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Matchbox Theatre presents a sketch show in miniature: thirty short entertainments by Michael Frayn, author of Skios and Noises Off, 'the funniest farce ever written' (New York Times). Thirty snatches of people talking. To each other, to the world at large, to themselves, to no one. Heard, unheard. Overheard, half-heard. On telephones, into microphones. In a crypt, an airport, an orchestra pit. These tiny plays are offered here for performance in the smallest theatre in the world: the theatre of your own imagination. The scripts are provided. Everything else - casting, set design, ice cream sales - is up to you . . . 'Michael Frayn is the most philosophical comic writer - and the most comic philosophical writer - of our time.' Michael Arditti, Daily Mail
Follows a girl's perusal of her great-grandfather's collection of matchboxes and small curios that document his poignant immigration journey from Italy to a new country.
Discover the magical world of toy theatres-- a unique gift idea for family and friends. Children and adults alike will be enchanted by the 10 designs for exquisite miniature theatres-- many of them of the Victorian era. Projects include a Folding Theatre in a Box, a Pop-up Theatre Greeting Card, a Punch and Judy Booth, and a Bali Shadow Theatre-- all made with paper and cardboard and a minimum of special tools or expensive materials. Basic papercraft skills necessary to create these tiny wonders, such as painting, gilding, rubber stamping, and tea staining, are described in detail. All the templates and decorative images needed to make the theatres are found among the many beautiful color photographs and can easily be photocopied.
The Kettlewells are a dysfunctional family. Richard is a charming old Etonian whose business ventures are failing. Over a crowded weekend, his daughter Pamela, whom he hardly knows, returns from Russia, a passionate communist; his ex-wife and mistress both unexpectedly arrive; and his butler has a big win at the races. The Roundabout is a funny, touching, highly perceptive look at an England in the 1930s, when it seemed, just possibly, as if the social order might be changing.
Hurled words. Thrown objects. Dodged burgers. A burger was thrown at Travis Alabanza on Waterloo Bridge in 2016. From this experience they have created a poetic, passionate performance piece based around the 'burger': the texture, and taste of being trans. Their experiences include verbal abuse, ostracisation and being thrown out of a Top Shop changing room. The piece also explores the black trans experience.
This book provides a fascinating and concise history of devised theatre practice. As both a founding member of Philadelphia’s Pig Iron Theater Company and a Professor, Telory Arendell begins this journey with a brief history of Joan Littlewood’s Theatre Workshop and Living Newspapers through Brecht’s Berliner Ensemble and Joe Chaikin’s Open Theatre to the racially inflected commentary of Luis Valdez’s Teatro Campesino and Ariane Mnouchkine’s collaboration with Théâtre de Soleil. This book explores the impact of devised theatre on social practice and analyzes Goat Island’s use of Pina Bausch’s gestural movement, Augusto Boal’s Theatre of the Oppressed in Giving Voice, Anna Deavere Smith’s devised envelope for Verbatim Theatre, The Tectonic Theatre Project’s moment work, Teya Sepinuck’s Theatre of Witness, Pig Iron’s use of Lecoq mime to build complex physical theatre scripts, and The Riot Group’s musical arrangement of collaborative devised text. Included are a foreword by Allen J. Kuharski and three devised plays by Theatre of Witness, Pig Iron, and The Riot Group. Replete with interviews from the initial Pig Iron collaborators on subjects of writing, directing, choreographing, teaching, and developing a pedagogical platform that supports devised theatre.
‘I told you it’d happen. In this town. It’d come to fruition. It’s like rivers of blood with Scousers’ Skelmersdale, Lancashire. Haunted by memories of his closest friend Emlyn, Paul returns to the ashes of his childhood home in a Liverpool overspill estate and implores his mother to leave it all behind. Envisaged by the government as "social utopias" in the 1960s, towns like Skelmersdale promised visionary housing and opportunities for thousands of Liverpudlians uprooted from their overcrowded city. Traversing a 30-year friendship, Years of Sunlight is a haunting cry for those left feeling shipwrecked from their old communities and abandoned by the post-industrial political system.
Million Dollar Quartet’ is the name given to recordings made on Tuesday December 4, 1956 in the Sun Record Studios in Memphis, Tennessee. The recordings were of an impromptu jam session among Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash.The events of the session. Very few participants survive. Includes interviews with the drummer and the sound engineer. A detailed analysis of the music played – and its relevance to subsequent popular music. The early lives and careers of the quartet – where they were in 1956. Relevant social and economic factors which meant that a massive audience of young people were keenly looking for a new kind of music they could call their own. The “reunions” of surviving members of the quartet. The emergence of the tapes, first on bootleg and then on legitimate CDs. The genesis of the stage show and its reception – the enduring appeal of the music.
Cinema Houston celebrates a vibrant century of movie theatres and moviegoing in Texas's largest city. Illustrated with more than two hundred historical photographs, newspaper clippings, and advertisements, it traces the history of Houston movie theatres from their early twentieth-century beginnings in vaudeville and nickelodeon houses to the opulent downtown theatres built in the 1920s (the Majestic, Metropolitan, Kirby, and Loew's State). It also captures the excitement of the neighborhood theatres of the 1930s and 1940s, including the Alabama, Tower, and River Oaks; the theatres of the 1950s and early 1960s, including the Windsor and its Cinerama roadshows; and the multicinemas and megaplexes that have come to dominate the movie scene since the late 1960s. While preserving the glories of Houston's lost movie palaces—only a few of these historic theatres still survive—Cinema Houston also vividly re-creates the moviegoing experience, chronicling midnight movie madness, summer nights at the drive-in, and, of course, all those tasty snacks at the concession stand. Sure to appeal to a wide audience, from movie fans to devotees of Houston's architectural history, Cinema Houston captures the bygone era of the city's movie houses, from the lowbrow to the sublime, the hi-tech sound of 70mm Dolby and THX to the crackle of a drive-in speaker on a cool spring evening.
My son is dead and sitting on the throne. 1605. Orthodox Russia stands alone, defiant against the Roman Catholic and Protestant West. The Kremlin has suppressed all opposition and keeps a ruthless grip on power with the support of the church and an appeal to nationalist sentiment. In Poland, a formidable young opponent appears: Dmitry. At his back a Polish army fuelled by fear of the Russian threat marches on Moscow. But is he who he thinks he is? An explosive new version of the great German writer Schiller's last, unfinished play - resurrected in the unique, pulsating dramatic verse of Peter Oswald, which premiered in the original production directed by Tim Supple. This edition was published to coincide with the world premiere at Marylebone Theatre in London, in September 2022.