behind this medieval treasure that continues to amaze nearly one thousand years after its creation.
A rich and revelatory exploration of the medieval world, conveyed through intimate biographies by a renowned historian This engrossing, exquisitely illustrated, often witty account tells the life stories of some seventy individuals who "made" the Middle Ages. There are kings and queens, popes and politicians, soldiers and merchants, scholars, authors and visionaries. They range from the important, such as El Cid or Frederick Barbarossa, to the little known, such as the dissolute Venetian nun Clara Sanuto. Some were astonishingly successful: the empire created by Chinggis Khan was one of the most extensive ever seen. Some, such as Charles the Bold, the over-ambitious 15th–century duke of Burgundy, were failures. Contrary to modern myth, medieval people did not believe the earth was flat; torture was far less common than in later centuries; and technological advances included guns, printing, blast furnaces, spectacles, stirrups and the compass. Full of insights such as these, this book shows how medieval people lived in an era that was more one of invention and innovation than of superstition and backwardness. It will appeal to all those who want a truer picture of a world often erroneously portrayed by bestselling novelists of today.
How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.
Contrary to modern myth, medieval people lived in an era of innovation more than of superstition. This beautifully illustrated, highly readable book will appeal to all those who want a truer picture of a world often wrongly represented today. People in the Middle Ages did not believe the earth was flat; torture was far less common than in later centuries; and technological advances included guns, printing, blast furnaces, spectacles, stirrups and the compass. Medieval People tells the life stories of seventy individuals across Europe and the Middle East from the ninth to fifteenth centuries - monarchs and merchants, popes, peasants and poets, artists and adventurers, saints, scholars and soldiers. Empire builders such as Charlemagne, and Chinggis Khan (Genghis Khan) are included as well as influential women such as Matilda of Tuscany, Eleanor of Aquitaine and Joan of Arc. Religious figures range from Urban II, the pope who started the Crusades, to Hildegard of Bingen and Thomas Becket, martyred archbishop. Fulk Nerra, pioneering castle builder, sits beside the great Persian polymath Avicenna. James Douglas, hero of Scottish independence, rubs shoulders with Dante and Giotto. Note: The ebook edition includes the complete text of the printed book with a reduced number of illustrations.
Praise for the first edition: 'It is difficult to imagine another book in which one could find all this diverse material, and no doubt Amt's collection, in its richness, and in its genuine clarity and simplicity will takes prominent place in our expanded, diversified medieval curriculum, a curriculum that takes class, gender, and ethnicity as central to an understanding of world cultural history.' - The Medieval Review Long considered to be a definitive and truly groundbreaking collection of sources, Women’s Lives in Medieval Europe uniquely presents the everyday lives and experiences of women in the Middle Ages. This indispensible text has now been thoroughly updated and expanded to reflect new research, and includes previously unavailable source material. This new edition includes expanded sections on marriage and sexuality, and on peasant women and townswomen, as well as a new section on women and the law. There are brief introductions both to the period and to the individual documents, study questions to accompany each reading, a glossary of terms and a fully updated bibliography. Working within a multi-cultural framework, the book focuses not just on the Christian majority, but also present material about women in minority groups in Europe, such as Jews, Muslims, and those considered to be heretics. Incorporating both the laws, regulations and religious texts that shaped the way women lived their lives, and personal narratives by and about medieval women, the book is unique in examining women’s lives through the lens of daily activities, and in doing so as far as possible through the voices of women themselves.
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
This is the first major collection of critical responses to performance lighting and includes contributions from award-winning lighting designers, researchers and artists. Showcasing recent examples of work – with case studies of lighting practices in Britain, Europe, the US and China – ­­combined with theoretical and analytical approaches to practice, this will enrich your understanding of the role and potential of light in performance and related creative practices. This volume explores three core themes and provides a framework for thinking through the role of light in performance: 1. Experience - considers both the audience's experience of light and the ways in which light influences the experience of performers 2. Creativity - examines both the creative, performative capacities of light in performance, as well as the creative practices of lighting designers 3. Meaning - offers an expanded view of performance aesthetics by examining the capacity of light to influence and generate meaning within performance. The case studies are drawn from a wide-array of lighting practice, including: Jennifer Tipton on the role of light as a structural language in performance; Jesper Kongshaug on the lighting of Copenhagen's Tivoli Gardens; Lucy Carter on her work in installation and dance; Psyche Chui on the productive fusion of Western lighting techniques with contemporary Chinese opera; Katharine Williams on the role of light in feminist political theatre made by RashDash; and Paule Constable on storytelling with light in a range of productions, including War Horse, The Curious Incident of the Dog in the Night Time and Angels in America.