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Since 1975, the Houston-based Sarah Campbell Blaffer Foundation has formed a distinguished collection of European Old Master paintings from the Renaissance through the eighteenth century for exhibition in museums, universities, and art centers throughout Texas. This lavishly illustrated book accompanies a major exhibition of the foundation's finest paintings at the Museum of Fine Arts, Houston. Prominent experts introduce these masterpieces of the Blaffer Collection in essays on still life, landscape, genre painting, portraiture, and history painting.
Since 1975, the Houston-based Sarah Campbell Blaffer Foundation has formed a distinguished collection of European Old Master paintings from the Renaissance through the eighteenth century for exhibition in museums, universities, and art centers throughout Texas. This lavishly illustrated book accompanies a major exhibition of the foundation's finest paintings at the Museum of Fine Arts, Houston. Prominent experts introduce these masterpieces of the Blaffer Collection in essays on still life, landscape, genre painting, portraiture, and history painting.
The Primacy of the Image in Northern Art 1400-1700: Essays in Honor of Larry Silver is an anthology of 42 essays written by distinguished scholars on current research and methodology in the art history of Northern Europe of the late medieval and early modern periods. Written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania, the topics are inspired by Professor Silver’s renowned scholarship in these areas: Early Netherlandish Painting and Prints; Sixteenth-Century Netherlandish Painting; Manuscripts, Patrons, and Printed Books; Dürer and the Power of Pictures; Prints and Printmaking; and Seventeenth-Century Painting. Studies of specific artists include Hans Memling, Albrecht Dürer, Hans Baldung Grien, Hieronymus Bosch, Pieter Bruegel, Hendrick Goltzius, and Rembrandt.
"Five Hundred Years of French Art, as represented by the paintings, sculpture, drawings, and prints assembled in the exhibition, incorporates two very important components of the French mystique -- the allure of the senses and the appeal of the intellect."--Introduction.
It is with great pride that the Philbrook Museum of Art opens this tour of Italian paintings. The Bob Jones University Collection of Religious Art is one of the finest and most comprehensive collections of old master pictures in the country. Philbrook has been given a rare opportunity to organize a national exhibition tour and to publish a new catalogue. Both will bring attention to this extraordinary but little-known collection to the public at large. - Preface.
This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas.