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In the traditional Māori world, the moko, or facial or body tattoo, was a sign of great mana and status. Male warriors wore elaborate tattoos on their faces and bodies; women took more delicate chin tattoos. After almost dying out in the twentieth century, Māori tattooing is now experiencing a powerful revival, with many young Māori wearing the moko as a spectacular gesture of racial pride. This examines the use of tattooing by traditional and contemporary Māori and links it to other aspects of Māori culture. Gender issues are considered along with tattooing techniques both old and new. The book features case studies of modern Māori who have made a personal decision to be tattooed; the role and status of the tattooers; exploitation of the moko in popular culture around the world by figures such as rock singers and football players.
Bestselling author of Aroha and respected Māori psychiatrist Dr Hinemoa Elder has written a special collection of whakataukī for tamariki mokopuna. Puanga kai rau. Puanga, the star signalling a time of the year with plenty of food. New beginnings. Dear Moko is written for all mokopuna, grandchildren, descendents. It is their very own book with stories from whakataukī and whakatauakī, our Māori proverbs. A treasure-book revealing new secrets every time you read it. Some stories will make you smile and laugh out loud. Others invite you to think about difficulties you are facing in a different way. These are timeless words to live by, life lessons to inspire, for generations to come. Manaakitanga (love for each other), kaitiakitanga (respect for our planet), whanaungatanga (community and connectivity) and tino rangatiratanga (self-determination) bring to life our time-honoured values. Dear Moko is destined to be embraced by every whānau. With illustrations by Miriama Grace-Smith.
The human desire to adorn the body is universal and timeless. While specific forms of body decoration and the motivations for them vary by region, culture, and era, all human societies have engaged in practices designed to augment and enhance people’s natural appearance. Tattooing, the process of inserting pigment into the skin to create permanent designs and patterns, is one of the most widespread forms of body art and was practiced by ancient cultures throughout the world, with tattoos appearing on human mummies by 3200 BCE. Ancient Ink, the first book dedicated to the archaeological study of tattooing, presents new, globe-spanning research examining tattooed human remains, tattoo tools, and ancient art. Connecting ancient body art traditions to modern culture through Indigenous communities and the work of contemporary tattoo artists, the volume’s contributors reveal the antiquity, durability, and significance of body decoration, illuminating how different societies have used their skin to construct their identities.
This dictionary and index comprises a selection of modern and everyday language that will be extremely useful for learners of the Maori language. It has a broader scope than traditional dictionaries, so as well as the words one would usually expect in a dictionary, it also includes; encyclopaedic entries designed to provide key information, explanations of key concepts central to Maori culture, comprehensive explanations for grammatical items, with examples of usage, idioms and colloquialisms with their meanings and examples.
"Juniper Ellis traces the origins and significance of modern tattoo in the works of nineteenth- and twentieth-century artists, travelers, missionaries, scientists, and such writers as Herman Melville, Margaret Mead, Albert Wendt, and Sia Figiel." --book cover.
" ... An official collection of Māori historical traditions"--BIM.
This is the te reo Maori translation of the award-winning novel Tu. The only survivor of three young men who went to war from his family, Tu faces the past and tells his niece and nephew, through the pages of his war journal, about his brothers and their lives after moving to the city, the impact of war on their family and what really happened to the brothers as the M?ori Battalion fought in Italy during World War Two.
Moko is written by Michael King, one of New Zealand's most celebrated historians, and photographed by Marti Friedlander, one of the country¿s most eminent photographers. One of New Zealand's iconic books, originally published in 1972, it was a milestone in New Zealand publishing. Maori subject matter was not thought to be of interest to the New Zealand public at that time, and the author and photographer were relative unknowns--Moko was their first book. To research this book, King and Friedlander travelled thousands of kilometres through the hinterland of New Zealand to find and speak with those who were tattooed, or with people who had first-hand knowledge of the custom. It is also the story of the last generation of Maori women who wore the traditional moko. Marti Friedlander's photographs illustrate with skill and compassion the moko itself, the women who wore it and the environments in which they lived.
Death is one of the most challenging aspects of living, demanding inventive and meaningful responses. This insightful collection demonstrates cultural commitment to improving the conditions of the dying and dead and also documents the varied, creative ways that we, the living, already respond to death. Collectively, the 16 essays are an interrogation of the commonly held assumption that death is somehow hidden, denied, or done badly as standard practice. The underpinning themes and narratives in this anthology make a significant contribution to death studies debates and conversations by offering examples of post-colonial, multi-cultural practices that span professional and every-day points of intersection. Death studies can be a challenging and complex field; nevertheless each contributor here highlights specific ways in which assumptions and beliefs about contemporary death practices can be unpicked, nuanced and challenged.
From journeys through various countries to New Zealand's transformation in the last half century, this is a riveting and comprehensive look at the work of photographer Marti Friedlander. Showing how this distinguished artist has not only recorded the places, events, and personalities of recent history, this engaging study also demonstrates how she brings subjectivity, empathy, and a distinctive eye to her subjects. From her arrival in New Zealand as a Jewish immigrant from England in 1958, this biography proves how her photographs—whether of artists, writers, protests, or street scenes—have consistently drawn out the key human dynamics of conflict, ambivalence, anger, and warmth. Beautifully illustrated amidst a world of throwaway images, this monograph provides evidence of how a sustained, inquiring, and attentive perspective for both the photographer and viewers can lead to new truths.