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An overview of general sound principles, such as frequency, wavelength, absorption, decibel measurement, and transmission in various materials, as well as a look at the human ear and auditory system. Annotation copyrighted by Book News, Inc., Portland, OR
The industry standard guide to room acoustics―fully updated with the latest advances Based on the classic text written by acoustics pioneer F. Alton Everest, this revised resource presents the fundamentals of acoustics along with time-tested solutions and detailed room designs. Master Handbook of Acoustics, Seventh Edition explains the art and science of room acoustics and architecture by combining theoretical instruction with matter-of-fact engineering advice. The numerous room designs inside—complete with floor and elevation plans and performance analyses—can be built as presented or adapted to meet specific needs. You will get designs new to this edition, including video teleconferencing rooms and voice studios, as well as new details on listening room and recording studio construction. Inside, you’ll discover how to: Control and utilize sound reflection, absorption, diffraction, and diffusion Calculate room reflections, reverberation times, and modal resonances Perform acoustical measurements and site surveys and choose construction materials Install modules to optimize early reflections, reverberation, and diffusion Design and construct home theaters, project studios, control rooms, recording studios, and other acoustically sensitive spaces Reduce HVAC noise levels and achieve excellent sound isolation with proven wall, window, and door designs Analyze the acoustics of concert halls, auditoriums, and places of worship Incorporate psychoacoustics in your designs to optimize room performance Understand the operation of room acoustics modeling software Utilize the supplied cost-effective plans and specifications for a variety of listening and recording rooms
This is an unparalleled modern handbook reflecting the richly interdisciplinary nature of acoustics edited by an acknowledged master in the field. The handbook reviews the most important areas of the subject, with emphasis on current research. The authors of the various chapters are all experts in their fields. Each chapter is richly illustrated with figures and tables. The latest research and applications are incorporated throughout, including computer recognition and synthesis of speech, physiological acoustics, diagnostic imaging and therapeutic applications and acoustical oceanography. An accompanying CD-ROM contains audio and video files.
Acoustical engineers, researchers, architects, and designers need a comprehensive, single-volume reference that provides quick and convenient access to important information, answers and questions on a broad spectrum of topics, and helps solve the toughest problems in acoustical design and engineering. The Handbook of Acoustics meets that need. It offers concise coverage of the science and engineering of acoustics and vibration. In more than 100 clearly written chapters, experts from around the world share their knowledge and expertise in topics ranging from basic aerodynamics and jet noise to acoustical signal processing, and from the interaction of fluid motion and sound to infrasound, ultrasonics, and quantum acoustics. Topics covered include: * General linear acoustics * Nonlinear acoustics and cavitation * Aeroacoustics and atmospheric sound * Mechanical vibrations and shock * Statistical methods in acoustics * Architectural acoustics * Physiological acoustics * Underwater sound * Ultrasonics, quantum acoustics, and physical aspects of sound * Noise: its effects and control * Acoustical signal processing * Psychological acoustics * Speech communication * Music and musical acoustics * Acoustical measurements and instrumentation * Transducers The Handbook of Acoustics belongs on the reference shelf of every engineer, architect, research scientist, or designer with a professional interest in the propagation, control, transmission, and effects of sound.
Build first-class recording studios and listening spaces Design and build your own audiophile-grade recording and playback environments using proven, cost-effective plans and techniques. Handbook of Sound Studio Construction: Rooms for Recording and Listening explains practical acoustical properties and describes how to engineer acoustically sensitive spaces, including music recording studios, control rooms, voice studios, home project studios, A/V suites, media rooms, and surround-sound home theaters. Learn how to choose room dimensions, select building materials, construct your own custom treatments, maximize isolation, and generate and analyze response curves. This do-it-yourself guide incorporates decades of roomdesign experience and provides you with the practical knowledge to design and build your own acoustical spaces or improve existing spaces. Coverage includes: An introduction to room acoustics and acoustical design Reflecting, absorbing, and diffusing materials Room geometry, modes, and treatment Acoustic isolation, site selection, and HVAC design Wall, floor, and ceiling construction Window and door design considerations Reverberation times, early reflections, and psychoacoustics Objective and subjective room evaluation Plans and specifications for 10 recording and listening rooms
Undergraduate-level text examines waves in air and in three dimensions, interference patterns and diffraction, and acoustic impedance, as illustrated in the behavior of horns. 1951 edition.
Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms, Third Edition explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use the processes to create high-quality listening experiences in stereo and multichannel formats. Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revision brings new science-based perspectives on the performance of loudspeakers, room acoustics, measurements and equalization, all of which need to be appropriately used to ensure the accurate delivery of music and movie sound tracks from creators to listeners. The robust website (www.routledge.com/cw/toole) is the perfect companion to this necessary resource.
The fifth edition of this successful introductory text on hearing sciences includes auditory, anatomy, physiology, psychoacoustics, and perception content. Fundamentals of Hearing is one of only a few textbooks that covers all of hearing at an introductory level. A meaningful introduction to hearing for students and a wealth of data and facts related to hearing for the professional. It it heavily illustrated with over 200 figures. Each chapter concludes with a Supplement section with additional resources about topics covered. Appendices provide background information to enable full comprehension of content. It contains a complete Glossary of terms from the American Standards Institute, a combined subject/author index, and a comprehensive bibliography.
Well established as a classic reference and specialised textbook, since its first publication in 1973, Heinrich Kuttruff’s Room Acoustics combines detailed coverage with a state of art presentation of the theory and practice of sound behaviour in closed spaces. This sixth edition presents several additional new sections, for instance on the reflection of a spherical wave from a wall, on finite element methods for sound field calculation and on virtual reality, as well as giving an overhaul of the standard material. Particular emphasis is given to the properties and calculation of reverberation, the most obvious acoustical feature of a room. And further key topics include the various mechanisms of sound absorption and their practical application as well as scattering by wall irregularities including pseudo-stochastic structures. Extensive space is given to of psychoacoustic insights and the quality criteria derived from them, along with new procedures for the sensory assessment of concert hall acoustics. As in earlier editions, one full and updated chapter is devoted to the design and performance of electroacoustic systems which nowadays is not just a method for sound amplification but offers many possibilities for correcting acoustic deficiencies and modifying a hall’s natural acoustics.