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This is Clara Bennett’s second book, following “Roswell Revealed: The Untold Story Of America’s Most Famous UFO Incident.” This book delves into humanity's long-standing quest to understand the cosmos, tracing this journey from ancient civilizations to modern scientific endeavors. It highlights how early societies like the Mesopotamians, Egyptians, Babylonians, Greeks, and Romans developed intricate mythologies and astronomical systems to interpret the stars and celestial phenomena. The narrative emphasizes the evolution of astronomical exploration, showing how ancient stargazing laid the foundation for contemporary astronomy. This historical perspective underscores humanity's enduring curiosity and the continuous quest for knowledge about the universe. The book also discusses the role of media and popular culture in shaping public perceptions of extraterrestrial phenomena, particularly UFO sightings. It warns against jumping to conclusions without proper investigation, as sensationalism can lead to myths and exaggerations. The “Goldilocks Zone” concept is introduced, which refers to the habitable zone around stars where life could exist. This idea expands our understanding of the conditions necessary for life beyond Earth and encourages the exploration of diverse environments where life might thrive. The book touches on the Fermi Paradox, which highlights the contradiction between the high probability of extraterrestrial civilizations and the lack of evidence for their existence. This paradox fuels debates about the nature of advanced civilizations and the challenges in making contact with them. The pursuit of technosignatures, or markers of advanced extraterrestrial intelligence, is presented as a key aspect of humanity's insatiable curiosity and quest for knowledge. This search represents a significant frontier in our exploration of the cosmos. The conclusion of Clara Bennet’s book reflects on the transformative journey of interstellar travel, emphasizing humanity's relentless pursuit of discovery and the potential for technological innovation to open new frontiers in space exploration. Overall, the book weaves a narrative that celebrates human curiosity and the relentless drive to unravel the mysteries of the universe, from ancient stargazing to the search for extraterrestrial life and beyond.
A New York Times Notable Book In medieval England, a runaway scholar-priest named Nicholas Barber has joined a traveling theater troupe as they make their way toward their liege lord’s castle. In need of money, they decide to perform at a village en route. When their traditional morality plays fail to garner them an audience, they begin to stage the “the play of Thomas Wells”—their own depiction of the real-life drama unfolding within the village around the murder of a young boy. The villagers believe they have already identified the killer, and the troupe believes their play will be a straightforward depiction of justice served. But soon the players soon learn that the details of the crime are elusive, and the lines between performance and reality become blurred as they discover, scene by scene, line by line, what really happened. Thought-provoking and unforgettable, Morality Play is at once a masterful work of historical fiction, a gripping murder mystery, and a literary work of the first order.
Enigma in Rus and Medieval Slavic Cultures is a thematic essay volume to investigate the history and function of enigma in Orthodox Slavic cultures with a special focus on the cultural history of Rus and Muscovy. Its seventeen case studies across disciplinary boundaries analyze Slavic biblical and patristic translations, liturgical commentaries, occult divinatory texts, and dream interpretations. Slavic riddles inscribed on walls and compilations of riddles in question-and-answer format are all subjects of this volume. Not only written, but also pictorial enigmas are examined, together with their relationships to texts suggesting novel methodologies for their deciphering. This kaleidoscopic survey of Enigma in Rus and Medieval Slavic Cultures by an international group of scholars demonstrates the historiographical challenges that medieval enigmatic thought poses for researchers and offers new approaches to the interpretation of medieval sources, both verbal and visual.
Winner of the Staunch Book Prize. “A beautifully written and expertly structured medieval mystery packed with intrigue, drama and shock revelations.” —Minneapolis Star-Tribune An extraordinary new novel by Samantha Harvey—whose books have been nominated for the Man Booker Prize, the Women’s Prize for Fiction (formerly the Orange Prize), and the Guardian First Book Award—The Western Wind is a riveting story of faith, guilt, and the freedom of confession. It’s 1491. In the small village of Oakham, its wealthiest and most industrious resident, Tom Newman, is swept away by the river during the early hours of Shrove Saturday. Was it murder, suicide, or an accident? Narrated from the perspective of local priest John Reve—patient shepherd to his wayward flock—a shadowy portrait of the community comes to light through its residents’ tortured revelations. As some of their darkest secrets are revealed, the intrigue of the unexplained death ripples through the congregation. But will Reve, a man with secrets of his own, discover what happened to Newman? And what will happen if he can’t? Written with timeless eloquence, steeped in the spiritual traditions of the Middle Ages, and brimming with propulsive suspense, The Western Wind finds Samantha Harvey at the pinnacle of her outstanding novelistic power. “Beautifully rendered, deeply affecting, thoroughly thoughtful and surprisingly prescient . . . a story of a community crowded with shadows and secrets.” —The New York Times Book Review “Ms. Harvey has summoned this remote world with writing of the highest quality, conjuring its pungencies and peculiarities.” —The Wall Street Journal “Brings medieval England back to life.” —The Washington Post
All the depravity and evil of man is found upon the stage. January, 1381. Guests of the Regent, John of Gaunt, Brother Athelstan and Sir John Cranston have been attending a mystery play performed by the Straw Men, Gaunt's personal acting troupe. The evening’s entertainment, however, is suddenly and brutally interrupted by the violent deaths of two of Gaunt's guests, their severed heads left on stage. The Regent orders Athelstan to find out who committed such a heinous act, leading him to tackle his most baffling and disturbing case yet... A taut and clever medieval murder mystery that won’t let go, perfect for fans of S G MacLean, S W Perry and Rory Clements.
Jan Huizinga and Roger Caillois have already taught us to realize how important games and play have been for pre-modern civilization. Recent research has begun to acknowledge the fundamental importance of these aspects in cultural, religious, philosophical, and literary terms. This volume expands on the traditional approach still very much focused on the materiality of game (toys, cards, dice, falcons, dolls, etc.) and acknowledges that game constituted also a form of coming to terms with human existence in an unstable and volatile world determined by universal randomness and fortune. Whether considering blessings or horse fighting, falconry or card games, playing with dice or dolls, we can gain a much deeper understanding of medieval and early modern society when we consider how people pursued pleasure and how they structured their leisure time. The contributions examine a wide gamut of approaches to pleasure, considering health issues, eroticism, tournaments, playing music, reading and listening, drinking alcohol, gambling and throwing dice. This large issue was also relevant, of course, in non-Christian societies, and constitutes a critical concern both for the past and the present because we are all homines ludentes.
Misericord carvings present a fascinating corpus of medieval art which, in turn, complements our knowledge of life and belief in the late middle ages. Subjects range from the sacred to the profane and from the fantastic to the everyday, seemingly giving equal weight to the scatological and the spiritual alike. Focusing specifically on England - though with cognisance of broader European contexts - this volume offers an analysis of misericords in relation to other cultural artefacts of the period. Through a series of themed "case studies", the book places misericords firmly within the doctrinal and devotional milieu in which they were created and sited, arguing that even the apparently coarse images to be found beneath choir stalls are intimately linked to the devotional life of the medieval English Church. The analysis is complemented by a gazetteer of the most notable instances. Dr Paul Hardwick is Professor in English, Leeds Trinity University College.
A healing remedy or a deadly poison? Owen Archer confronts a lethal mix of dangerous attraction and troubling secrets when two knights die unexpectedly. York, 1363. Master apothecary Nicholas Wilton provides a healing potion for a wounded soldier at St. Mary's Abbey. A KILLER CURE? When Brother Wulfstan administers the special physick to the pilgrim and a fellow knight, tragedy strikes. Is the poisonous potion an accident, or a deliberate act of murder? Owen is sent to investigate by the Archbishop of York, disguised as an apothecary apprentice assisting Wilton's wife, Lucie. THE SINS OF A KNIGHT He soon learns that the first victim, Sir Geoffrey Montaigne, travelled to York to atone a past sin, and had crossed paths with Nicholas before. What was the knight's past misdeed, and what is his connection to the apothecary? IS FORBIDDEN LOVE A DEADLY DRUG? Owen uncovers troubling links between the knight and others close to Nicholas - including Lucie, who has captured his heart. But is he falling in love with a killer? THE OWEN ARCHER MYSTERIES 1. The Apothecary Rose 2. The Lady Chapel 3. The Nun's Tale 4. The King's Bishop 5. The Riddle of St. Leonard's 6. The Gift of Sanctuary 7. A Spy for the Redeemer 8. The Cross-Legged Knight 9. The Guilt of Innocents 10. A Vigil of Spies 11. A Conspiracy of Wolves 12. A Choir of Crows 13. The Riverwoman's Dragon 14. A Fox in the Fold