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A chance encounter at a summer party sent writer Josceline Dimbleby on a quest to uncover a mystery in her family’s past. After talking with Andrew Lloyd Webber about a beautiful, dark portrait in his art collection, she decided to find out more about the subject of the painting: her great-aunt Amy Gaskell. Dimbleby had always known her great-aunt’s face from this haunted portrait by the well-known Pre-Raphaelite painter Sir Edward Burne-Jones, but beyond that and a family rumor that Amy had died young “of a broken heart,” Dimbleby knew little of her female forebears. At the start of her search, Josceline came across a cache of unpublished letters from Burne-Jones to her great-grandmother May Gaskell, Amy’s mother. These letters turned out to be part of a passionate correspondence—adoring, intimate, sometimes up to five letters a day—which continued throughout the last six years of the painter’s life. As she read, more and more questions arose: Why did Burne-Jones feel he had to protect May from an overwhelming sadness? What was the deep secret she had confided to him? And what was the tragic truth behind Amy’s wayward, wandering life, her strange marriage, and her unexplained early death? In piecing together the eventful life of her grandmother, Dimbleby takes us through a turbulent period in history that includes the Boer War, the Great War, and the Second World War and visits the most far-flung corners of the British Empire. The Souls—William Morris, Rudyard Kipling, and William Gladstone—all play a part in this sweeping, often funny, and sometimes tragic story. Above all, it is her infectious enthusiasm for a subject so close to home that makes May and Amy such a compelling and richly entertaining read.
Four sisters face new beginnings in this heartfelt modern take on Little Women by New York Times bestselling author Virginia Kantra. Amy March is more like her older sister Jo than she’d like to admit. An up-and-coming designer in New York’s competitive fashion industry, ambitious Amy is determined to get out of her sisters’ shadows and keep her distance from their North Carolina hometown. But when Jo’s wedding forces Amy home, she must face what she really wants…and confront the One Big Mistake that could upend her life and forever change her relationship with Jo. Gentle, unassuming Beth grew up as the good girl of the family. A talented singer-songwriter, she’s overcome her painful anxiety to tour with country superstar Colt Henderson. But life on the road has taken its toll on her health and their relationship. Maybe a break to attend her sister’s wedding will get her out of her funk. But Beth realizes that what she’s looking for and what she needs are two very different things.… With the March women reunited, this time with growing careers and families, they must once again learn to lean on one another as they juggle the changes coming their way.
In a smart and funny novel by the award-winning author of the critically acclaimed “big-hearted, charming” (The Washington Post) Small Admissions, a family’s move to New York City brings surprises and humor. Allison Brinkley—wife, mother, and former unflappable optimist—discovers that her decision to pack up and move her family from suburban Dallas to the glittery chaos of Manhattan may have been more complicated than she and her husband initially thought. New York is more unruly and bewildering than she expected, defying the notions she developed from romantic movies and a memorable childhood visit. After a humiliating call from the principal’s office and the loss of the job she was counting on, Allison begins to accept that New York may not suit her after all. When she has a fender-bender, witnessed by a flock of mothers at her son’s new school, she is led to the penthouse apartment of a luxurious Central Park West building and encounters a spoiled, hungover, unsupervised teenager who looks familiar. It doesn’t take long to recognize him as Carter Reid—a famous pop star who has been cast in a new Broadway musical. Through this brush with stardom, Allison embraces a unique and unexpected opportunity that helps her find her way in the heart of Manhattan. “A tribute to Broadway, teen celebrity life, and a mother who has now seen it all, this work is tough love at its finest and a great read for those wanting a ride on the wild side” (Booklist, starred review).
From New York Times bestselling author Amy Ewing (The Jewel) comes the exciting first book in a new fantasy duology. Rich, vivid world-building and ethereal magic combine in an epic tale that’s perfect for fans of Snow Like Ashes, These Broken Stars, or Magonia. Sera Lighthaven has always felt as if she didn’t quite belong among her people, the Cerulean, who live in the City Above the Sky. She is curious about everything—especially the planet that her City is magically tethered to—and can’t stop questioning things. Sera has always longed for the day when the tether will finally break and the Cerulean can move to a new planet. But when Sera is chosen as the sacrifice to break the tether, she feels betrayed by everything in which she’d been taught to trust. In order to save her City, Sera must end her own life. But something goes wrong, and Sera survives, ending up on the planet below in a country called Kaolin. Sera has heard tales about the dangerous humans who live here, and she quickly learns that these dangers were not just stories. Meanwhile, back in the City, all is not what it seems, and the life of every Cerulean may be in danger if Sera is not able to find a way home.
From the bestselling author of Where the Lost Wander and What the Wind Knows comes the evocative story of two people whose paths collide against the backdrop of mystery, murder, and the Great Depression. Chicago, 1923: Ten-year-old Dani Flanagan returns home to find police swarming the house, her parents dead. Michael Malone, the young patrolman assigned to the case, discovers there's more to the situation--and to Dani Flanagan herself--than the authorities care to explore. Malone is told to shut his mouth, and Dani is sent away to live with her spinster aunts in Cleveland. Fifteen years later, Michael Malone is summoned to Cleveland to investigate a series of murders that have everyone stumped, including his friend and famed Prohibition agent Eliot Ness, now Cleveland's director of safety. There, in a city caught in the grip of a serial killer, Dani and Malone cross paths once again. Malone is drawn to Dani and her affinity for the dead and compassion for the destitute. It doesn't take long for him to realize that she could help him solve his case. As terror descends on the city and Malone and Dani confront the dark secrets that draw them together, it's a race to find the killer or risk becoming his next victims.
Theatre on Trial is the first full-length analysis of Samuel Beckett's later drama in the context of contemporary theatre. Audrey McMullan employs a close, textual examination of the later plays as a springboard for exploring ideas around authority, voyeurism, gender and the ideology of stage and TV space. Her application of deconstruction and psychoanalytic feminism to Beckett's work will break new and exciting ground.
Plays for Today by Women A wide-ranging collection of plays by women dealing with contemporary subjects such as sexual abuse, recession, war, poverty and the complexity of modern women’s lives. Many roles for women and girls provided. Suitable for study or for performance or as part of courses in Women’s Studies or Feminist Theatre Studies. All the plays have been produced and performed in the UK to acclaim and are written by commissioned playwrights. “The expanse of subjects this short collection covers shows that women are not just writing about the kitchen sink, the claim so often levelled. This collection (provides) a snapshot of an exciting time for female writers” @17percent The Plays For A Button by Rachel Barnett: comic two hander about two friends and the lengths one will go to, to remain best friends. Yours Abundantly, From Zimbabwe by Gillian Plowman: a middle-aged woman decides to leave her comfy life in the UK and work in a school in Zimbabwe. Welcome To Ramallah by Sonja Linden and Adah Kay: two Jewish sisters are forced to confront the reality of what their forefathers have done to the Palestinians. From The Mouths Of Mothers by Amanda Stuart Fisher: a verbatim drama detailing the distressing stories of mothers who learned that their child has been abused. The Awkward Squad by Karen Young: a three-generational drama involving Northern women who are trying to live and work in recessionary Britain. Sweet Cider by Emteaz Hussain: In a rundown park, two teenage runaways Tazeem and Nosheen hang out, chatting to the boys and an old bag lady, trying to reconcile being British with their Pakistani cultural traditions. About the editors Cheryl Robson is an award-winning playwright and publisher who founded Aurora Metro Books over 20 years ago to develop and publish new writers in drama and fiction. She also established The Virginia Prize for Fiction in 2009 to promote emerging women novelists. Previously, she worked for the BBC, ran a theatre company and taught in higher education. Rebecca Gillieron is an editor and musician with various releases on independent labels in the US and UK. Keen to raise the profile of women and the arts, she has worked in publishing for fifteen years moving from Virgin and Penguin Books into independent publishing via The Womens Press, Marion Boyars and now Aurora Metro Books.
Amy is young twenty five year old living in the west of Ireland who finds herself at the helm of a new column called Amy's Answers in the local newspaper of a town she recently moved to called Ballynoggin. The story which takes place during the pandemic sees Amy get into some mishaps while working on the column and also follows the heartwarming rekindling of family relationships. A touching coming of age read and yet suitable for all ages.
Zero's Neighbour is Hélène Cixous's tribute to the minimalist genius of the artist in exile who courted nothingness in his writing like nobody else: Samuel Beckett. In this unabashedly personal odyssey through a sizeable range of his novels, plays and poems, Cixous celebrates Beckett’s linguistic flair and the poignant, powerful thrust of his stylistic terseness, and passionately declares her love for his unrivalled expression of the meaningless ‘precious little’ of life, its unfathomable banality ending in chaos and death. Poised between a critical essay and a textual performance across two languages adapting Beckett's own literary vein, this book will appeal to scholars, critics and creative writers as well as students of the ‘grey self-Sam’. Its allusive intertextual insights will also prove to be of critical relevance to readers of Dante and Proust, among other literary figures, as much as to those appreciative of Cixous’s own inimitable genius for dissecting the quintessence of the life and works of a ‘neighbourly’ artist.