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In this examination of Greek press, radio and television, authors Zaharopoulos and Paraschos describe media which have been tremendously politicized, partisan, and dominated by foreign programming. As the political and economic face of Greece and Europe changes, the Greek media has been thrown into anarchy. Greece today is at a critical stage of transition from a traditional, developing nation to a more western-oriented, modern society. The media have mirrored Greece's struggle, and as important tools of political, socioeconomic, and cultural power, they have been at the forefront of the national crisis. In this examination of Greek press, radio and television, Zaharopoulos and Paraschos describe media which have been tremendously politicized, partisan, and dominated by foreign programming. As the political and economic face of Greece and Europe changes, the Greek media have been thrown into anarchy. Zaharopoulos and Paraschos trace the development of the media under different political regimes which have shaped its norms and structures. Historically, governments ranging from military juntas to democratically elected ones, have all been reluctant to share the use of the print media, radio and television, although opposition parties have been successful in loosening the now crumbling government monopoly. The traditionally powerful elements of society have benefitted most from radio and television ownership which, the authors say, will ultimately benefit Greek society as a whole. The authors discuss the Greek mass media's transformation from state control to privatization as a foreshadowing model of Eastern European media developments. Mass Media in Greece will be of particular interest to students of international communication and modern Greece.
The Emerald Handbook of Digital Media in Greece: Journalism and Political Communication in Times of Crisis presents the empirical applications of digital media in political communication and in a number of social settings including the environment, homelessness, migration and social movements.
In this examination of Greek press, radio and television, authors Zaharopoulos and Paraschos describe media which have been tremendously politicized, partisan, and dominated by foreign programming. As the political and economic face of Greece and Europe changes, the Greek media has been thrown into anarchy. Greece today is at a critical stage of transition from a traditional, developing nation to a more western-oriented, modern society. The media have mirrored Greece's struggle, and as important tools of political, socioeconomic, and cultural power, they have been at the forefront of the national crisis. In this examination of Greek press, radio and television, Zaharopoulos and Paraschos describe media which have been tremendously politicized, partisan, and dominated by foreign programming. As the political and economic face of Greece and Europe changes, the Greek media have been thrown into anarchy. Zaharopoulos and Paraschos trace the development of the media under different political regimes which have shaped its norms and structures. Historically, governments ranging from military juntas to democratically elected ones, have all been reluctant to share the use of the print media, radio and television, although opposition parties have been successful in loosening the now crumbling government monopoly. The traditionally powerful elements of society have benefitted most from radio and television ownership which, the authors say, will ultimately benefit Greek society as a whole. The authors discuss the Greek mass media's transformation from state control to privatization as a foreshadowing model of Eastern European media developments. Mass Media in Greece will be of particular interest to students of international communication and modern Greece.
The Emerald Handbook of Digital Media in Greece: Journalism and Political Communication in Times of Crisis presents the empirical applications of digital media in political communication and in a number of social settings including the environment, homelessness, migration and social movements.
These essays address one of the most challenging debates in contemporary European media studies: the transition of the traditional Public Service Broadcasters into Public Service Media, as they widen their remit to produce and distribute public service content across more delivery platforms to meet the requirements of the digital age.
Sian Lewis explores the role of news and information in shaping Greek society from the sixth to the fourth centuries, b.c. Applying ideas from the study of modern media to her analysis of the functions of gossip, travel, messengers, inscriptions, and inst
Bringing together 49 chapters from leading experts in media industries research, this major collection offers an authoritative overview of the current state of scholarship while setting out proposals for expanding, re-thinking and innovating the field. Media industries occupy a central place in modern societies, producing, circulating, and presenting the multitude of cultural forms and experiences we encounter in our daily lives. The chapters in this volume begin by outlining key conceptual and critical perspectives while also presenting original interventions to prompt new lines of inquiry. Other chapters then examine the impact of digitalization on the media industries, intersections formed between industries or across geographic territories, and the practices of doing media industries research and teaching. General ideas and arguments are illustrated through specific examples and case studies drawn from a range of media sectors, including advertising, publishing, comics, news, music, film, television, branded entertainment, live cinema experiences, social media, and music video. Making a vital and significant contribution to media research, this volume is essential reading for students and academics seeking to understand and evaluate the work of the media industries. Chapter 10 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com