Download Free Masks And Marionettes Book in PDF and EPUB Free Download. You can read online Masks And Marionettes and write the review.

This vintage book is a fascinating and detailed study on the history of masks and marionettes, with information on early development, popularity and influence throughout the ages, notable practitioners, and much more. “Masks And Marionettes” constitutes a fantastic exploration of context and culture surrounding its subject, and will be of considerable utility to those with an interest in the history of Commedia dell'arte. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new introduction on puppets and marionettes.
A guide to the history, use and manufacture of Marionette dolls, chapters include, the marionette its family tree, choosing your play, making your stage, making your marionette, training your puppeteers and much more. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Provides instructions on creating an assortment of masks and puppets to accompany classic stories in the classroom
This volume, which originally appeared as a special issue of TDR/The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives. Puppets and masks are central to some of the oldest worldwide forms of art making and performance, as well as some of the newest. In the twentieth century, French symbolists, Russian futurists and constructivists, Prague School semioticians, and avant-garde artists around the world have all explored the experimental, social, and political value of performing objects. In recent years, puppets, masks, and objects have been the focus of Broadway musicals, postmodernist theory, political spectacle, performance art, and new academic programs, for example, at the California Institute of the Arts.This volume, which originally appeared as a special issue of TDR/The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives. The topics include Stephen Kaplin's new theory of puppet theater based on distance and ratio, a historical overview of mechanical and electrical performing objects, a Yiddish puppet theater of the 1920s and 1930s, an account of the Bread and Puppet Theater's Domestic Resurrection Circus and a manifesto by its founder, Peter Schumann, and interviews with director Julie Taymor and Peruvian mask-maker Gustavo Boada. The book also includes the first English translation of Pyotr Bogatyrev's influential 1923 essay on Czech and Russian puppet and folk theaters. Contributors John Bell, Pyotr Bogatyrev, Stephen Kaplin, Edward Portnoy, Richard Schechner, Peter Schumann, Salil Singh, Theodora Skipitares, Mark Sussman, Steve Tilllis
Describes storytelling arts projects - activities include puppets of all sizes, masks and other larger-than-life characters. Instructions for producing sound effects and scenery, and scripts of folk tales in which the puppets and masks can be used, round out the theme.
In the Mexican states of Puebla and Veracruz, old masked dances have survived in isolated mountain regions. These dances include wonderful masks of humans and animals, masks with beautiful, comic, or wicked faces. Created by Indigenous master carvers, mascareros, these masks and puppets appear during religious fiestas. Over 700 vivid color photos reveal these masks and puppets in all their glory. The thoroughly researched text answers the questions about who made these beautiful works of art, who these dance characters are, and the nature of the religion they represent. The Spanish conquerors strove to convert the Indian inhabitants of Mexico to Christianity. However, these converts secretly retained important deities from earlier times to accompany Christian elements, creating a poetic blend of beliefs. Given that these indigenous peoples have suffered many injustices, the masks, puppets, and dance dramas reflect many unresolved societal tensions along with veiled wishes for divine justice.