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Maxfield Parrish left a legacy of magnificent paintings, but he is best appreciated in the context of his own life and times. This book provides that context with an overview of the era in which American illustrative art flourished. When Parrish first arrived on the publishing scene in the 1890s, "mass media" meant print media. From Arthurian legends to American fables like The Wonderful Wizard of Oz, stories were avidly read by a literate population. New printing technology made color illustrations possible, a liberating element for artists and a delight for readers. Part lively Parrish biography and part lucid historical analysis, this book offers a treasure trove of illustrations from classic children's literature by Parrish and his contemporaries, accompanied by excerpts from the stories.
The most comprehensive book of its kind, this gorgeous edition presents more than 500 full-color works by famous and lesser-known artists from the heyday of book and magazine illustration. Featured artists include Walter Crane, Edmund Dulac, Maxfield Parrish, Howard Pyle, Arthur Rackham, N. C. Wyeth, and many others — 101 in all. Several examples of each artist's finest illustrations are accompanied by biographical comments and career notes. Additional artists include Victorian-era illustrator Aubrey Beardsley, noted for his compelling combinations of the erotic and grotesque; American painter Harvey Dunn, one of Howard Pyle's most accomplished students; James Montgomery Flagg, famed for his U.S. Army recruitment posters; Charles Dana Gibson, creator of the iconic Gibson Girl; Charles R. Knight, a pioneer in the depiction of dinosaurs and other prehistoric creatures; Edward Penfield, the king of poster art; Frederic Remington, whose works document the Old West; J. Allen St. John, the principal illustrator of Edgar Rice Burroughs's adventure tales; and dozens of others.
The 'Golden Age of Illustration' refers to a period customarily defined as lasting from the latter quarter of the nineteenth century, until just after the First World War. In this period of no more than fifty years the popularity, abundance and most importantly the unprecedented upsurge in the quality of illustrated books marked an astounding change in the way that publishers, artists and the general public came to view this hitherto insufficiently esteemed art form.
Maxfield Parrish was one of the great illustrators of the golden age of American illustration, a period from about 1895 to 1930 of unparalleled excellence in illustrative art.
Maxfield Parrish enjoyed tremendous popularity throughout the early decades of the twentieth century. Bruce Watson, writing in Smithsonian magazine, deemed Parrish the "comman man's Rembrandt." It's said that during the Depression, a Parrish illustration was displayed on the walls of one out of every four American homes. The artist's romantic, richly colored images of winsome maidens and faraway places continue to appeal to modern audiences. Selected from hundreds of the artist's images for books, magazines, and calendars, this original collection spotlights Parrish's work from 1897 through the 1920s. Illustrations include art from publications such as Century Magazine, Collier's, and Scribner's. Numerous advertisements include the famed Edison-Mazda Lamp series, along with ads for Jell-O, Ferry's Seeds, and Swift's Premium Ham. A wide selection of book illustrations comprises scenes from The Arabian Nights, Eugene Field's Poems of Childhood, Louise Saunders' The Knave of Hearts, Nathaniel Hawthorne's Tanglewood Tales, and other treasured works
A stunning treasury of 86 full-page plates span the famed English artist's career, from Rip Van Winkle (1905) to masterworks such as Undine, A Midsummer Night’s Dream, and Wind in the Willows (1939).
Dream Days is a collection of children's fiction and reminiscences of childhood written by Kenneth Grahame. A sequel to the 1895 collection The Golden Age (some of its selections feature the same family of five children), Dream Days was first published in 1898 under the imprint John Lane: The Bodley Head. The first six selections in the book had been previously published in periodicals of the day - in The Yellow Book and the New Review in Britain and in Scribner's Magazine in the U.S. The book is best known for its inclusion of Grahame's classic story "The Reluctant Dragon".
Maxfield Parrish was one of the most popular American artists of the 20th century. His engaging covers for Scribners and Life, murals such as Old King Cole and the Pied Piper, and posters, calendars, and paintings have delighted viewers for over 100 years. This is the first critical examination of Parrish's place in the history of American art and culture.
Born into a robber baron's household in medieval Germany, young Otto is caught in the middle of a violent blood feud. Nevertheless, the lad grows up to be a gentle and loving person. 55 illustrations.