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Megan thought she had read every book in her grandfather's extensive collection of fiction, until stumbling upon an unfamiliar title. Curious, she delves into the book, realizing that her own relationship with her boyfriend of four years parallels the story she is reading of Ambrose and Sebastian. Can a story of love between two men provide the answers to salvage her floundering relationship?This unusual tale is actually a period story wrapped inside of a contemporary storyline. The interior story includes actual places and events of 1890 Victorian London. One story follows the relationship of two men in Britain, the other story follows Megan and Chandler in upstate New York, USA. Not specifically defined as a romance novella, since this manuscript crosses genre specific lines: gay / hetero, period / contemporary, and even includes an alternate ending. Definitely not the traditional run-of-the-mill read, but a journey into alternative fiction.
Brooke thought she had read every book in Grandad's collection of fiction until she stumbles upon an unfamiliar title. Curious, she delves into the book, realizing her relationship with her boyfriend of four years parallels the story she is reading of Ezra and Christian. Can a Victorian tale of forbidden love between two men provide the answers to salvage her floundering relationship? This unusual story is a period tale wrapped inside of a contemporary storyline. The interior tale follows the relationship of two men in 1890 Victorian London, the outer story follows Brooke and Chase in upstate New York in the present day setting. The manuscript crosses genre specific lines; gay/hetero and period/contemporary. Definitely not a traditional run-of-the-mill read, but a journey into alternative fiction.
This collection of essays offers some thoughts on alterity/otherness in anthropological praxis viewed through the prism of the Latin American reality. It is neither an exhaustive treatment of the problem of Otherness in anthropological theory nor a definitive analysis of the various forms of represented, practiced, and contested alterities in Latin American history. Rather, the authors have been brought together by several common concerns. The first is an interest in exploring and understanding some of the ways in which Otherness structures social relations at the everyday as well as the national levels. The second is a theoretical and methodological question of how the perspective which foregrounds the Other at the expense of the Self might make the anthropological inquiry more effective and emancipatory. Thirdly, the authors are interested in how they can, as researchers, teachers, and citizens, help overcome cleavages which group identities constantly produce in the body of humanity. The Others that the authors of this book explore include indigenous peoples, mestizos, African slaves, women, insurgent peasants, as well as hybrid groups (re-)claiming a new identity. While each of the eight authors focuses on social phenomena from different time periods and parts of Latin America, they all share as their common denominator the Spanish colonization of the continent which set off a series of events whose consequences eventually exceeded the wildest fantasies of the boldest thinkers of these times. The authors particularly focus on the visual representation and performance of alterity, but also give room to some non-visual ways in which Otherness is established and subverted. Inevitably, this volume presents a diverse selection of contributions which nevertheless share some common problems, concerns and hopes, which in their totality provide a complex picture of Otherness in everyday life in historical and contemporary Latin America.
‘This is one of the most important topics today that seemingly no one is talking about: how men can take care of their emotional health in a 21st century that demands it. Crucial reading for any young or struggling man.’ - Mark Manson, #1 New York Times bestselling author of The Subtle Art of Not Giving a F*ck At 30 years old, Lewis Howes was outwardly thriving but unfulfilled inside. He was a successful athlete and businessman, achieving goals beyond his wildest dreams, but he felt empty, angry, frustrated, and always chasing something that was never enough. His whole identity had been built on misguided beliefs about what "masculinity" was. Howes began a personal journey to find inner peace and to uncover the many masks that men – young and old – wear. In The Mask of Masculinity, Howes exposes: · The ultimate emptiness of the Material Mask, the man who chases wealth above all things; · The cowering vulnerability that hides behind the Joker and Stoic Masks of men who never show real emotion; and · The destructiveness of the Invincible and Aggressive Masks worn by men who take insane risks or can never back down from a fight. He teaches men how to break through the walls that hold them back and shows women how they can better understand the men in their lives. It's not easy, but if you want to love, be loved and live a great life, then it's an odyssey of self-discovery that all modern men must make. This book is a must-read for every man – and for every woman who loves a man.
Masked Identity is about the challenges women face throughout their life while still trying to sustain in society. It’s a book of poetry which consists of nine women living out their purpose and encountering trouble and sacrifices along the way. Each woman represents a certain color and all of the women have one common goal which is survival. Through poetry, each woman is able to tell her story about heartbreak, friends, being accepted in society, family and love related matters.
14th February, the day when he first met Roxy, ‘the love of his life’ but also the day when he met the famous author, Arundhati Sen. How could he forget her? Both Roxy and Arundhati shaped his life to what he was today. Arundhati was reserved whereas Roxy was playful and lively, the author was an introvert whereas she was an extrovert, Arundhati was rich whereas she was mediocre, the author had traditional tastes whereas Roxy was modern, the author was not happy whereas Roxy led a very satisfactory life. Yet, one thing was common in both........Was Arvind’s love life being written and framed by the famous author?
An analysis of unpublished letters to the first American gay magazine reveals the agency, adaptation, and resistance occurring in the gay community during the McCarthy era.
The fifties marks the moment when a heterosexual/homosexual dualism came to dominate U.S. culture's thinking about masculinity. The films of this era record how gender and sexuality did not easily come together in a normative manhood common to American men. Instead these films demonstrate the widely held perception of a crises of masculinity. Masked Men documents how movies of the fifties represented masculinity as a multiple masquerade. Hollywood's star system positioned the male actor as a professional performer and as a body intended to solicit the erotic interest of male and female viewers alike. Drawing on publicity, poster art, fan magazines, and the popular press as a means of following the links between fifties stars, their films, and the social tensions of the period, Cohan juxtaposes Hollywood's narratives of masculinity against the personae of leading men like Cary Grant, Humphrey Bogart, John Wayne, Charlton Heston, Yul Brynner, William Holden, Montgomery Clift, Marlon Brando, and Rock Hudson. Masked Men focuses on the gender and sexual masquerades that organized their performances of masculinity on and off screen.
"In recent years, anonymity has rocked the political and social landscape. The examples are many: an anonymous whistleblower revealed a quid-pro-quo verbal promise made by Donald Trump to Ukrainian president Volodymyr Zelensky, the hacker group Anonymous compromised more than 100 million Sony accounts, and the bestselling author Elena Ferrante insistently refused to reveal her real name and identity. In Anonymous, Thomas DeGloma sets out to provide a sociological theory that accounts for the many faces of anonymity, describing the social forces that give anonymity its unique power in our society. He asks a number of pressing questions about the social conditions and effects of anonymity: What is anonymity, and why, under various circumstances, do individuals act anonymously? How do individuals accomplish anonymity? How do they use it, and, in some situations, how is it imposed on them? What are the implications of anonymous actions, for various relationships, and for society in general, for better or for worse? To answer these questions, DeGloma tackles anonymity thematically, dedicating each chapter to a distinct type of anonymous action. These span what DeGloma calls protective anonymity (when anonymity allows people to take action that would be impossible or unsafe if their identity were known), subversive anonymity (when actors use anonymity to escape scrutiny or punishment, whether for liberatory or nefarious purposes), or ascribed anonymity (when people become effectively anonymous because their individual attributes are subsumed in a generic category such as racial typification). Ultimately, he uncovers how meanings are made and conveyed in anonymous interactions and situations, explores the ways that anonymity can be imposed on individuals in some relationships, and helps us better understand the consequences of anonymous performances and ascriptions of anonymity for all those involved"--
A fascinating new account of the life and legend of the Wild West's most notorious woman: Calamity Jane Martha Jane Canary, popularly known as Calamity Jane, was the pistol-packing, rootin' tootin' "lady wildcat" of the American West. Brave and resourceful, she held her own with the men of America's most colorful era and became a celebrity both in her own right and through her association with the likes of Wild Bill Hickok and Buffalo Bill Cody. In this engaging account, Karen Jones takes a fresh look at the story of this iconic frontierswoman. She pieces together what is known of Canary's life and shows how a rough and itinerant lifestyle paved the way for the scattergun, alcohol-fueled heroics that dominated Canary's career. Spanning Canary's rise from humble origins to her role as "heroine of the plains" and the embellishment of her image over subsequent decades, Jones shows her to be feisty, eccentric, transgressive--and very much complicit in the making of the myth that was Calamity Jane.