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"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.
...But now she has a million questions about the Pink Carnation's deadly French nemesis, the Black Tulip. And she's pretty sure that her handsome onagain, off-again crush, Colin Selwick, has the answers somewhere in his archives. But what she discovers in an old codebook is something juicier than she ever imagined.
The Masque was Brendan Mullens grimy basement club in late 70s Los Angeles where West Coast punk first coalesced. A haven for weirdos, nerds, borderline sociopaths and assorted misfits with attitude problems and home to bands The Germs, X, The Weirdos, The Bags, The Plugz and so many more, who managed, in the two short years the Masque was open, to make history. Filled with classic photos and ephemera by Jenny Lens, Alain Saint Croix, Michael Yamplosky, Al Flipside and many others, showcasing the influential fashion of an era with no rules. This massive volume features large scale photographs throughout, many of which have never been seen before. The Masque Nightmare in Punk Alley is a impressive document of the most notorious punk scene ever. Text by Brendan Mullen and Kristin McKenna.
Masquerade, both literal and metaphorical, is now a central concept on many disciplines. This timely volume explores and revisits the role of disguise in constructing, expressing and representing marginalised identities, and in undermining easy distinctions between 'true' identity and artifice. The book is interdisciplinary in approach, spanning a diverse range of cultures and narrative voices. It provides provocative and nuanced ways of thinking about masquerade as a tool for construction, and a tool for critique. The essays interrogate such themes as: *mask and carnival *fetish fashion *stigma of illegitimacy *femininity as masquerade *lesbian masks *cross-dressing in Jewish folk theatre *the mask in seventeenth and eighteenth century London and nineteenth century France *the voice as mask.
On his way to deliver a splendid necklace to the Sun from the Moon, Jack Hare is diverted by a series of odd characters and when he finally reaches his destination he realizes that the necklace is missing. The reader is invited to answer several riddles and solve the mystery from clues given in the text.
Orange Coast Magazine is the oldest continuously published lifestyle magazine in the region, bringing together Orange County¹s most affluent coastal communities through smart, fun, and timely editorial content, as well as compelling photographs and design. Each issue features an award-winning blend of celebrity and newsmaker profiles, service journalism, and authoritative articles on dining, fashion, home design, and travel. As Orange County¹s only paid subscription lifestyle magazine with circulation figures guaranteed by the Audit Bureau of Circulation, Orange Coast is the definitive guidebook into the county¹s luxe lifestyle.
Dark Horse''s award-winning Creepy Archives hardcover series roars through the 1970s with a batch of classic horror tales! Dark Horse''s latest foray into fear reprints some of Warren Publishing''s first full-color story offerings from the early seventies and features more of the unique talents that made Creepy so tantalizing and timeless. With gorgeous covers by Sanjulian and work by comic-book talents Richard Corben, Doug Moench, Budd Lewis, Tom Sutton, and Reed Crandall, this volume is not to be missed! This archival collection includes issues #51 through #54 of the original Creepy magazines, as well as color covers and stories, fan pages, "Dear Uncle Creepy" letters columns, and an exclusive foreword by filmaker John Landis!