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Material Transgressions reveals how Romantic-era authors think outside of historical and theoretical ideologies that reiterate notions of sexed bodies, embodied subjectivities, isolated things, or stable texts. The essays gathered here examine how Romantic writers rethink materiality, especially the subject-object relationship, in order to challenge the tenets of Enlightenment and the culture of sensibility that privileged the hegemony of the speaking and feeling lyric subject and to undo supposedly invariable matter, and representations of it, that limited their writing, agency, knowledge, and even being. In this volume, the idea of transgression serves as a flexible and capacious discursive and material movement that braids together fluid forms of affect, embodiment, and textuality. The texts explored offer alternative understandings of materiality that move beyond concepts that fix gendered bodies and intellectual capacities, whether human or textual, idea or thing. They enact processes – assemblages, ghost dances, pack mentality, reiterative writing, shapeshifting, multi-voiced choric oralities – that redefine restrictive structures in order to craft alternative modes of being in the world that can help us to reimagine materiality both in the Romantic period and now. Such dynamism not only reveals a new materialist imaginary for Romanticism but also unveils textualities, affects, figurations, and linguistic movements that alter new materialism’s often strictly ontological approach. List of contributors: Kate Singer, Ashley Cross, Suzanne L. Barnett, Harriet Kramer Linkin, Michael Gamer, Katrina O’Loughlin, Emily J. Dolive, Holly Gallagher, Jillian Heydt-Stevenson, Mary Beth Tegan, Mark Lounibos, Sonia Hofkosh, David Sigler, Chris Washington, Donelle Ruwe, Mark Lussier.
Material Transgressions examines how Romantic-era authors explored morecapacious ideas of materiality that challenged ideologies of discrete bodies,sexed affects, and nonhuman things. Thenew materialist processes traced in these essays craft alternative modes ofbeing-in-the-world that create new ways of understanding materiality both inthe Romantic period and now.
Housing in the Margins offers a theoretically informed and empirically detailed exploration of unruly housing practices and their governance at the periphery of Berlin. An original empirical contribution to understanding housing precarity in the context of the German housing crisis A novel approach to theorizing the nexus of informality and the state in ways that bridge analytical divides between debates about Northern and Southern states An innovative account of urban development in Berlin that contributes to the limited discussions of urban informality in Euro-American cities A theoretical understanding of the ways in which negotiations and transgressions are embedded in the making of urban order A historically informed narrative of the development of allotment gardens in Berlin with a particular focus on housing practices at these sites
Reconnecting so-called alternative food geographies back to the mainstream food system - especially in light of the discursive and material 'transgressions' currently happening between alternative and conventional food networks, this volume critically interrogates and evaluates what stands for 'food politics' in these spaces of transgression now and in the near future and addresses questions such as: What constitutes 'alternative' food politics specifically and food politics more generally when organic and other 'quality' foods have become mainstreamed? What has been the contribution so far of an 'alternative food movement' and its potential to leverage further progressive change and/or make further inroads into conventional systems? What are the empirical and theoretical bases for understanding the established and growing 'transgressions' between conventional and alternative food networks? Offering a better understanding of the evolving position of the corporate food system vis a vis alternative food networks, this book considers the prospects for economic, social, cultural and material transformations led by an increasingly powerful and legitimated alternative food network.
This edited volume is the first to engage with material culture in the Tricontinent comprising Asia, Africa and Latin America, interrogating how objects help trace an alternate history of these locales. The potential of material culture to redefine postcolonial subjectivities is explored here through an analysis of various objects, both tangible and intangible. The book serves to subvert Eurocentric formulations of material culture and arrives at a uniquely Tricontinental model of material culture studies. The essays gathered here engage with an entire gamut of issues pertaining to the perception and significance of object-oriented ontologies from a multifaceted perspective. The book offers a glimpse into the vast field of material cultural studies through an engagement with various geopolitical locales in Asia, Africa and Latin America, thereby familiarizing the reader with the nuances of non-European material culture(s).
Transgression and Its Limits is a long overdue collection that reads the complex relationship between artistic transgressions and the limits of law and the subject. In mid-twentieth century theoretical understandings of transgressive culture, it is the existence of the limit that guarantees the possibility and success of the transgression. While the limit calls for obedience, it also tempts with the possibility of violation. To breach the limits of the acceptable is to simultaneously define them. However, this classical understanding of transgression may no longer apply under the conditions of post-modernity, late-capitalism, and the simulated or empty transgressions that this period of the simulacra encourages. Context becomes paramount in reading the myriad forms of transgression that encompass politics, aesthetics and the ethics of the obscene; while a range of theoretical perspectives are employed in order to elucidate the economies at work underneath the seemingly transgressive act. The essays selected include explorations of transgression in cinema, photography, art, law, music, philosophy, technology, and both classical and contemporary literature and drama. Professor Fred Botting’s (co-author of Bataille and The Tarantinian Ethics) analysis of transgression from Bataille, to Baudrillard and Ballard compliments the collection’s concerns about the status of transgression. Aside from fourteen critical essays on topics such as early-modern drama, George Bataille, J. G. Ballard, the female necrophilic, “torture-porn” cinema, and the art of Robert Mapplethorpe and Salvador Dali, there is also a new discussion of transgression between novelist Iain Banks and Professor Roderick Watson (Emeritus at the University of Stirling). With its focus on the paradoxical nature of the impulse to transgress, as well at its wide-ranging historical and artistic concerns, Transgression and Its Limits is a landmark book in a rapidly developing scholarly field.
Recent books about Jesus and early Christianity can be divided into two kinds: those that examine the life and work of the historical Jesus prior to his death and those that reconstruct events between Jesus' death and the writings of the first Gospels. Sawicki's provocative book challenges the results of both kinds of research by using both archaeology and anthropology to situate Jesus clearly in his Galilean cultural context. Sawicki contests recent portraits of Jesus as a Mediterranean peasant, a Cynic sage, or the convener of a fellowship of equals. In addition, she calls into question readings of ancient Galilee that emphasize it as a society marked simply by economic stratification or by an "honor-shame" sociology. Rather, she discovers the Galilean Jesus' indigenous cultural idiom in its material structures for the negotiation of kinship, the management of labor, the distribution of commodities, and the construction of gender. Sawicki's book is the first to balance classical urban archaeology against the more recent archaeology of villages and of local and regional commerce. It frames current issues in Jesus research in terms that can guide both ongoing village excavations in Israel and responsible exegesis of the Gospels in church and academy. Marianne Sawicki is the author of Seeing the Lord: Resurrection and Early Christian Practices. For: Seminarians; graduate students; biblical archaeologists
Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood. It argues that these contemporary forms of music are not only influenced by but are an expression of Romanticism continuous with their eighteenth- and nineteenth-century influences. Figures such as Blake, Wordsworth, Coleridge, Byron, Keats, Mary Shelley, Percy Shelley, Friedrich, Schlegel, and Hoffman are brought alongside the music and visual aesthetics of the Rolling Stones, the New Romantics, the Pretenders, Joy Division, Nick Cave, Tom Verlaine, emo, Eminem, My Dying Bride, and Norwegian black metal to explore the ways that Romanticism continues into the present in all of its varying forms and expressions.
This volume, an important contribution to dialogic and Bakhtin studies, shows the natural fit between Bakhtin’s ideas and the pluralistic culture of India to a global academic audience. It is premised on the fact that long before principles of dialogism took shape in the Western world, these ideas, though not labelled as such, were an integral part of intellectual histories in India. Bakhtin’s ideas and intellectual traditions of India stand under the same banner of plurality, open-endedness and diversity of languages and social speech types and, therefore, the affinity between the thinker and the culture seems natural. Rather than being a mechanical import of Bakhtin’s ideas, it is an occasion to reclaim, reactivate and reenergize inherent dialogicality in the Indian cultural, historical and philosophical histories. Bakhtin is not an incidental figure, for he offers precise analytical tools to make sense of the incredibly complex differences at every level in the cultural life of India. Indian heterodoxy lends well to a Bakhtinian reading and analysis and the papers herein attest to this. The papers range from how ideas from Indo-European philology reached Bakhtin through a circuitous route, to responses to Bakhtin’s thought on the carnival from the philosophical perspectives of Abhinavagupta, to a Bakhtinian reading of literary texts from India. The volume also includes an essay on ‘translation as dialogue’ – an issue central to multilingual cultures – and on inherent dialogicality in the long intellectual traditions in India.
Conduct and Conscience: The Socialization of Internalized Control over Behavior covers the concept and mechanism of socialization and internalization and their role in human conduct and behavior. This book consists of 12 chapters and begins with the presentation of the major problems concerning the attempt to understand the origins of conduct and conscience. The third chapter redefines these problems in the context of a concept of internalization, while the fourth chapter deals with the theoretical aspect of the subject as it sets forth an initial conception of the mechanisms of learning that underlie socialization. The remaining eight chapters contain primarily descriptive and experimental analyses of specific internalized products of socialization, including altruism, sympathy, transgression, fear, guilt, shame, and discipline. This book is an invaluable source for sociologists, and scientists and workers in the fields of human conduct and behavior, and other allied fields.