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Every film development executive says they're looking for original stories. Maverick Screenwriting will teach you how to play with advanced narrative techniques - time, logic and reality - that change the way we look at the world. Discover the techniques that give films like The Matrix, The Truman Show and Avatar an original twist. You will learn: * the difference between plot-driven and concept-driven films * how to play with time, reality and point-of-view in radical ways * how to emotionally connect with your audience * how to create a 'Matrix' that will hold your story together * how to push your concept to the limit- how to tell a story that expresses the unique way you look at the world In Maverick Screenwriting, writers, development executives, producers and directors will all find inspiration and new approaches that will help your film project stand out.
The Turn & Burn methodology offers practical, real-world advice for quickly turning stories - within any genre - into engaging and authentic movie scripts.
From Hallingdal to Houston -- Hollywood on the Colorado -- Breaking away -- Highway to the danger zone -- Hollywood gothic -- One hit after another -- Batmania -- The man Hollywood trusts -- Conclusion
This is a collection of candid interviews with some of the best and most prolific writers of out time, who discuss their lives, work, successes and failures as well as their journeys into the Western genre. They also take pot shots at the publishing business and give generously of their experience to fledging writers - sharing techniques, secrets and humor. Maverick Writers could also be called "Anatomy of a Writer," for the subjects share many common characteristics and work habits, yet divers lifestyles. Compiles for apprentice writers and journeymen readers, the book offers valuable writing and marketing material along with downright enjoyable reading. Personalities shine through in each profile -- Back cover.
Now updated for 2009 comes one of the most comprehensive marketing resources for Christian writers, with information on agents, editors, publisher guidelines, specialty markets, and more.

TV Creators: Aaron Sorkin: lyricist. Roy Huggins: television maverick. Martha Williamson: visionary. Anthony Zuiker: master of forensics. Glenn Gordon Caron: intrepid explorer. Don Bellisario: leatherneck optimist.Paul Haggis: subversive scribe. Barbara Hall: author, author. Joss Whedon: feminist. Clifton Campbell: imagineer. John McNamara: "Fugitive" phile. Aaron Spelling: prime-time perennial. Afterword: terrorism and television drama

James L. Longworth

Published: 2000

Total Pages: 376


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“Admirably reported . . . Waxman unearths juicy anecdotes that’ll keep film fans cackling and turning the pages.” — Salon.com “Riveting tales of Hollywood hubris . . . a fun read.” — Entertainment Weekly “Vivid . . . fascinating . . . delightful . . . [Waxman’s] background as a hard news reporter serves her well.” — New York Times Book Review “A behind-the-cameras fireball of wicked insider revelations . . . Love it!” — Liz Smith, syndicated columnist “[Waxman’s] thorough reporting results in a compulsively readable chronicle of the decade’s auteurs and their work.” — Premiere “Enjoyably dishy.” — Variety “Addictively readable . . . fascinating” — Miami Herald “A lively book with gossipy and readable stories about some obsessive guys who are as much rascals as rebels.” — Los Angeles Times Book Review “Terrific . . . wildly informative and readable about the plight of the biggest young talents in modern movies” — Buffalo News “[Rebels on the Backlot] makes a case for creating a new film canon of this late ‘90s renaissance.” — Pittsburgh Tribune “Waxman perceptively depicts the vocabulary of the new Hollywood . . . well-written . . . recommended.” — Library Journal “Hums along on detail and gossip, adding up to a template for making it in contemporary Hollywood.” — men.style.com “Up-close, often gossipy” — The Hollywood Reporter “Fascinatingly candid” — Minneapolis Star Tribune
Beyond Screenwriting is an accomplished Hollywood screenwriter's insider look at the real ins and outs of the Hollywood screenwriting trenches. This book gives details of how to write screenplays and goes further into the tricks of the trade of the movie and television industry. Sterling Anderson shares his triumphs and mistakes and how to deal with studio and movie producers. Beyond Screenwriting gives easy-to-follow tips, from how to get your screenplay read, to how to deal with show runners, line producers, and producers once you've gotten the job. The discerning difference between most screenwriting books and Beyond Screenwriting is that Sterling Anderson consistently tells aspiring screenwriters that they can do it, and here's how. Take a candid insider's look at how to write screenplays and get a job writing screenplays from a screenwriter with actual credits. Beyond Screenwriting generously answers almost every question that aspiring screenwriters have in the pursuit of a career as a Hollywood screenwriter.
An analysis of the fundamental narrative structure, why it works, the meanings of stories, and why we tell them in the first place. The idea of Into the Woods is not to supplant works by Aristotle, Lajos Egri, Robert McKee, David Mamet, or any other writers of guides for screenwriters and playwrights, but to pick up on their cues and take the reader on a historical, philosophical, scientific, and psychological journey to the heart of all storytelling. In this exciting and wholly original book, John Yorke not only shows that there is truly a unifying shape to narrative—one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within—he explains why, too. With examples ranging from The Godfather to True Detective, Mad Men to Macbeth, and fairy tales to Forbrydelsen (The Killing), Yorke utilizes Shakespearean five-act structure as a key to analyzing all storytelling in all narrative forms, from film and television to theatre and novel-writing—a big step from the usual three-act approach. Into the Woods: A Five-Act Journey into Story is destined to sit alongside David Mamet’s Three Uses of the Knife, Robert McKee’s Story, Syd Field’s Screenplay, and Lajos Egri’s The Art of Dramatic Writing as one of the most original, useful, and inspiring books ever on dramatic writing. Praise for Into the Woods “Love storytelling? You need this inspiring book. John Yorke dissects the structure of stories with a joyous enthusiasm allied to precise, encyclopedic knowledge. Guaranteed to send you back to your writing desk with newfound excitement and drive.” —Chris Chibnall, creator/writer, Broadchurch and Gracepoint “Outrageously good and by far and away the best book of its kind I’ve ever read. I recognized so much truth in it. But more than that, I learned a great deal. Time and again, Yorke articulates things I’ve always felt but have never been able to describe. . . . This is a love story to story—erudite, witty and full of practical magic. I struggle to think of the writer who wouldn’t benefit from reading it—even if they don’t notice because they’re too busy enjoying every page.” —Neil Cross, creator/writer, Luther and Crossbones “Part ‘how-to’ manual, part ‘why-to’ celebration, Into the Woods is a wide-reaching and infectiously passionate exploration of storytelling in all its guises . . . exciting and thought-provoking.” —Emma Frost, screenwriter, The White Queen and Shameless