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In this anthology, Rubert (author and advertising executive who became editor of Arkham House in 1997) probes into the firm's history and its controversial founder, August Derleth. In the 21 essays, he explores some of the myths that have surfaced since Derleth's death in 1971, the Lovecraft legacy, the circumstances surrounding the Donald Wandrei litigation, key Arkham House writers of horror and fantasy fiction, and new biographical and historical information about legendary pulp writers. He also includes 21 unusual stories by each writer that are either unpublished or have never been published in a previous Arkham House collection. The volume is not indexed. Annotation c. Book News, Inc., Portland, OR
Zom-Bis a radical new series about a zombie apocalypse, told in the first person by one of its victims. The series combines classic Shan action with a fiendishly twisting plot and hard-hitting and thought-provoking moral questions dealing with racism, abuse of power and more. As Darren says, "It's a big, sprawling, vicious tale... a grisly piece of escapism, and a barbed look at the world in which we live. Each book in the series is short, fast-paced and bloody. A high body-count is guaranteed!" Can you love a bullying racist thug if he's your father? How do you react when confronted with your darkest inner demons? What do you do when zombies attack? B Smith is about to find out...
For use in schools and libraries only. Horror stories by Christopher Pike, R.L. Stein, and other authors deal with a wax museum, vampire love, deadly dolls, and other themes.
With works by Truman Capote, William Faulkner, Joyce Carol Oates, Robert Silverberg, Henry James, Edgar Allan Poe, H. G. Wells, Bram Stoker and dozens more, this is a spellbinding collection of 40 of the best of horror and supernatural tales.
In the aftermath of a hurricane from which she barely escapes while on a small island off the coast of South Carolina, travel writer Lea Sutter impulsively adopts a pair of orphaned twin boys against the wishes of her family before encountering the twins' sinister natures.
'One of Britain's finest horror writers' DAILY MAIL In a city wreathed in fog, a satanic killer stalks the streets... Enter Lieutenant Foggia who, assisted by a spiritualist medium, must discover the reason for the slayings. But the truth he unearths is beyond anything he's encountered in the real world. For the killings are paving the way for a force so powerful that the lives of a few innocents will appear unimportant in comparison... Packed with twists, and laced with spiritualism, witchcraft and demonology, Black Angel moves at a break-neck pace from its stomach-churning opening to the explosive final confrontation between man and demon. 'One of the most original and frightening storytellers of our time' PETER JAMES 'A true master of horror' JAMES HERBERT 'God, he's good' STEPHEN KING
Many readers know Stephen King for his early works of horror, from his fiction debut Carrie to his blockbuster novels The Shining, The Stand, and Misery, among others. While he continues to be a best-selling author, King’s more recent fiction has not received the kind of critical attention that his books from the 1970s and 1980s enjoyed. Recent novels like Duma Key and 1/22/63 have been marginalized and, arguably, cast aside as anomalies within the author’s extensive canon. In Stephen King’s Contemporary Classics: Reflections on the Modern Master of Horror, Philip L. Simpson and Patrick McAleer present a collection of essays that analyze, assess, and critique King’s post-1995 compositions. Purposefully side-stepping studies of earlier work, these essays are arranged into three main parts: the first section examines five King novels published between 2009 and 2013, offering genuinely fresh scholarship on King; the second part looks at the development of King’s distinct brand of horror; the third section departs from probing the content of King’s writing and instead focuses on King’s process. By concentrating on King’s most recent writings, this collection offers provocative insights into the author’s work, featuring essays on Dr. Sleep, Duma Key, The Girl Who Loved Tom Gordon, Joyland, Under the Dome, and others. As such, Stephen King’s Contemporary Classics will appeal to general fans of the author’s work as well as scholars of Stephen King and modern literature.
'Move over King, Chuck Wendig is the new voice of modern American horror' Adam Christopher 'A rich, rewarding tale' The Guardian ____________________________________________________________________________ A family returns to their hometown - and to the dark past that haunts them still - in this masterpiece of literary horror by the New York Times bestselling author of Wanderers When Nate's father dies, he leaves behind a final gift for his son: his childhood home. Married now, Nate decides to move in with his wife, Maddie, and their son, Oliver, seeking peace from the chaos of the city. But it doesn't take long before things get strange in the night and even stranger by day. Because Nate was a child being abused by his father, and has never told his family. Because Maddie was a little girl who saw something she shouldn't have. Because something sinister, something hungry, walks in the tunnels and the mountains and the coal mines of this town in rural Pennsylvania... And now, what happened all those years ago is happening again, and this time, it is happening to Oliver. When he meets a strange boy with secrets of his own and a taste for dark magic, he has no idea that what comes next will put his family at the heart of a battle of good versus evil. ____________________________________________________________________________ 'The dread, the scope, the pacing, the turns-I haven't felt all this so intensely since The Shining' - Stephen Graham Jones 'Universally horrifying and viscerally intimate, Wendig brilliantly uses The Book of Accidents to explore a painful truth: in the end, we all haunt ourselves' - Kiersten White
Unsealing the hatch of a rusty old WWII tank will unleash a demonic nightmare in this novel by “the master of modern horror” (Library Journal). Thirty-five years have passed since the Allied invasion of Normandy on D-Day turned the tide of World War II against Adolf Hitler and the Nazi Reich, and it’s been more than three decades since the residents of the tiny French village of Le Vey witnessed the horrific slaughter of hundreds of German soldiers by thirteen black tanks. One of the tanks remains on the outskirts of town—its hatch mysteriously sealed, trapping its controller inside—only to be discovered by American surveyor and cartographer Dan McCook. Driven by curiosity and an inexplicable compulsion, McCook is about to do the unthinkable and release what lives within the tank upon an unsuspecting world. And once the monstrous occupant reunites with others of its demonic kind, a new world war will begin, one that threatens to wash the earth in blood and drag every man, woman, and child through the fiery gates of hell. A chilling and ingeniously original tale of demonic possession and apocalyptic possibilities, The Devils of D-Day is classic horror at its best, from the award-winning author of The Manitou.