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The Archaeology of Inequality explores the different aspects of social boundaries and articulation by comparing several interdisciplinary approaches for the analysis of the archaeological data, as well as actual case studies from the Prehistory to the Classical world. The book explores slavery, gender, ethnicity and economy as intersecting areas of study within the larger framework of inequality and exemplifies to what degree archaeologists can identify and analyze different patterns of inequality.
"I can think of no one else who writes with Cody's combination of savagery and tenderness, or who displays such a translucent style to such reverberant effect." --Brian Hall, "I Should Be Extremely Happy in Your Company."
A fresh (in more than one sense) and honest new voice in fiction is extravagantly displayed in this first novel that candidly dissects modern romance. Plagued with weird parents, an underdeveloped body, and a mind on the verge of self-deconstruction, Phoebe Fine feels ill-equipped for a journey through the hardening chambers of the late twentieth-century heart. But from fifth grade and Roger Mancuso, equal parts baby Brando and court jester, through her early adult life with New Media executive Neil Schmertz, a babytalker who prefers spooning to sex, Phoebe trudges defiantly through guyland, armed with a tart tongue, and propelled by an insatiable desire to be loved.
You have to love her, even when you're laughing at her--Phoebe Fine, that is, the star of this hilariously eccentric and affecting new novel. On the cusp of thirty, Phoebe has fled the high life and, ultimately, the no life of trying and failing to "be somebody" in Manhattan. She returns to her parents' Depression-era bungalow across the river in New Jersey, the house she grew up in, to lie low with the crabgrass and dust bunnies and memories of her childhood, and perhaps just be herself. Easier said than done. Once resettled, Phoebe hatches a plan to resell her neighbors' garbage on eBay, begins work on a solo album for electric violin and voice called Bored and Lonely, and accepts a date with the conductor of the Newark Symphony Orchestra, Roget Mankuvsky, a man with acid-washed jeans and a mysterious past. And so, with the hope of progress on both fronts, Phoebe's search for a good way to make a living and a good man to make a life with continues. In this second installment of Phoebe Fine's life story, author Lucinda Rosenfeld raises the emotional and romantic stakes. Though still consumed with appearances, including her own, Phoebe now has serious grown-up issues to deal with--her mother's illness, a hostile and competitive older sister with marital problems, and a moral and financial crisis involving a viola that may be worth millions of dollars. But the comic notes prevail. The question is, will Phoebe?