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The Federal Republic of Nigeria maintains a rich artistic legacy that is more than two thousand years old. As such, it provides some interesting counterpoints to Western art history. Nigeria's ancient Nok art, for example, predated the golden age of Greece, and the exquisite bronzes of lgbo Ukwu (9th-10th C), Ife (12th-15th C), and Benin (15th-19th C) compare favorably to European traditions. Furthermore, the art of Benin thrived under the patronage of a single, unbroken dynasty during a time when many European governments rose and fell.Yet, for many reasons, the Western world would not recognize this artistic heritage until modern times. In this volume, Ekpo Eyo explains the prirnitivist viewpoint that once dominated the Western perception of African art and recalls the efforts of certain more open-minded individuals from Nigeria's colonial past who, in their efforts to collect, preserve, and present important sculptures and other artworks, were instrumental in founding the country's first museums. Their successor, today's National Commission for Museums and Monuments, has collected many additional works from their original settings, placing them in the limelight of the world through publications and museum exhibitions, to which the author has contributed much throughout his career. Eyo therefore discusses Nigerian art in the broader context of the world's art history, arguing that the art of Nigeria is fundamentally a testament to universal human creativity. From Shrines to Showcases: Masterpieces of Nigerian Art includes examples selected from all major regions of the country, spanning the distant past to the modern age, which are to be considered amongst the greatest artistic achievements of humanity.
Presents a major part of the extraordinary corpus of ancient Ife art in terra-cotta, stone, and metal, dating from the ninth to the fifteenth centuries.
Through forty-one masterworks, Mumuye reveals some of the most accomplished statues made by this Nigerian tribal group. It was not until the late 1960s that statues from the Mumuye culture of northeastern Nigeria appeared on the European art scene. Their impact was immediate and profound: African art aficionados marvelled at Mumuye artists' abstract interpretation of the human body, which recalled the approach to anatomy by artists of the Cubist and Expressionist movements. Indeed, anthropomorphic Mumuye figure sculptures demonstrate an astonishing range of variations, testifying to their makers' unbridled creativity and limitless inventiveness. Here, a meticulous analysis of the extraordinary forms of Mumuye figures - paying attention to their striking inherent sense of motion - leads to a new style of classification that recognises different workshops and even the hands of individual masters. A summary of the scant field-based studies discusses the figures' primary role as emblems of status and rank, their connections to ancestral veneration, and healing and divination practices. Through a selection of masks and other objects, this book reveals the beauty of Mumuye figurative sculpture.
Edited by Barbara Plakensteiner. Foreword by O.J. Eboreime.
First published in 1971, this major bibliography devoted to Africa’s most populous country – Nigeria – is therefore a timely contribution which must be welcomed by all. The Bibliography of Nigeria contains over 5,400 entries in archaeology, all branches of anthropology, linguistic and relevant historical and sociological studies. Many of the entries carry indicative or informative annotations which have greatly enhanced the usefulness of the work. The history and culture of Africa constitutes a rich area of study and research which is attracting an ever-increasing number of scholars the world over. The new impetus which African studies is receiving in the major centre of learning today has added urgency to the long-neglected problem of bibliographical control of the vast literature. The dearth of bibliographies in the field of African studies has been a main source of frustration to all those working in this area. The book is divided into two parts: part one deals with Nigeria as a whole, and lists general works or those concerned with several regions or several ethnic groups. Part two is devoted to the various ethnic groups. An analytical table of contents, a comprehensive ethnic index, an author index and an index of Islamic studies, together with generous cross-referencing, ensure ready and easy location of individual entries.
Let Your Faith Be Moved by the Masterpieces Art becomes a masterpiece when it stands the test of time and challenges its viewers to see the world from a new perspective. The vast legacy of human expression is therefore a rich resource of introspection and wisdom for Christians today. 75 Masterpieces Every Christian Should Know anthologizes some of humanity’s most influential and renowned works of art. Terry Glaspey masterfully analyzes how each piece responds to the reality of the human condition and Christian truth. Glaspey examines architecture, plays, novels, paintings, films, and even albums, evoking how some probe the dark corners of human suffering, while others capture the mystery, beauty, and wonder of life. Each selection is universally revered for its craftsmanship and ubiquitously esteemed across both time and cultures. From Rembrandt’s The Return of the ProdigalSon to Jane Austen’s Pride and Prejudice to Johnny Cash’s At Folsom Prison, every masterpiece reveals some truth that has both enriched the Christian faith and left an indelible mark on the legacy of artistic achievement. Through engaging these masterpieces, Christians today can enrich their own faith with the creativity of history’s brilliant artists. This book serves as both historian and biographer, as devotional and art criticism. May this book be a modest doorway into a world of deeper appreciation, a guide to the treasures of our tradition that enriches both your faith and understanding of the human experience.
This handbook offers the most comprehensive, analytic, and multidisciplinary study of oral traditions and folklore in Africa and the African Diaspora to date. Preeminent scholars Akintunde Akinyemi and Toyin Falola assemble a team of leading and rising stars across African Studies research to retrieve and renew the scholarship of oral traditions and folklore in Africa and the Diaspora just as critical concerns about their survival are pushed to the forefront of the field. With five sections on the central themes within orality and folklore – including engagement ranging from popular culture to technology, methods to pedagogy – this handbook is an indispensable resource to scholars, students, and practitioners of oral traditions and folklore preservation alike. This definitive reference is the first to provide detailed, systematic discussion, and up-to-date analysis of African oral traditions and folklore.
ART MUSIC IN NIGERIA is the most comprehensive book on the works of modem Nigerian composers who have been influenced by European classical music. Relying on over 500 scores, archival materials and interviews with many Nigerian composers, the author traces the historical developments of this new idiom in Nigeria and provides a critical and detailed analysis of certain works. Written in a refreshing and lucid style and amply illustrated with music examples, the book represents a milestone in musicological research in Nigeria. Although written essentially for students and scholars of African music, this interesting book will also be enjoyed by the général reader.