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Eileen is too smart for the third grade, but when she gets a chance to be skipped ahead, she fails the test. The clownish school psychologist tries to gain her trust with an offer of Oreos, but she refuses. After all, he is a stranger and might try to poison her! This is the start of the author’s love-hate relationship with the rules as they were laid out for a girl in the 1960s and as they persist in some form today. As she ascends through a physics degree at Yale that dashes her hopes for love and romance, to a post-graduate summer that leaves her “peed on, shot at, and kidnapped,” to a marriage of supposed equals in which she is expected to do all the housework, child-rearing, and bill paying and make sure the Roto-Rooter guy arrives on time, Pollack shares with poignant humor the trials of being smart and female in a world in which women are rarely appreciated for both their bodies and their minds. Maybe It’s Me is a question all women have asked themselves. But Pollack’s message will resonate with readers of all genders as a story of the very human search for connection, love, acceptance, and self-respect. The author of the groundbreaking memoir The Only Woman in the Room: Why Science Is Still a Boys’ Club, Pollack proves that even in her sixties, wiser and more bruised but no less hilarious, she is still very much in the game.
The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon
Personal essays exploring identity, work, family, and community through the prism of race and black culture.
A poet and post-punk heroine writes on subjects ranging from Björk to Robert Smithson, from traveling in Iceland to walking in Thoreau's footsteps on Cape Cod Poet and post-punk heroine Eileen Myles has always operated in the art, writing, and queer performance scenes as a kind of observant flaneur. Like Baudelaire's gentleman stroller, Myles travels the city—wandering on garbage-strewn New York streets in the heat of summer, drifting though the antiseptic malls of La Jolla, and riding in the van with Sister Spit—seeing it with a poet's eye for detail and with the consciousness that writing about art and culture has always been a social gesture. Culled by the poet from twenty years of art writing, the essays in The Importance of Being Iceland make a lush document of her—and our—lives in these contemporary crowds. Framed by Myles's account of her travels in Iceland, these essays posit inbetweenness as the most vital position from which to perceive culture as a whole, and a fluidity in national identity as the best model for writing and thinking about art and culture. The essays include fresh takes on Thoreau's Cape Cod walk, working class speech, James Schulyer and Björk, queer Russia and Robert Smithson; how-tos on writing an avant-garde poem and driving a battered Japanese car that resembles a menopausal body; and opinions on such widely ranging subjects as filmmaker Sadie Benning, actor Daniel Day-Lewis, Ted Berrigan's Sonnets, and flossing.
The memoir of gay activist Ryousuke Nanasaki on the road to his historic marriage! Ryousuke Nanasaki married his husband in 2016 in the first religiously recognized same-sex wedding in Japanese history. This collection of essays follows Ryousuke's search for love on the journey to his extraordinary marriage. From unrequited junior high crushes to awkward dating sites to finally finding a community, Ryousuke's heartfelt reflections on his coming-of-age as a young gay man in Hokkaido will touch readers all over the world.
In the hands of such writers as Rebecca Solnit, Claudia Rankine, David Shields, Zadie Smith and many others, the essay has re-emerged as a powerful literary form for tackling a fractious 21st-century culture. The Essay at the Limits brings together leading scholars to explore the theory, the poetics and the future of the form. The book links the formal innovations and new voices that have emerged in the 21st-century essay to the history and theory of the essay. In so doing, it surveys the essay from its origins to its relation to contemporary cultural forms, from the novel to poetry, film to music, and from political articles to intimate lyrical expressions. The book examines work by writers such as: Theodor W. Adorno, Kwame Anthony Appiah, Francis Bacon, James Baldwin, Roland Barthes, Maurice Blanchot, Ta-Nehisi Coates, Annie Dillard, Brian Dillon, Jean Genet, William Hazlitt, Samuel Johnson, Karl Ove Knaussgaard, Ben Lerner, Audre Lorde, Oscar Wilde, Michel de Montaigne, Zadie Smith, Rebecca Solnit, Wallace Stevens, Eliot Weinberger and Virginia Woolf.
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.” In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and bringing him home to her family, adopting two children from Ethiopia, and living and teaching in a primarily white New England college town. Each of these essays sets out to discover a new way of talking about race and of telling the truth as the author has lived it. "Black Is the Body is one of the most beautiful, elegant memoirs I've ever read. It's about race, it's about womanhood, it's about friendship, it's about a life of the mind, and also a life of the body. But more than anything, it's about love. I can't praise Emily Bernard enough for what she has created in these pages." --Elizabeth Gilbert WINNER OF THE CHRISTOPHER ISHERWOOD PRIZE FOR AUTOBIOGRAPHICAL PROSE NAMED A BEST BOOK OF THE YEAR BY NPR AND KIRKUS REVIEWS ONE OF MAUREEN CORRIGAN'S 10 UNPUTDOWNABLE READS OF THE YEAR
Written by California professors familiar with this regional exam, REA's CBEST test preparation guide includes comprehensive reviews in reading, mathematics, and essay writing. Three full-length tests modeled after the actual CBEST exam are provided. Detailed explanations are provided for the answers to each question. For prospective educators who wish to obtain certification within California and/or Oregon.
Three months Two changed fates One chance to fall in love Aiden Emerson is an all-star pitcher and the all-around golden boy of Riverton. Or at least he was, before he quit the team the last day of junior year without any explanation. How could he tell people he’s losing his vision at seventeen? Straight-laced Olivia thought she had life all figured out. But when her dream internship falls apart, her estranged mother comes back into her life, and her longtime boyfriend ghosts her right before summer break, she starts to think fate has a weird sense of humor. Each struggling to find a new direction, Aiden and Olivia decide to live summer by chance, letting coin flips, card pulls, and rock, paper, scissors make all the hard decisions. Every fleeting adventure and stolen kiss is as fragile as a coin flip in this heartfelt journey to love and self-discovery from the author of Love Songs & Other Lies. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Designed for courses on theories and methods of teaching college writing, this text is distinguished by its emphasis on giving teachers a foundation of knowledge for teaching writing to a diverse student body. As such, it is equally relevant for teacher training in basic writing, ESL, and first year composition, the premise being that in most colleges and universities today teachers of each of these types of courses encounter similar student populations and teaching challenges. Many instructors compile packets of articles for this course because they cannot find an appropriate collection in one volume. This text fills that gap. It includes in one volume: *the latest thinking about teaching and tutoring basic writing, ESL, and first year composition students; *seminal articles, carefully selected to be accessible to those new to the field, by classic authors in the field of composition and ESL, as well as a number of new voices; *attention to both theory and practice, but with an emphasis on practice; and *articles about non-traditional students, multiculturalism, and writing across the disciplines. The text includes suggestions for pedagogy and invitations for exploration to engage readers in reflection and in applications to their own teaching practice.