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Mass-Mediated Terrorism, Second Edition, an in-depth look at terrorism, political violence, and mass media, shows how terrorists exploit global media networks and information highways to carry news of their violence along with 'propaganda of the deed.' To what extent is the media advancing or obstructing the propaganda and policy goals of terrorists and their targets? Has the Internet strengthened the hands of terrorists to organize, recruit, and spread propaganda? How have targets of terrorism used the media to manipulate public opinion and advance their own agendas? From U.S. cases to incidents abroad, this award-winning book explores the use of political violence for the sake of publicity, media coverage of counterterrorism policies and its affect on political decision making, and the impact of new media. This revised second edition, which includes a new chapter on public opinion, is updated with analysis of the Iraq war, increasing terrorist attacks abroad, and subsequent counterterrorism measures. It also contains new information on the Arab satellite network Al-Jazeera and the use of the Internet in terrorist efforts. Mass-Mediated Terrorism offers a blueprint both for effective public information and media relations during terrorism crises as well as for ethical news coverage of major terrorism incidents.
This provocative volume thoroughly examines the ways in which the media demonized militia groups following the devastating bombing of the Alfred F. Murrah building in Oklahoma City. Using quantitative and qualitative research methods, Steven M. Chermak offers a fresh perspective on how news coverage and popular entertainment transformed a largely overlooked movement into a symbol for this new threat of domestic terrorism and ignited a national panic over the "militia menace." Searching for a Demon describes the representation of the militia movement in the news media, editorial cartoons, films, and television. Chermak delves into such topics as the type and amount of coverage after the blast, how social problems are constructed in the news, the motivations and biases of authoritative or "celebrity" figures used as news sources, and why images of militias were framed in specific ways. Chermak balances his account with an in-depth look at the philosophies, activities, and strategies of militia groups. Drawing on extensive interviews he conducted at gun shows and preparedness exhibitions, the author compares and contrasts media depictions of militia life and ideology with the firsthand accounts of members and leaders themselves, and he assesses how media coverage affected changes in the movement. In conclusion, Chermak discusses the parallels between media treatment of militias in the wake of the Oklahoma City bombing and the coverage of the al-Qaeda terrorist network after the September 11, 2001, attacks. Solidly grounded in social constructionist theory, Searching for a Demon fills a significant gap in the literature on terrorism as well as on the roles of the news media and popular culture in reshaping the public consciousness after dramatic crimes.
This is an excellent source which puts students in the heart of the contemporary discussion and encourages them to form opinions. It is a great resource for seminars as well as gateways to research. - Paul Matthews, University College Birmingham "An excellent text that covers not only how the media cover acts of terrorism but also how terror groups can manipulate the media." - David Lowe, Liverpool John Moores University Have the media contributed to exacerbating the political, cultural and religious divides within Western societies and the world at large? How can media be deployed to enrich, not inhibit, dialogue? To what extent has the media, in all its forms, questioned, celebrated or simply accepted the unleashing of a ′war on terror′? Media and Terrorism: Global Perspectives brings together leading scholars to explore how the world′s media have influenced, and in turn, been influenced by terrorism and the war on terror in the aftermath of 9/11. Accessible and user-friendly with lively and current case studies, it is an essential handbook on the dynamics of war and the media in a global context.
Exploring the recent increase in anti-American terrorism, this updated study argues that terrorist groups are now exploiting the link between the media and public opinion polls (particularly regarding the popularity of American presidents) in order to publ
These candid conversations capture the difficulties of reporting during crisis and war, particularly the tension between government and the press. The participants include distinguished journalists—American and foreign, print and broadcast—and prominent public officials, past and present. They illuminate the struggle to balance free speech and the right to know with the need to protect sensitive information in the national interest. As the Information Age collides with the War on Terrorism, that challenge becomes even more critical and daunting. "We are very careful in what we talk about publicly. We do not want to paint a picture for the bad guys. So we don't talk very much at all about what we're going to do going forward."—Victoria Clarke, Department of Defense "This was a war that was very different. It was conducted primarily by about 200 to 250 special forces soldiers on the ground. There were no reporters with those soldiers until after the fall of Kandahar, until the war was essentially over. There were no eyes and ears, and that's the way the Pentagon wants it."—John McWethy, ABC News "I covered Capitol Hill for a very long time and was always astounded by the nonpolitical motivation of a lot of people that are up there who really do want to make the world better, want to make the U.S. better. So don't come away believing that because there are political implications that there are always political motivations."—Candy Crowley, CNN "There is a feeling among the community, Muslim Americans, and also overseas that we might become the new enemy. But so far nobody knows whether it is just because of the war or if it's going to last."—Hafez Al-Mirazi, Al-Jazeera Cosponsored with the Shorenstein Center on the Press, Politics and Public Policy at the Kennedy School, Harvard University.
From the Newsuem, America's only museum of news, comes the definitive book detailing behind the scenes of how journalist covered the deadly assaults of September 11, 2001.
We cannot truly understand - let alone counter - terrorism in the 21st century unless we also understand the processes of communication that underpin it. This book challenges what we know about terrorism, showing that current approaches are inadequate and outdated, and develops a new communication model to understand terrorism in the media age.
In the post-9/11 era, media technologies have become increasingly intertwined with vertical power as airwaves, airports, air space, and orbit have been commandeered to support national security and defense. In this book, Lisa Parks develops the concept of vertical mediation to explore how audiovisual cultures enact and infer power relations far beyond the screen. Focusing on TV news, airport checkpoints, satellite imagery, and drone media, Parks demonstrates how "coverage" makes vertical space intelligible to global publics in new ways and powerfully reveals what is at stake in controlling it.
Terrorism now dominates the headlines across the world-from New York to Kabul. Framing Terrorism argues that the headlines matter as much as the act, in political terms. Widely publicized terrorist incidents leave an imprint upon public opinion, muzzle the "watchdog" role of journalists and promote a general one-of-us consensus supporting security forces.