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Rings of seahorses seem to rotate and butterflies seems to transform into warriors right on the page. Astonishing creations of visual trickery by masters of the art, such as Escher, Dali, and Archimbolo make this breathtaking collection the definitive book of optical illusions. Includes an illuminating Foreword by the Pulitzer Prize-winning author Hofstadter.
In 1983, the world was introduced to He-Man and the Masters of the Universe. What followed was a cultural sensation that changed the landscape of children's entertainment forever! Join Mattel and Dark Horse in this comprehensive retrospective chronicling He-Man's decades-long epic journey from toy, to television, to film, to a true pop culture phenomenon!
When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.
No punches are pulled in this gripping account of Vietnam combat through the eyes of a highly decorated Marine helicopter crewman and door gunner with more than three hundred missions under his belt. In 1968, U.S. Marine Ronald Winter flew some of the toughest missions of the Vietnam War, from the DMZ grasslands to the jungles near Laos and the deadly A Shau Valley, where the NVA ruled. Whether landing in the midst of hidden enemy troops or rescuing the wounded during blazing firefights, the work of helicopter crews was always dangerous. But the men in the choppers never complained; they knew they had it easy compared to their brothers on the ground. Masters of the Art is a bare-knuckles tribute to the Marines who served in Vietnam. It’s about courage, sacrifice, and unsung heroes. The men who fought alongside Winter in that jungle hell were U.S. Marines, warriors who did their job and remained true to their country, no matter the cost.
Meet some of the finest digital 2D and 3D artists working in the industry today, from Patrick Beaulieu, Philip Straub, Benita Winckler, Alessandro Baldasseroni to Khalid Al Muharraqi, Marcel Baumann and Marek Denko and see how they work. More than just a gallery book - in Digital Arts Masters each artist has written a breakdown overview, with supporting imagery of how they made there piece of work. With Digital Arts Masters you'll understand the artists' thought process and discover the tips, tricks and techniques which really work.
Meet some of the finest digital 2D and 3D artists working in the industry today, from Patrick Beaulieu and Alessandro Baldasseroni to Marcel Baumann and Marek Denko, and see how they work.
A pictorial showcase of the work of 40 contemporary art quilt masters from around the world. Up to a dozen quilts by each artist are shown, along with commentary by each artist.
Some of the artists who have won a National Heritage Fellowship between 1982 and 2002: user may click on an index of names, and retrieve biographical information, photographs, voice and music clips, and/or film and video clips on each artist.
Few books have continued their bestselling status centuries after their author's death. Like other classics, such as the Gospels of Jesus, and Lao Tze's Tao Te Chung, there is much discussion of who actually wrote them and how. What is important is how such books are used. Because only extremely useful books continue in demand at bookstores, especially over generations. This book is entitled A Samurai Master Class, as two additional classics, "The Book of Five Rings" and "Bushido, the Soul of Japan" have been included. No study of this period would be complete without understanding the strategies, tactics, and ethics of the Samurai. All of us have our journey to follow. In this, the Art of War can become the Way of Peace. This is presented as the old Japanese proverb told, "There are many paths up the mountain." In that spirit, this book is humbly presented for your use. Scroll Up and Get Your Copy Today!
As a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.