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How did medieval builders manage to construct the towering cathedrals of Europe and other great civic buildings, not to mention the tens of thousands of parish churches? By combing through thousands of medieval illuminated manuscripts, early printed works, sculptures and carvings, Gunther Binding has assembled hundreds of drawings that clearly show the tools and techniques used by the masons and builders of the Middle Ages."
"Text and detailed drawings follow the planning and construction of a "typical" castle and adjoining town in thirteenth-century Wales."--Title page verso.
"This study enables us to appreciate more fully the technical expertise and improvements which enabled the creative spirit of the day to find such splendid embodiment". -- James Lingwood, Oxford Art Journal Copyright © Libri GmbH. All rights reserved.
The construction techniques and concepts of the cathedrals of Pisa, Siena and Florence are examined in detail, based on new data and using a methodological architectural diagnostics approach. New detailed surveys, carried out using often advanced tools, together with direct and in-depth inspections to examine all parts of the buildings, have enabled us to identify the building phases and the different construction techniques used over time. The information thereby acquired also formed the basis for a new interpretation of the archival documents. Accordingly, the problems encountered and the solutions adopted in the three cathedrals have been understood: in Pisa the construction of the elliptical dome above the rectangular crossing consisting of six thin pillars below; in Siena the design changes from the first system in the 13th century to the ‘Duomo Nuovo’, and the structural adaptations following earthquakes; the specific construction solutions adopted in Florence during the instability encountered in the construction of the large vaults of the basilican body. The comparison of the three buildings in terms of architectural and construction solutions also revealed unexpected relationships between the construction events of Siena’s Duomo Nuovo and the solutions then used in the large basilican body of Santa Maria del Fiore. The methodology employed has led to an understanding of the actual structure of the three cathedrals, an essential basis for a correct evaluation of the state of conservation of the churches for any restoration work. The book is aimed at scholars of architecture and ancient building structures, graduate and postgraduate students, and architects and engineers who plan architectural conservation and strengthening works for historical buildings.
Gothic cathedrals are monuments to God, witnesses to the historic power of the Church, and symbols of the faith of the thousands of believers who contributed to their creation. They are also astonishing feats of construction and engineering, from a period before steel-making, machine tools and computer simulation; breathtaking in their scale and grandeur even hundreds of years after the religious impulse that produced them has largely faded away.How to Build a Cathedral is a visual exploration of the building of these masterpieces, from the initial groundplan to the topping out of the spire. Illustrated throughout with beautiful engravings, it looks at each element of the structure in turn, explaining the process of construction and the methods that were used. At intervals though the book, special gatefold pages offer a detailed snapshot of the evolution of the building as it rises into the heavens. A 16-page colour section allows for appreciation of stained glass and decorative stonework. With text written by a leading architectural historian, How to Build a Cathedral is an illuminating portrait of the genius of the medieval architect.
The first inter-disciplinary study to examine the construction and development of the world's first cathedral from its origins to 1600.
How were huge stones moved from quarries to the sites of Egyptian pyramids? How did the cathedral builders of the Middle Ages lift blocks to great heights by muscle power alone? In this intriguing book John Fitchen explains and illustrates the solutions to these and many other puzzles in preindustrial building construction. This is the first general survey of the practices and role of the builder (as opposed to the designer) in constructing an array of structures. Fitchen's approach gives a valuable hands-on feel for what it's like to work with ropes and ladders, wedges and slings; with crews engaged in well digging, bridge building, and the transporting of obelisks hundreds of miles by water and over land. The buildings discussed range from the tents, tepees, and igloos of nomadic tribes to the monumental pyramids of Egypt, the temples of Greece, the aqueducts of Rome, and the cathedrals of medieval Europe.
This book seeks to further our understanding of the socio-genesis of artistic modernity by turning to micro-history. It explores a late-medieval decorative procedure that emerged and spread in northern and central France from the early fifteenth century to the start of the following century. Using the well-known miniature, the Building of Solomon's temple in Jerusalem from the fifteenth-century codex of Les Antiquites judaiques as a starting point, this study deals with architecture and technical knowledge of builders. This investigation unpacks and reveals many aspects of the technical and visual culture of late medieval craftsmen and artists. The virtuosic skills these artisans displayed are worthy of inclusion in the development of technical practices of Flamboyant Gothic architecture. They also reflect broader cultural and social configurations, which go far beyond the history of building. This micro-historical perspective on what can be called hyper-technical Gothic contributes to our appreciation of the role of technical mastery in establishing social hierarchies and artistic individuation processes during the Late Middle Ages and Early Modern period.
The 11th and 12th centuries witnessed a transformation of European culture, from architecture and the visual arts to history, philosophy, theology and even law.