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An innovatively designed monograph on the work of Matali Crasset, one of France’s leading product designers. A darling of French industrial design, Matali Crasset has earned critical praise internationally with her unique spaces and products. Ranging from simple, ergonomic kitchen utensils to architecture, her work engages its end users by asking questions on the role design plays in their everyday lives. Crasset was awarded International Interior Designer of the Year at the British Interior Design Awards in 2004, received the Grand Prize for Design from the city of Paris in 1997, and was a previous recipient of the Premier Prix de Concours Louis Vuitton. Her work includes products and interventions for Philippe Starck (whom she worked with for five years), Established and Sons, Hermès, Swarovski, Authentics, Domeau & Pérès, Alessi, Meta/Mallet, Artemide, and others. She has also engaged in architecture in the round, including hotels in Nice and Tunisia. Raised in a small village in the north of France, where work and life were intimately bound, the designer’s formative experiences clearly inform her view on contemporary design. The uncluttered rhythms of life in the country are reflected in the simple—but often colorful—forms that have earned Crasset a name for herself in the realms of product design, interiors, architecture, and art installations. Lavishly depicted with more than three hundred sketches, concept renderings, and photographs in a unique and brightly hued book format, the projects are organized thematically, with a special emphasis on materials and process.
This volume of the series about young but already very successful architects and designers introduces to the projects of the french designer Matali Crasset. The book not only shows the assembled work of Matali Crasset but also what she understands under "work ensemble".
"Following the highly successful Bar and Club Design (2002), New Bar and Club Design examines current international trends, showcasing 47 bars and clubs completed since 2001." "The 1990s restaurant boom led to an increase in both the volume and diversity of restaurants, and this in turn heralded an increasingly sophisticated bar market. There has been a resurgence of cocktail culture and an explosion of the 'style bar' - professionally designed venues that serve high-quality drinks. As this book demonstrates, such bars continue to open in cities from New York to Moscow, Beirut to Kuala Lumpur. There is also a trend in lower-budget designer bars that are as visually interesting as the big budget productions, such as Andy Wahloo in Paris and Opal in London." "Likewise, club culture continues to thrive. Many nightclubs are cosier than the 'superclubs' so popular during the late 1980s and '90s, and recent years have seen the emergence of the 'boutique club' - small, exclusive nightclubs where the focus has returned to the music, the sound system and the dancing. Other alternatives include late-night lounge bars with DJs that cater to the 'grown-up clubber', offering comfort and luxury rather than an empty shell in which to dance. Some 'superclubs' are still being built and these offer the very best in technology and audiovisual entertainment, usually laid out over several different areas. This book explores the design Zeitgeist of bar and club culture worldwide." "Following a brief introduction tracing the latest international trends, four themed chapters on bars, restaurant bars, hotel bars and clubs showcase the most interesting and unusual venues from around the world. New Bar and Club Design is a must for anyone with an interest in interior design, bar or club culture."--BOOK JACKET.
Philippe Starck's legacy through the portraits of his former apprentices As Philippe Starck gleefully clads himself in the guru's mantle, questions concerning the teaching of design and the place of the designer in the evolving relations with production become ever more acute. At the same time, there is a noticeable tendency amongst young designers to replace products by services. In this context, it would seem worthwhile to take a closer look at Philippe Starck's teaching, along with the revamped concept of the workshop by examining the subsequent development of some of the master's former assistants.
Ecological and livable cities need an objective method to be examined. This book is in search of a method to determine the level of livability, ecology and energy efficiency. Ecological and sustainable cities need to properly make up for the existent weakness of the city's construction under fine ecological environment. The intention of this comparative study is an attempt to improve life quality in Tirana, Albania. It gives examples of successful strategies, e.g. bioclimatic solution through passive solar systems and the use of underground tunnels. This book is aimed at researches, professionals, architects and city planners.
At forty-three, Myriam has been a wife, mother, and lover—but never a restauranteur. When she opens Chez Moi in a quiet neighborhood in Paris, she has no idea how to run a business, but armed only with her love of cooking, she is determined to try. Barely able to pay the rent, Myriam secretly sleeps in the dining room and bathes in the kitchen sink, while struggling to come to terms with the painful memories of her past. But soon enough her delectable cuisine brings her many neighbors to Chez Moi, and Myriam finds that she may get a second chance at life and love. Redolent with the sights, smells, and tastes of Paris, Chez Moi is a charming story that will appeal to the many readers who fell in love with Joanne Harris’s Chocolat and Laura Esquivel’s Like Water for Chocolate.
The rise of social networking and open-source technology, the return of community-focussed activities (e.g. gardens, knitting groups, food cooperatives) and creative collectives across the fields of design and the visual arts have reawakened the discourse around human capital, flat structures and collectives as a means for ‘making’ the things of everyday life. As the essays presented in this collection illustrate, there is an emerging field of discourse about the potential of the collective as an organising and generative community structure that links creativity, social change and politics. Furthermore it is clear that in this developing context there are a number of issues central to design practice, such as authorship, agency and aesthetics that are in the process of re-evaluation and critique. Bringing together views of practitioners, historians and theorists, this volume examines the etymology, boundaries and practices that the idea of the collective affords. It is broadly organised into sections on architecture, digital technologies and counter-cultural practices and includes historical and contemporary accounts of design collectives from a range of disciplinary viewpoints.
In the midst of spiraling ecological devastation, multispecies feminist theorist Donna J. Haraway offers provocative new ways to reconfigure our relations to the earth and all its inhabitants. She eschews referring to our current epoch as the Anthropocene, preferring to conceptualize it as what she calls the Chthulucene, as it more aptly and fully describes our epoch as one in which the human and nonhuman are inextricably linked in tentacular practices. The Chthulucene, Haraway explains, requires sym-poiesis, or making-with, rather than auto-poiesis, or self-making. Learning to stay with the trouble of living and dying together on a damaged earth will prove more conducive to the kind of thinking that would provide the means to building more livable futures. Theoretically and methodologically driven by the signifier SF—string figures, science fact, science fiction, speculative feminism, speculative fabulation, so far—Staying with the Trouble further cements Haraway's reputation as one of the most daring and original thinkers of our time.
This sourcebook provides an insight into the minds of 18 of the world's most distinguished working today.
The big design surveys of the past few years tend to have two things in common: a lot of creative design and very few women designers. Dish is here to set the record straight. This exciting collection features new work by over forty emerging and established female designers from over fifteen countries. The innovative, cutting-edge work in Dish provides a fresh take on current trends in product design for the home, including furniture, ceramics, glassware, lighting, and textiles. Works range from Monica Nicoletti's "Place Holders" moving boxes that serve as transitional furniture to Matali Crasset's "Phytolab" that combines plants and plastic in a bathroom project. They explore materials, from Sara Unruh's chemically treated silk fabric to Anette Hermann's rubber and metal chair, in which the user becomes part of the construction. Each designer is featured with examples of her work, biographical information, and a personal statement that encapsulates her approach. A foreword by Susan Yelavich and essays by experts in making, selling, and critiquing contemporary design offer insights into the conceptual, aesthetic, functional, and political nature of the work. All together, this book dishes out the hottest work around.