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In 1946, while Rosy the Riveter was taking her shop apron off and setting down her wrench for the last time, Millie Uher got into a U.S. Army surplus Jeep and drove up into the hills southwest of Maracaibo, Venezuela. In this biography written by her son, we learn she was much more than a working mother. She was a woman of the world and a rare trendsetter that changed the world without design and perhaps intent. The development and education expert would live 100 years and break ground and gender barriers as an athlete in basketball, tennis, golf, and especially alpine skiing as she trekked the globe. She dared to go where others, including men, dared not go, living her life at full speed and never once touching the brakes. From immigrant's child to global diplomat, from rural schoolchild to urbane single mother, and from first-generation high school graduate to Ph.D., this is the story of a traditional American girl who became a bona fide adventurer.
This is the story of a rescue dog named Cecil. He was supposedly found on the streets of the Bronx, but has now found the high-life in a home in New York City and San Diego. It is the tale of Cecil's charmed life as told by the husband of Cecil's beloved and somewhat indulgent owner.
"The author writes with a storyteller's eye; his tales are rich in detail, his observations are noteworthy, and his prose is often filled with wry humor. The pictures he paints of colorful personalities are endlessly appealing. An insightful, often funny account of a man who follows a fiscally rewarding path but knows that life's meaning involves more than money." - Kirkus Reviews In this book, the author recalls his career and explores how to afford retiring while also coping with the existential crisis that so often goes along with leaving a job that's defined you. Drawing on his career and personal experiences preparing for retirement, he reveals how the prospect of retirement compels us to ponder what to do with our time and often requires us to find a new identity. Join the author as he rises up the ranks of banking and finance, helps people navigate financial challenges, and shares how to avoid the retirement-saving missteps and mistakes made by so many others in Gulag 401k.
If it’s time for a rhyme, or you need a satiric lyric, the Collins Rhyming Dictionary is the fastest and easiest way to refine your line.
In 1946, while Rosy the Riveter was taking her shop apron off and setting down her wrench for the last time, Millie Uher got into a U.S. Army surplus Jeep and drove up into the hills southwest of Maracaibo, Venezuela. In this biography written by her son, we learn she was much more than a working mother. She was a woman of the world and a rare trendsetter that changed the world without design and perhaps intent. The development and education expert would live 100 years and break ground and gender barriers as an athlete in basketball, tennis, golf, and especially alpine skiing as she trekked the globe. She dared to go where others, including men, dared not go, living her life at full speed and never once touching the brakes. From immigrant's child to global diplomat, from rural schoolchild to urbane single mother, and from first-generation high school graduate to Ph.D., this is the story of a traditional American girl who became a bona fide adventurer.
Around 70 B.C., a tradeship heading for Rome foundered off the coast of Antikythera. On board was the most sophisticated device known to the classical world: The Antikythera Mechanism - a set of gears that might foretell the ways of the stars. In the sea, the Antikythera Mechanism escaped the purposeful destruction that hit its siblings a hundred years later. Save for one: The OPUS GEMINI. This last of the Opera is held by Adrianus and Valeriana, two quarrelsome housemates at the rim of the Roman world. There comes a time of crisis, of warfare. And the ancient power that once ruled the Opus rises again. The agents of the lost realm of Commagene set forth to bring the OPUS GEMINI: Pernica the Swift, also known as the Polan Panthercat, who is seeking her life and her doom. And Sedigitus the Sixfinger, a misshapen warrior, dedicated to his mission at whatever cost. But there is another, a new force gathering. The mysterious Headhunters are out, and they take more than just the heads of people they are interested in. Adrianus and Valeriana find themselves pursued by two enemies at once. Each of them determined to get the Codebook of the Cosmos. And the man who knows to use it.
A look at how warfare affected—and was affected by—women in ancient times. Although the conduct of war was generally monopolized by men in the Greco-Roman world, there were plenty of exceptions, with women directly involved in its direction and even as combatants—Artemisia, Olympias, Cleopatra, and Agrippina the Elder being famous examples. And both Greeks and Romans encountered women among their barbarian enemies, such as Tomyris, Boudicca, and Zenobia. More commonly, of course, women were directly affected as noncombatant victims of rape and enslavement as spoils of war, and this makes up an important strand of the author’s discussion. The portrayal of female warriors and goddesses in classical mythology and literature, and the use of war to justify gender roles and hierarchies, are also considered. Overall, this is a landmark survey of women’s role in, and experience of, war in the Classical world.
New York, present day. Karen Brown, angry and frightened after surviving a kidnap attempt, has a harsh choice - being eliminated by government enforcer Jeffery Renschman or fleeing to the mysterious Roma Nova, her dead mother's homeland in Europe. Founded sixteen centuries ago by Roman exiles and ruled by women, Roma Nova gives Karen safety and a ready-made family. But a shocking discovery about her new lover, the fascinating but arrogant special forces officer Conrad Tellus, who rescued her in America, isolates her. Renschman reaches into her new home and nearly kills her. Recovering, she is desperate to find out why he is hunting her so viciously. Unable to rely on anybody else, she undergoes intensive training, develops fighting skills and becomes an undercover cop. But crazy with bitterness at his past failures, Renschman sets a trap for her, knowing she has no choice but to spring it...
The Edges of the Roman World is a volume consisting of seventeen papers dealing with different approaches to cultural changes that occurred in the context of Roman imperial politics. Papers are mainly focused on societies on the fringes, both social and geographical, and their response to Roman Imperialism. This volume is not a textbook, but rather a collection of different approaches which address the same problem of Roman Imperialism in local contexts. The volume is greatly inspired by the first “Imperialism and Identities at the Edges of the Roman World” conference, held at the Petnica Science Center in 2012.
The games comprised gladiatorial fights, staged animal hunts (venationes) and the executions of convicted criminals and prisoners of war. Besides entertaining the crowd, the games delivered a powerful message of Roman power: as a reminder of the wars in which Rome had acquired its empire, the distant regions of its far-flung empire (from where they had obtained wild beasts for the venatio), and the inevitability of Roman justice for criminals and those foreigners who had dared to challenge the empire's authority. Though we might see these games as bloodthirsty, cruel and reprehensible condemning any alien culture out of hand for a sport that offends our sensibilities smacks of cultural chauvinism. Instead one should judge an ancient sport by the standards of its contemporary cultural context. This book offers a fascinating, and fair historical appraisal of gladiatorial combat, which will bring the games alive to the reader and help them see them through the eyes of the ancient Romans. It will answer questions about gladiatorial combat such as: What were its origins? Why did it disappear? Who were gladiators? How did they become gladiators? What was there training like? How did the Romans view gladiators? How were gladiator shows produced and advertised? What were the different styles of gladiatorial fighting? Did gladiator matches have referees? Did every match end in the death of at least one gladiator? Were gladiator games mere entertainment or did they play a larger role in Roman society? What was their political significance?