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Spencer McCain is the CEO of an international oil company. He also is a personal friend of Pres. Lyndon B. Johnson, for whom he served as a major fundraiser. In the late 1960s the oil industry is under pressure from Middle Eastern oil producers who threaten to cut oil supplies to the US because of support for Israel. To deal with the threat, McCain hopes to rejuvenate oil production domestically, estimated to cost two billion dollars. McCain knows that several of his board members oppose the plan, especially the senior member who wants his job. Cordell Jackson, an African-American in his early sixties, has shined shoes in the headquarters for twenty years. A WWII veteran, Jackson was seriously wounded. Oliver Crawford, recently named by the president to be secretary of the army, asked McCain to hire Jackson. During the war, McCain served with Crawfords father. Crawford and Jackson served together during the Battle of the Bulge, for which Crawford received the Medal of Honor. However, due to an incident that considerably raises Jacksons profile, there is some evidence that Crawford may have received the medal that Jackson deserved. The controversy raises tensions between McCain and his board, President Johnson, and Crawford.
"The first 23 medals in Medals of Dishonour create a fascinating commentary on events and issues of the 16th-20th centuries, and include Dutch medals satirizing kings; German and British medals on financial scandal and political corruption; a French medal showing a future emperor as an insect; German medals of the First World War period lambasting war; and two 1939 American medals protesting against racism and capitalism." "The second part of the book focuses on medals recently commissioned by the British Art Medal Trust from 16 celebrated contemporary artists. Their brief was to tackle the global issues of our time. Jake and Dinos Chapman graphically expose the banality of war, while the allied invasion of Iraq in 2003 is addressed in differing but equally powerful ways by Steve Bell, Richard Hamilton, Yun-Fei Ji and Cornelia Parker. Geo-politics, oppression and the abuse of power are the subjects of medals by Mona Hatoum, Ilya and Emilia Kabakov, William Kentridge and Langlands and Bell. Ellen Gallagher confronts the horrors of racial exploitation, Michael Landy turns anti-social behaviour on its head, and Grayson Perry mocks western consumerism. In the final medal, Felicity Powell pours scorn on the responses of public figures to environmental issues." "With over 170 illustrations, including details and accompanying drawings as well as the actual medals themselves, Medals of Dishonour provides an intriguing exploration into a darker tradition of medal-making." --Book Jacket.
“An essential account of America’s greatest sculptor . . . [A] magnum opus.” —Marjorie Perloff, The Times Literary Supplement The landmark biography of the inscrutable and brilliant David Smith, the greatest American sculptor of the twentieth century. David Smith, a pioneer of Abstract Expressionism, did more than any other sculptor of his era to bring the plastic arts to the forefront of the American scene. Central to his project of reimagining sculptural experience was challenging the stability of any identity or position—Smith sought out the unbounded, unbalanced, and unexpected, creating works of art that seem to undergo radical shifts as the spectator moves from one point of view to another. So groundbreaking and prolific were his contributions to American art that by the time Smith was just forty years old, Clement Greenberg was already calling him “the greatest sculptor this country has produced.” Michael Brenson’s David Smith: The Art and Life of a Transformational Sculptor is the first biography of this epochal figure. It follows Smith from his upbringing in the Midwest, to his heady early years in Manhattan, to his decision to establish a permanent studio in Bolton Landing in upstate New York, where he would create many of his most significant works—among them the Cubis, Tanktotems, and Zigs. It explores his at times tempestuous personal life, marked by marriages, divorces, and fallings-out as well as by deep friendships with fellow artists like Helen Frankenthaler and Robert Motherwell. His wife Jean Freas described him as “salty and bombastic, jumbo and featherlight, thin-skinned and Mack Truck. And many more things.” This enormous, contradictory vitality was true of his work as well. He was a bricoleur, a master welder, a painter, a photographer, and a writer, and he entranced critics and attracted admirers wherever he showed his work. With this book, Brenson has contextualized Smith for a new generation and confirmed his singular place in the history of American art.
This book, with its attention to literature and the visual arts as well as traditional non-fiction sources, provides a distinctive, wide-ranging exploration of utopia and education. Utopia is examined not as a model of social perfection but as an active, ongoing, imaginative ...
This is a truly encyclopedic survey of artists' responses - both 'official' and personal - to 'the horrors of war'. "Art and War" reveals the sheer diversity of artists' portrayals of this most devastating aspect of the human condition - from the 'heroic' paintings of Benjamin West and John Singer Sargent to brutal and iconic works by artists from Goya to Picasso, and the equally oppositional work of Leon Golub, Nancy Spero and others who reacted with fury to the Vietnam War. Laura Brandon pays particular attention to work produced in response to World War I and World War II, as well as to more recent art and memorial work by artists as diverse as Barbara Kruger, Alfredo Jarr and Maya Lin. She looks finally to the reactions of contemporary artists such as Langlands and Bell to the US invasion in 2001 of Afghanistan and the 'War on Terror'.