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This research measures the creative potential for a representative sample of pre-high school students in Kosovo, it also investigates and develops on both teacher’s and student’s explicit and implicit understandings of creativity and its impact in the classroom. Using mixed methods, the integrated results are utilised to cultivate a rationale for the student’s level of creative potential and offer solutions for moving forward.
This mixed-methods study examined teachers' responses on the Imagination, Creativity, and Innovation (ICI) Index instrument's confirmatory data set (n=220). ICI Index scores represented teachers' predictions of how students would rate their school's support for student creativity, which was assumed to represent the teachers' perspective of the actual support for student creativity at the school. Teachers of grades 6-8 (n=55) had significantly lower ICI Index scores than teachers of grades 3-5 (n=155; pn=151) did not differ significantly from gifted and talented teachers (n=49) on their ICI scores. Qualitative analysis found that, when asked to give examples of products, performances, and services produced by students that were points of pride, most teachers discussed their own creative teaching practices rather than student-initiated projects. Most major content areas were represented in these points of pride, and about one-quarter of responses were interdisciplinary. The most common audience for these points of pride was the school community. Time was often discussed as a support for creativity by respondents, and special periods, including Enrichment Clusters and Genius Hour, were common periods of time that teachers reserved for student creativity. Teachers with high ICI Index scores usually discussed how the entire school community provided opportunities for all students to be creative, whereas teachers with low ICI Index scores reported that support for student creativity was absent or limited to specific groups, such as gifted students or the school chorus. Implications for practice and future research are offered in the conclusion of this study.
The need to develop better pedagogical methods to impact learners at different levels has risen, driven by technological advancements. National governments, in response to research or critical evaluations, have instituted curriculum changes to enhance creative learning, especially among younger learners. The use of imagination in the Arts though supported by evidence of benefits has been implemented with mixed results in some contexts. The purpose of the study is to examine the effectiveness of imagination in the Arts education from the perspectives of students, teachers, and supervisors in elementary schools in the State of Kuwait. To achieve this purpose, data was collected from elementary school children, teachers, and supervisors. The research adopted mixed methods of both quantitative and qualitative approaches. Quantitative data was analysed using descriptive, and inferential statistics utilising SPSS version 24. Qualitative data was transcribed, translated, coded, and thematically analysed using NVIVO version 12. Results show that the teaching approach of the majority of teachers in the Arts ( 60% ) is based solely on the current curriculum, with little emphasis on imagination. Despite teachers and students acknowledging the importance of the Arts education majority of elementary students still do not demonstrate an interest in the use of classroom . imagination in the A large percentage of elementary students surveyed did not like attending the Arts classes 48%, and more than 76% of the pupils found difficulty creating images. Given that the current Kuwaiti curriculum does not require the implementation of imagination, supervisors found it difficult to enforce, other than recommending it as a preferable approach in teaching. The findings from this research contend that promoting imagination in the Arts education is an essential learning component for Kuwaiti elementary students and argues for its explicit inclusion and effective implementation in the newly revised state curriculum.
This book breaks through in the field of mathematical creativity and giftedness. It suggests directions for closing the gap between research in the field of mathematics education and research in the field of creativity and giftedness. It also outlines a research agenda for further research and development in the field.
Creative teaching and learning is often used as a site for research and action research, and this volume is intended to act as a text book for this range of courses and initiatives.
This book discusses the relationships between mathematical creativity and mathematical giftedness. It gathers the results of a literature review comprising all papers addressing mathematical creativity and giftedness presented at the International Congress on Mathematical Education (ICME) conferences since 2000. How can mathematical creativity contribute to children’s balanced development? What are the characteristics of mathematical giftedness in early ages? What about these characteristics at university level? What teaching strategies can enhance creative learning? How can young children’s mathematical promise be preserved and cultivated, preparing them for a variety of professions? These are some of the questions addressed by this book. The book offers, among others: analyses of substantial learning environments that promote creativity in mathematics lessons; discussions of a variety of strategies for posing and solving problems; investigations of students’ progress throughout their schooling; and examinations of technological tools and virtual resources meant to enhance learning with understanding. Multiple perspectives in the interdisciplinary fields of mathematical creativity and giftedness are developed to offer a springboard for further research. The theoretical and empirical studies included in the book offer a valuable resource for researchers, as well as for teachers of gifted students in specialized or inclusive settings, at various levels of education.
Creativity and critical thinking are key skills for complex, globalised and increasingly digitalised economies and societies. While teachers and education policy makers consider creativity and critical thinking as important learning goals, it is still unclear to many what it means to develop these skills in a school setting. To make it more visible and tangible to practitioners, the OECD worked with networks of schools and teachers in 11 countries to develop and trial a set of pedagogical resources that exemplify what it means to teach, learn and make progress in creativity and critical thinking in primary and secondary education.
Growing clamour to reintroduce creativity back into classrooms - internationally Synthesises practice, policy and research in one place Suggests practical ways of taking forward pupils' creative development Relevant for teachers who work with pupils from 3-18 Anna Craft is uniquely placed to write this book and spent time researching this issue with Professor Howard Gardner at Harvard Graduate School of Education, USA
This title provides a meaningful account of what creativity really means in the context of children's learning in the primary school, and describes in practical terms what teachers can do to foster it.
An inspirational look at how to foster children's creativity whilst following the National Curriculum. A practical book it will ring bells with educators who want to teach with originality and scope.