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Retracing the path of Lewis and Clark's epic exploration, Duncan chronicles his own journey through the now tamed and settled territory and offers insights into the development of the West and its continuing attraction.
"An audacious and revisionary sequel to Twain’s masterpiece. It is both true to the spirit of Twain and quintessentially Cooveresque." —Times Literary Supplement At the end of Huckleberry Finn, on the eve of the Civil War, Huck and Tom Sawyer decide to escape “sivilization” and “light out for the Territory.” In Robert Coover’s vision of their Western adventures, Tom decides he’d rather own civilization than escape it, leaving Huck “dreadful lonely” in a country of bandits, war parties, and gold. In the course of his ventures, Huck reunites with old friends, facing hard truths and even harder choices.
"It is hard to say which makes for the more compelling narrative: the life of jazz great Jelly Roll Morton or the detective work that Phil Pastras undertook in putting together this engaging book. Dead Man Blues tells both these tales admirably, drawing on a treasure-trove of previously unknown material. It is both an important contribution to jazz scholarship and a fascinating piece of storytelling."—Ted Gioia, author of The History of Jazz and West Coast Jazz "Meticulously researched, including primary source material recently uncovered by the author, Dead Man Blues is not only a masterfully written, definitive account of Jelly Roll Morton's west coast years, but also a penetrating psychological and social study of the man and the forces that drove and shaped him."—Steve Isoardi, co-author of Central Avenue Sounds "A must-read for all jazz aficionados."—Gerald Wilson "One of the best books ever written about Jelly Roll Morton."—Gerald Wiggins, jazz pianist
Having banished eastern Native peoples to lands west of the Mississippi, President Andrew Jackson’s government by 1833 needed a new type of soldier to keep displaced Indians from returning home. And so the 1st Dragoons came into being. Will and John Gorenfeld tell their story—an epic of exploration, conquest, and diplomacy from the outposts of western history—in this book-length treatment of the force that became the U.S. Cavalry. The 1st Dragoons represented a new regiment of horsemen that drew on the combined skills and clashing visions of two types of leaders: old Indian killers and backwoodsmen such as loudmouth miner Henry Dodge; and straight-arrow battlefield veterans such as Stephen Watts Kearny, who had fought Redcoats in 1812 but now negotiated treaties with Indian tribes and enforced the new order of the West. Drawing on soldiers’ journals and other never-before-used sources, Kearny’s Dragoons Out West reconstructs this forgotten, often surprising moment in U.S. history. Under Kearny, the 1st Dragoons performed its mission through diplomacy and intimidation rather than violence, even protecting Indians from white settlers. Following the regiment up to the U.S.-Mexican War, when diplomacy gave way to open violence, this book introduces readers to future Civil War generals. Colorful characters appearing in these pages include Private Thomas Russell, a young attorney tricked by a horse thief into joining the army; James Hildreth, who authored two books on the 1st Dragoons; and English drill sergeant Long Ned Stanley, whose tenure in the 1st reveals much about American immigrants’ experience in 1833–48. The promises made in Kearny’s well-intentioned treaty making were ultimately broken. This detailed and in-depth look back at his legacy offers a glimpse of a lost world—and an intriguing turning point in the history of western expansion.
Anti-commercial and anti-modern, the California Arts and Crafts Movement drew upon the decorative schemes of English Tudor, Swiss chalet, Japanese temple, and Spanish mission, evoking an earlier time before modern industry and technology intruded. This book celebrates the Movement with chapters on architects such as Bernard Maybeck, Charles and Henry Greene, John Galen Howard, and Julia Morgan. 365 duotone photos.
West German cinema of the 1960s is frequently associated with the emergence of a new generation of filmmakers, collectively known by the 1970s as the "New German Cinema." Yet for domestic and international audiences at the time, German cinema primarily meant popular genres such as exotic adventure films, Gothic crime thrillers, westerns, and sex films, which were dismissed by German filmmakers and critics of the 1970s as "Daddy's Cinema." International Adventures provides the first comprehensive account of these genres, and charts the history of the West German film industry and its main protagonists from the immediate post-war years to its boom period in the 1950s and 1960s. By analyzing film genres in the context of industrial practices, literary traditions, biographical trajectories, and wider cultural and social developments, this book uncovers a forgotten period of German filmmaking that merits reassessment. International Adventures firmly locates its case studies within the wider dynamic of European cinema. In its study of West German cinema's links and co-operations with other countries including Britain, France, and Italy, the book addresses what is perhaps the most striking phenomenon of 1960s popular film genres: the dispersal and disappearance of markers of national identity in increasingly international narratives and modes of production.