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Memphis gave birth to music that changed the world — Memphis Mayhem is a fascinating history of how music and culture collided to change the state of music forever “David Less has captured the essence of the Memphis music experience on these pages in no uncertain terms. There's truly no place like Memphis and this is the story of why that is. HAVE MERCY!” — Billy F Gibbons, ZZ Top Memphis Mayhem weaves the tale of the racial collision that led to a cultural, sociological, and musical revolution. David Less constructs a fascinating narrative of the city that has produced a startling array of talent, including Elvis Presley, B.B. King, Al Green, Otis Redding, Sister Rosetta Tharpe, Justin Timberlake, and so many more. Beginning with the 1870s yellow fever epidemics that created racial imbalance as wealthy whites fled the city, David Less moves from W.C. Handy’s codification of blues in 1909 to the mid-century advent of interracial musical acts like Booker T. & the M.G.’s, the birth of punk, and finally to the growth of a music tourism industry. Memphis Mayhem explores the city’s entire musical ecosystem, which includes studios, high school band instructors, clubs, record companies, family bands, pressing plants, instrument factories, and retail record outlets. Lively and comprehensive, this is a provocative story of finding common ground through music and creating a sound that would change the world.
A journey through Memphis’ troubled past: the shocking crimes and the brutal killings that led to it being dubbed the “Murder Capital of the World.” With its alluring hospitality, legendary cuisine and transcendent music, Memphis is truly a quintessential Southern city. But lurking behind the barbeque and blue suede shoes is a dark history checkered with violence and disarray. Revisit the mass murder of 1866 that took more than fifty lives, the infamous Alice Mitchell case of the 1890s and a string of unthinkable twentieth-century sins. Author and lifelong Memphian Teresa Simpson explores some of the River City’s most menacing crimes and notorious characters in this riveting ride back through the centuries. Includes photos!
'Judge for Yourself' is a series that presents in-depth accounts of the lives of historically important people. Extensive primary evidence is quoted, both for and against the subjects, and readers are invited to make their own judgement.
Born to slaves in 1862, Ida B. Wells became a fearless antilynching crusader, women's rights advocate, and journalist. Wells's refusal to accept any compromise on racial inequality caused her to be labeled a "dangerous radical" in her day but made her a model for later civil rights activists as well as a powerful witness to the troubled racial politics of her era. Though she eventually helped found the NAACP in 1910, she would not remain a member for long, as she rejected not only Booker T. Washington's accommodationism but also the moderating influence of white reformers within the early NAACP. In the richly illustrated "To Tell the Truth Freely," the historian Mia Bay vividly captures Wells's legacy and life, from her childhood in Mississippi to her early career in late-nineteenth-century Memphis and her later life in Progressive-era Chicago.
"Red, Black, and White is the first narrative history of the American Communist movement in the South during the 1930s. Written from the perspective of the District #17 (CPUSA) Reds who worked primarily in Alabama, [the author's] purpose is to acquaint a new generation with the impact of the Great Depression on post-war black and white, young and old, urban and rural Americans. After the Scottsboro story broke on March 25, 1931 it was open season for old fashioned lynchings, 'legal' (courtroom) lynchings, and mob murder. In Alabama alone, twenty black men were known to have been murdered and countless others, women included, were beaten, disabled, jailed, 'disappeared,' or had their lives otherwise ruined between March 1931 and September 1935. In this collective biography, Mary Stanton--a noted chronicler of the Left and social justice movements in the South--explains what resources Depression Era Reds worked with before those of either the New Deal or the modern Civil Rights Movement became available. What emerges from this narrative is a meaningful criterion to evaluate the Reds' accomplishments. They failed in some measure at everything they attempted--from labor organizing to exposing courtroom lynchings and institutional racism. Stanton looks at the Reds' strategies which in many cases made things worse by uniting angry white supremacists over their constant condemnation of the Southern Way of Life. Through seven cases of the CPUSA's activity in the South, Stanton covers tortured notions of loyalty and betrayal, the Cult of White Southern Womanhood, Christianity in all its iterations, and the scapegoating of Blacks, Jews, and communists. Yet this still is a story of how Blacks, Jews, and communists fought back, and fought together, for social justice and change"
"Calvin McBride has shown us his unique literary ability in the life journey of Robert E. Hart's transition from one denomination (Christian Methodist Episcopal Church) to another (Church of God in Christ). He has plunged us into the history of not only an individual but has transported us as well into the history of African-Americans as it relates to the church as an institution." --Stevey M. Wilburn, pg. ii.
This book examines Memphis's symbolic meaning and value as a Negro leagues baseball city during Jim Crow. It locates the main intersections between black professional baseball and the South in the four decades that spanned the modern Negro leagues era and analyzes the racial dynamics in the city through the lens of the Memphis Red Sox, a black-owned and operated organization that stood as a pillar of success. Baseball also provides a way to examine the racial inequalities and issues that pervaded the city in those years. A black-owned stadium served as a forum for political assertion and an arena for real political struggle for blacks in Memphis.
No Future in This Country: The Prophetic Pessimism of Bishop Henry McNeal Turner is a history of the career of Bishop Henry McNeal Turner (1834–1915), specifically focusing on his work from 1896 to 1915. Drawing on the copious amount of material from Turner’s speeches, editorial, and open and private letters, Andre E. Johnson tells a story of how Turner provided rhetorical leadership during a period in which America defaulted on many of the rights and privileges gained for African Americans during Reconstruction. Unlike many of his contemporaries during this period, Turner did not opt to proclaim an optimistic view of race relations. Instead, Johnson argues that Turner adopted a prophetic persona of a pessimistic prophet who not only spoke truth to power but, in so doing, also challenged and pushed African Americans to believe in themselves. At this time in his life, Turner had no confidence in American institutions or that the American people would live up to the promises outlined in their sacred documents. While he argued that emigration was the only way for African Americans to retain their “personhood” status, he also would come to believe that African Americans would never emigrate to Africa. He argued that many African Americans were so oppressed and so stripped of agency because they were surrounded by continued negative assessments of their personhood that belief in emigration was not possible. Turner’s position limited his rhetorical options, but by adopting a pessimistic prophetic voice that bore witness to the atrocities African Americans faced, Turner found space for his oratory, which reflected itself within the lament tradition of prophecy.