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Give your story a solid foundation—a plot that engages readers from start to finish! The best stories linger in the hearts and minds of readers for decades. These tales gain their power through plots that connect with the audience on both an emotional and intellectual level. Inside Ronald B. Tobias details these 20 time-tested plots. Each is discussed and analyzed, illustrating how a successful plot integrates all the elements of a story. Tobias then shows you how to use these plots effectively in your own work. Tobias then goes to the next level, showing you how to choose and develop plot in fiction. He shows you how to craft plot for any subject matter, so that you develop your work evenly and effectively. As a result, your fiction will be more cohesive and convincing, making your story unforgettable for readers everywhere. "Plot isn't an accessory that conveniently organizes your material according to some ritualistic magic. You don't just plug in plot like a household appliance and expect it to do its job. Plot is organic. It takes hold of the writer and the work from the beginning." —Ronald Tobias
Contains over 70 new plays never before covered in a Masterplots series, from previously missed classics to contemporary award winners. Each article lists principal characters, describes the play, and analyzes themes and meanings, dramatic devices, and critical content.
In Master Plots, Jared Gardner examines the tangled intersection of racial and national discourses in early American narrative. While it is well known that the writers of the early national period were preoccupied with differentiating their work from European models, Gardner argues that the national literature of the United States was equally motivated by the desire to differentiate white Americans from blacks and Indians. To achieve these ends, early American writers were drawn to fantasies of an "American race," and an American literature came to be defined not only by its desire for cultural uniqueness but also by its defense of racial purity.
The life of a 13-year-old Harlem black boy, on his way to becoming a confirmed heroin addict, is seen from his viewpoint and from that of several people around him.